LITMIR.BIZ

With Dostoyevsky's Idiot and Aquinas' Dumb Ox as guides, this book seeks to recover the elemental mystery of the natural law, a law revealed only in wonder. If ethics is to guide us along the way, it must recover its subordination; description must precede prescription. If ethics is to invite us along the way, it cannot lead, either as politburo, or even as public orthodoxy. It cannot be smugly symbolic but must be by way of signage, of directionality, of the open realization that ethical meaning is en route, pointing the way because it is within the way, as only sign, not symbol, can point to the sacramental terminus. The courtesies of dogma and tradition are the road signs and guideposts along the longior via, not themselves the termini. We seek the dialogic heart of the natural law through two seemingly contradictory voices and approaches: St. Thomas Aquinas and his famous five ways, and Fyodor Dostoyevsky's holy idiot, Prince Myshkin. It is precisely the apparent miscellany of these selected voices that provide us with a connatural invitation into the natural law as subordinated, as descriptive guide, not as prescriptive leader.

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Charles Peguy (1873-1914) was a French religious poet, philosophical essayist, publisher, social activist, Dreyfusard, and Catholic convert. There has recently been a renewed recognition of Peguy in France as a thinker of unique significance, a reconsideration inspired in large part by Gilles Deleuze's Difference et repetition, which ranked him with Nietzsche and Kierkegaard. In the English-speaking world, however, access to Peguy has been hindered by a scarcity of translations of his work. This first complete translation of one of his most important prose works, with accompanying interpretive introduction and notes, will introduce English-speaking readers to a new voice, which speaks in a powerful and original way to a modern West in a condition of cultural and spiritual crisis. The immediate circumstance of the writing of this last prose essay, unfinished at the time of Peguy's early death, was the placing of Henri Bergson's philosophical works on the Catholic Index, and Peguy's undertaking to defend his former teacher from his critics, both Catholic and secular. But the subject of Bergson is also a springboard for the exploration of the perennial themes–philosophical, theological, and literary–most central to Peguy's thought.

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This book tells a compelling story about love, friendship, and the Divine that took over a thousand years to unfold. It argues that mind and feeling are intrinsically connected in the thought of Plato, Aristotle, and Plotinus; that Aristotle developed his theology and physics primarily from Plato's Symposium (from the «Greater» and «Lesser Mysteries» of Diotima-Socrates' speech); and that the Beautiful and the Good are not coincident classes, but irreducible Forms, and the loving ascent of the Symposium must be interpreted in the light of the Republic, as the later tradition up to Ficino saw. Against the view that Platonism is an escape from the ambiguities of ordinary experience or opposed to loving individuals for their own sakes, this book argues that Plato dramatizes the ambiguities of ordinary experience, confronts the possibility of failure, and bequeaths erotic models for the loving of individuals to later thought. Finally, it examines the Platonic-Aristotelian heritage on the Divine to discover whether God can love us back, and situates the dramatic development of this legacy in Plotinus, Iamblichus, Proclus, and Dionysius the Areopagite.

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This book gathers a set of reflections on the gift of beauty and the passion of being. There is something surprising about beauty that we receive and that moves the passion of being in us. The book takes issue with an ambiguous attitude to beauty among some who proclaim their advanced aesthetic authenticity. Beauty seems bland and lacks the more visceral thrill of the ugly, indeed the excremental. We crave what disrupts and provokes us, not what gives delight or even consoles. By contrast, attention is given to how beauty arouses enigmatic joy in us, and we enjoy an elemental rapport with it as other. Surprised by beauty, our breath is taken away, but we are more truly there with the beautiful when we are taken outside of ourselves. We are first receivers of the gift of surprise and only then perceivers and conceivers. My attention to the passion of being stresses a patience, a receptivity to what is other. What happens is not first our construction. There is something given, something awakening, something delighting, something energizing, something of invitation to transcendence. The theme is amplified in diverse reflections: on life and its transient beauty; on soul music and its relation to self; on the shine on things given in creation; on beauty and Schopenhauer's dark origin; on creativity and the dynamis in Paul Weiss's creative ventures; on redemption in Romanticism in the thought of Stanley Cavell; on theater as a between or metaxu; on redeeming laughter and its connection with the passion of being.

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Memento mori–remember death–this is how the medieval monks exhort us. Our life, given in birth and taken by death, is radically marked by finitude, which can be a source of great fear and anguish. Our finitude, however, does not in itself need to be something negative. It confronts us with the question of our life's meaning and spurs us on to treasure our days. Our contingency, as evidenced in our birth and death, reminds us that we have not made ourselves and that there is nothing necessary about the marvelous fact that we exist. Particularly from a Judeo-Christian perspective, embracing our finitude will mean gratefully accepting life as a completely gratuitous gift and living one's days informed by a sense of this gratitude.

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The computer has increasingly become the principal model for the mind, which means our most basic experience of «reality» is as mediated through a screen, or stored in a cloud. As a result, we are losing a sense of the concrete and imposing presence of the real, and the fundamental claim it makes on us, a claim that Iris Murdoch once described as the essence of love. In response to this postmodern predicament, the present book aims to draw on the classical philosophical tradition in order to articulate a robust philosophical anthropology, and a new appreciation of the importance of the «transcendental properties» of being: beauty, goodness, and truth. The book begins with a reflection on the importance of metaphysics in our contemporary setting, and then presents the human person's relation to the world under the signs of the transcendentals: beauty is the gracious invitation into reality, goodness is the self-gift of freedom in response to this invitation, and truth is the consummation of our relation to the real in knowledge. The book culminates in an argument for why love is ultimately a matter of being, and why metaphysical reason in indispensable in faith.

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Gillian Rose was one of the most important social philosophers of the twentieth century. This is the first book to present her social philosophy as a systematic whole. Based on new archive research and examining the full range of Rose's sources, it explains her theory of modern society, her unique version of ideology critique, and her views on law and mutual recognition. Brower Latz relates Rose's work to numerous debates in sociology and philosophy, such as the relation of theory to metatheory, emergence, and the relationship of sociology and philosophy. This book makes clear not only Rose's difficult texts but the entire structure of her thought, making her complete social theory accessible for the first time.

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The study of Maximus the Confessor's thought has flourished in recent years: international conferences, publications and articles, new critical editions and translations mark a torrent of interest in the work and influence of perhaps the most sublime of the Byzantine Church Fathers. It has been repeatedly stated that the Confessor's thought is of eminently philosophical interest. However, no dedicated collective scholarly engagement with Maximus the Confessor as a philosopher has taken place–and this volume attempts to start such a discussion. Apart from Maximus' relevance and importance for philosophy in general, a second question arises: should towering figures of Byzantine philosophy like Maximus the Confessor be included in an overview of the European history of philosophy, or rather excluded from it–as is the case today with most histories of European philosophy? Maximus' philosophy challenges our understanding of what European philosophy is. In this volume, we begin to address these issues and examine numerous aspects of Maximus' philosophy–thereby also stressing the interdisciplinary character of Maximian studies.

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Nothing is more dangerous to be misunderstood than the question, «What is the human being?» In an era when this question is not only being misunderstood but even forgotten, wisdom delivered by the great thinkers and mystics of the past must be recovered. Edith Stein (1891-1942), a Jewish Carmelite mystical philosopher, offers great promise to resume asking the question of the human being. In Human and Divine Being, Donald Wallenfang offers a comprehensive summary of the theological anthropology of this heroic martyr to truth. Beginning with the theme of human vocation, Wallenfang leads the reader through a labyrinth of philosophical and theological vignettes: spiritual being, the human soul, material being, empathy, the logic of the cross, and the meaning of suffering. The question of the human being is asked in light of divine being by harnessing the fertile tension between the methods of phenomenology and metaphysics. Stein spurs us on to a rendezvous with the stream of «perennial philosophy» that has watered the landscape of thought since conscious time began. In the end, the meaning of human being is thrown into sharp relief against the darkness of all that is not authentically human.

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Sotiris Mitralexis offers a contemporary look at Maximus the Confessor's (580-662 CE) understanding of temporality, logoi, and deification, through the perspective of contemporary philosopher and theologian Christos Yannaras, as well as John Zizioulas and Nicholas Loudovikos. Mitralexis argues that Maximus possesses both a unique theological ontology and a unique threefold theory of temporality: time, the Aeon, and the radical transformation of temporality and motion in an ever-moving repose. With these three distinct modes of temporality, a Maximian theory of time can be reconstructed, which can be approached via his teaching on the logoi and deification. In this theory, time is not merely measuring ontological motion, but is more particularly measuring a relationship, the consummation of which effects the transformation of time into a dimensionless present devoid of temporal, spatial, and generally ontological distance–thereby manifesting a perfect communion-in-otherness. In examining Maximian temporality, the book is not focusing on only one aspect of Maximus' comprehensive Weltanschauung, but looks at the Maximian vision as a whole through the lens of temporality and motion.

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