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Originally premiered Off Broadway at Signature Theatre Company in the spring of 2017<p><p>
Selected as a <i>New York Times</i> Critics’ Pick<p><p>
“A Samuel Beckett for the Jon Stewart generation” – <i>New York Times</i><p><p>
Eno has been honored with the following awards: <p><p>
Pulitzer Prize finalist for <i>Thom Pain (based on nothing) </i> <p>
2012 PEN/Laura Pels International Foundation for Theater Award<p>
2004 Oppenheimer Award for best debut by an American playwright (<i>The Flu Season</i>) <p>
Horton Foote Prize for <i>Middletown</i>

Аннотация

"A jewel box of a musical: small, delicate, brimming with emotion and charm."&#151;Vogue "It may sound like heresy to fans of the 2006 film, but this bewitching stage adaptation arguably improves on the movie, expanding its emotional breadth and elevating it stylistically while remaining true to the original's raw fragility."?Hollywood Reporter Retaining the film's popular music and lyrics, acclaimed Irish playwright Enda Walsh adapts this charming tale of a complicated romance between an Irish street musician and a young Czech immigrant for the stage. A hit musical Off-Broadway, Once premiered on Broadway in spring 2012 to rave reviews. Enda Walsh is the author of five Edinburgh Festival Fringe First Award-winning plays, including Penelope, The Walworth Farce, and The New Electric Ballroom. He also co-wrote the film Hunger, which won the Camera d'Or award at the Cannes Film Festival. Glen Hansard and Mark&#233;ta Irglov&#225; are the stars and songwriters of the 2006 film Once, for which they won an Academy Award for Best Song. The two comprise the musical folk-rock duo The Swell Season, which is currently touring the United States. A documentary film of the duo, The Swell Season, was an official selection of the 2011 Tribeca Film Festival. Hansard is also a member of the Irish band The Frames and Irglov&#225; is a classically trained Czech pianist and vocalist.

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&ldquo;Pevear and Volokhonsky are at once scrupulous translators and vivid stylists of English.&rdquo; &mdash;James Wood, New Yorker The Seagull , in this new translation for TCG&rsquo;s Russian Drama Series, includes lines and variants found in Chekhov&rsquo;s final version of the play, but omitted from the script for the original performance at the Moscow Art Theatre in 1898, which went on to become the standard printed version. The restored text, a product of the continuing collaboration of playwright Richard Nelson and translators Richard Pevear and Larissa Volokhonsky, provides valuable insight into Chekhov&rsquo;s intentions in his groundbreaking play. Richard Nelson &rsquo;s many plays include The Apple Family: Scenes from Life in the Country (That Hopey Changey Thing, Sweet and Sad, Sorry, Regular Singing); The Gabriels: Election Year in the Life of One Family (Hungry, What Did You Expect?, Women of a Certain Age); Nikolai and the Others; Goodnight Children Everywhere (Olivier Award for Best Play); Franny&rsquo;s Way; Some Americans Abroad; Frank&rsquo;s Home; Two Shakespearean Actors and James Joyce&rsquo;s The Dead (with Shaun Davey; Tony Award for Best Book of a Musical). Richard Pevear and Larissa Volokhonsky have translated the works of Leo Tolstoy, Fyodor Dostoevsky, Nikolai Gogol, Anton Chekhov, Boris Pasternak and Mikhail Bulgakov. Their translations of The Brothers Karamazov and Anna Karenina won the PEN Translation Prize in 1991 and 2002, respectively. Pevear, a native of Boston, and Volokhonsky, of St. Petersburg, are married and live in France. &nbsp;

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Winner of the 2016 Tony Award for Best Play Finalist for the 2016 Pulitzer Prize for Drama Winner of the Outer Critics Circle Award for Outstanding New Broadway Play Winner of the New York Drama Critics&rsquo; Circle Award for Best Play &ldquo;THE BEST PLAY OF THE YEAR&rdquo; – The New York Times, The Washington Post, New York Magazine, Chicago Tribune, The Hollywood Reporter, Time Out New York, NPR «Drawn in subtle but indelible strokes, Mr. Karam's play might almost qualify as deep-delving reportage, so clearly does it illuminate the current, tremor-ridden landscape of contemporary America. The finest new play of the Broadway season so far &mdash; by a long shot.»&mdash;Charles Isherwood, The New York Times Breaking with tradition, Erik Blake has brought his Pennsylvania family to celebrate Thanksgiving at his daughter's apartment in lower Manhattan. Unfolding over a single scene, this «delirious tragicomedy» ( Chicago Sun-Times ) by acclaimed young playwright Stephen Karam «infuses the traditional kitchen-sink family drama with qualities of horror in his portentous and penetrating work of psychological unease» ( Variety ), creating an indelible family portrait. Stephen Karam's plays include Speech &amp; Debate and Sons of the Prophet , a finalist for the 2012 Pulitzer Prize and the winner of the 2012 Drama Critics Circle, Outer Critics Circle, Lucille Lortel and Hull-Warriner awards for Best Play. Born and raised in Scranton, Pennsylvania, he now lives in New York City, New York.

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• Highly anticipated world premiere at the National Theatre in London in the fall of 2015• London production directed by Ian Rickson, with Wallace Shawn and Josh Hamilton• Four star review in The Guardian• Wallace Shawn is an accomplished playwright and well-known screen actor- Four of Shawn’s plays – The Designated Mourner, Marie and Bruce, My Dinner with Andre, and The Fever – were adapted into film. The film version of The Designated Mourner was directed by famed writer and director David Hare.– The film My Dinner with Andre went on to become a cinematic standard and highly revered material in the study of film.– Shawn translated and adapted a widely acclaimed version of the theatrical classic The Threepenny Opera by Bertolt Brecht. – His most recent work was a translation of Henrik Ibsen’s classic A Master Builder, which was also adapted for film by Jonathan Demme.

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"One of the most spectacularly original plays in recent memory."&#8212; Entertainment Weekly "Fascinating and hilarious . . . With each of its three acts, Mr. Burns grows grander."&#8212; Village Voice "When was the last time you met a new play that was so smart it made your head spin? . . . Mr. Burns has arrived to leave you dizzy with the scope and dazzle of its ideas . . . with depths of feeling to match its breadth of imagination."&#8212; The New York Times An ode to live theater and the resilience of The Simpsons , Anne Washburn's apocalyptic comedy Mr. Burns &#8212;"even better than its hype" ( New York Post )&#8212;is an imaginative exploration of how the culture of one generation can evolve into the mythology of the next. Following an enthusiastic critical reception from New York critics for its world premiere, Mr. Burns will receive its London premiere in spring 2014. Also included in the collection are The Small , I Have Loved Strangers , and Orestes , all of which, together, develop a theme of destruction, from the personal to the city to civilization and, finally, to the destruction of form. Anne Washburn 's plays include The Internationalist , A Devil at Noon , Apparition , The Communist Dracula Pageant , I Have Loved Strangers , The Ladies , The Small , and a transadaptation of Euripides's Orestes . Her awards include a Guggenheim, NYFA Fellowship, Time Warner Fellowship, and a Susan Smith Blackburn finalist. She is a member of 13P, The Civilians, and is a New Georges affiliated artist.

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Meet Chloe, 21 from Leytonstone. She likes the simple things in life: cherry sambuca, hairbrush-in-the-mirror karaoke with Rihanna and winding her Dad up. Oh, and she's a boxer. London, 2012. Women will step into the Olympic boxing ring for the very first time. And it's in Stratford. Down the road. As Chloe trains for the fight of her life, she is left winded by two life-changing events. In a man's world, can she prove she's still worth the title? Fighting fit from sell-out shows at the Edinburgh Fringe Festival as part of the Old Vic New Voices Edinburgh Season, you are invited ringside, for an adrenaline-fuelled, no-holes-barred one-woman show unafraid to document the blood, the sweat…and all the tears.

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‘Isn’t it funny? The thoughts your brain is capable of havingeven while you’re lying there, bleeding on the carpet?…’ The Soft of Her Palm is a devastating exploration of domesticviolence, telling the story of Phil and Sarah’s troubled andcomplex relationship. It begins in the present day, momentsafter Sarah has crashed her car outside Phil’s house – byaccident or on purpose? As we return to the past and thehorrifying story unfolds, our allegiances shift as the truthis slowly revealed. Jumping from moments of sheer joy tovolcanic ferocity and underscored with a vein of sharp, brutalhumour, the shadow of violence creeps insidiously across thelandscape of Chris Dunkley’s painfully honest new play.

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On 14 September 2003, at the Haitham Hotel in Basra, Iraq, Baha Mousa and nine others were arrested by the British Army as suspected insurgents. Two days later Baha Mousa was dead. A post-mortem examination revealed that he had suffered from asphyxiation, and had received at least 93 injuries to his body whilst in the Army’s custody. In 2008 the Secretary of State for Defence announced a Public Inquiry into Baha Mousa’s death and the treatment of those detained with him. Tactical Questioning brings together scenes from the Public Inquiry which examined the shocking events that took place over those two days of detention, and the British Army’s policies towards the treatment of detainees. The production coincided with the publishing of the Inquiry’s findings in Summer 2011. “Chilling yet compelling drama… The words, in every possible way, speak for themselves.” – Evening Standard “Compelling… The facts have the power to shock.” – The Guardian

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Growing frustrated at the destruction of his rural idyll, a farmer picks up a pamphlet that encourages him on a dangerous path.... He has a great idea to secure the future of the native animals on his land – to kill all of the non-natives. With his daughter against him, and his son on the fence, his idea looks equally brilliant and insane. His goal may be achieved, but at what cost? A dark comedy pondering the effects of extremism, Bunnies is new play by up and coming young writer Kieran Lynn.