Аннотация

‘I don't know what crime I am supposed to have committed for which not only I but my wife and children should continually suffer.’ – British detainee Moazzam BeggWeaving together personal stories, legal opinion and political debate, Guantanamo: Honor Bound to Defend Freedom looks at the questions surrounding the detentions in Guantanamo Bay, and asks how much damage is being done to Western democratic values during the 'war on terror'.

Аннотация

Over the last twelve months headlines have been dominated by the growth of Islamic State, and terror attacks claimed by IS have spread across the world. What is the entity that calls itself Islamic State? Why are some young Muslim men and women from across Western Europe leaving their homes to answer the call of Jihad? And what should we do about it? This piece of verbatim documentary theatre, written by novelist Gillian Slovo using material from the interviews she conducted and directed by Nicolas Kent, is the result of many months researching Islamic State, meeting people affected by the organisation and involved in the fight against it.

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From 1994-2012 Kilburn’s Tricycle Theatre produced an extraordinary body of work that sought to engage, inform, and critique British and International Politics using verbatim testimony to respond to contemporary issues. Collected here for the first time are the complete ‘Tribunal Plays’. 2014 marks the 20th anniversary of the Tricycle’s first Tribunal Play – Half the Picture . This collection celebrates a remarkable and enduring body of work. Contains the plays Half the Picture , Nuremberg , Srebrenica , The Colour of Justice , Justifying War , Guantanamo , Bloody Sunday , Called to Account , Tactical Questioning and The Riots . Also included is a brand-new round table discussion with Nicolas Kent, Richard Norton-Taylor, Gillian Slovo and the playwright David Edgar, charting the history and development of each show and the contribution the Tribunal Plays have made to political theatre in the last two decades, and a foreword by Guardian journalist and chief theatre critic Michael Billington.

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The Government has so far refused a Public Inquiry into the riots that shook our cities in the Summer of 2011, so the Tricycle is mounting its own. This verbatim play builds a real-time picture of the riots as they unfolded. And then, from interviews with politicians, police, teachers, lawyers, community leaders, as well as victims and on-lookers, The Riots analyses what happened, why it happened, and what we should do towards making a better future for ourselves and our city. Astonishing stories and equally astonishing conclusions told by the many voices that have been stirred up by the riots.

Аннотация

It's 4 a.m. and Cathy Mason is watching dawn break over the Lovelace estate. By the end of the day, her community will be a crime scene. By the end of the week, her city will be on fire.
In this gripping thriller, a death at police hands has repercussions far beyond one family plunged into grief. When violence grips Cathy's estate, the dead man becomes a useful tactic (or an urgent threat) in political games at the highest level. So while lives are at risk on Cathy Mason's estate, across London in Westminster, careers are being made, or ruined.
From a Home Secretary's attempts to unseat a Prime Minister, to a new Met Police Commissioner fighting for his job, to families torn apart, Ten Days shows what happens when politics, policing and the hard realities of living in London explosively collide.

Аннотация