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Meredith Oakes
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Аннотация
The Greek fleet bound for Troy is becalmed. For the sake of a wind, Agamemnon, leader of the Greek forces, is persuaded that he must sacrifice his daughter Iphigenia. But as the priest raises his knife to slit the child’s throat, the goddess Diana spirits her away. Clytemnestra, Agamemnon’s wife, believing her beloved daughter to be dead, slays her husband in revenge on his return from the Trojan wars. Their son, Orestes, avenges his father’s death by killing his mother. Now, years later, as Iphigenia, a prisoner of the temple of Diana, looks across the sea to Greece, longing to return home, her brother Orestes arrives…
Meredith Oakes: Collected Plays (The Neighbour, the Editing Process, Faith, Her Mother and Bartok, Shadowmouth, Glide, the Mind of the Meeting) - Meredith Oakes
Аннотация
Includes the plays The Neighbour, The Editing, Faith, Her Mother and Bartok, Shadowmouth, Glide and The Mind of the MeetingTwo highly regarded early plays, The Neighbour and The Editing Process (here presented in a revised version) present a study in contrasts: the first a battle of wills between two young men on a housing estate; the second an urbane but despairing comedy set in a publisher's offices.Faith provides a vision of military conflict as a testing ground for English values, while Her Mother and Bartok focuses on a husband and wife as they discuss their first meeting from the perspective of the less-than-inspiring present. In Shadowmouth a troubled teenager is thrown out by his single mother and is taken in by a middle-aged single man. Glide and The Mind of the Meeting are short radio plays.
Аннотация
Set in the offices of a magazine publishers, Meredith Oakes’ comedy of fragile values in the media will not restore your faith in human nature, but it is guaranteed to help you get on in publishing without really succeeding. First performed at the Royal Court Theatre, directed by Stephen Daldry.
Аннотация
A vision of military conflict as a testing-ground for English values. Nightmarish contradictions face a group of soldiers in an isolated farmhouse on the edge of battle. Premiered at the Royal Court Theatre in 1997
Аннотация
Love, loneliness and longing in the twilight hours – in cities which never sleep, night hawks are falling in love, out of love and over the edge. Inspired by the photography of Nan Goldin, Shadowmouth is about people trying to connect in a landscape of disconnection, the power of desire, and being alone late at night. Combining hypnotic language with arresting dance theatre, this bold and thrillingly new show salutes the underbelly of urban life.
Аннотация
Mr Modernsky[/i] tells a story about two heavyweights of twentieth-century classical music: Igor Stravinsky and Arnold Schoenberg.It traces the gradual change there has been in the way these two great rivals are perceived, looks in their music for the reasons and reflects on the nature of modernity in art and the sometimes pernicious effects of ideology. Meredith Oakes explores the tension between futuristic and historical elements in the work of these parallel artists and asks: is modernity merely about technical innovation? Must progress always mean exclusion of the past?'…a personal reflection on Oakes’s own changing attitude to music…the discussion of Wagner’s technique and its relevance to Schoenberg in the same section is so absorbing that the reader is carried along. It’s notoriously difficult to write about what music sounds like, but Oakes has some delightful turns of phrase.' Classical Music Magazine
Аннотация
Bill is sustained by his deep sense of a wider culture and an improving world. The only thing the human race needs to do is learn. When he meets a person who embodies this idea, he naturally likes them. Especially if his wife doesn't. Set at the end of the 1950s, Scenes from the Back of Beyond explores the comfort, hopes and fragility of family life in a new Sydney suburb. A production opened at the Royal Court Theatre, London in November 2006.