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The Life of the Author: William Shakespeare. Anna Beer
Читать онлайн.Название The Life of the Author: William Shakespeare
Год выпуска 0
isbn 9781119605317
Автор произведения Anna Beer
Жанр Языкознание
Издательство John Wiley & Sons Limited
The evidence for John’s beliefs is not entirely reliable. The “Testament” was found some 150 years after Shakespeare senior lived in Henley Street, and was then promptly lost. Those recusancy records of 1592 ascribe his avoidance of church to fearful pragmatism, rather than religious nonconformity. John Shakespeare owed money; it was far too easy to be found at church; he thus kept away “for fear of process for debt.”
Moreover, it is all too easy to impose reductive labels on what was a fluid belief system. As James Shapiro (2005a, p. 167) writes, “to argue that the Shakespeares were secretly Catholic or alternatively, mainstream Protestants misses the point that except for a small minority at one doctrinal extreme or other, those labels failed to capture the layered nature of what Elizabethans, from the queen on down, actually believed.” The Elizabethan Church Settlement was, in part, designed to accommodate this, tolerating “a wide range of spiritual and religious beliefs among those who were happy outwardly to conform” (Edmondson and Wells 2015b, p. 9). Old beliefs and habits died hard, much harder than historians in the past believed.
Yet, despite the tenuous evidence, we remain fascinated by Shakespeare’s possible Catholicism. Maguire and Smith (2012) argue that the fascination stems at least in part from the glimpse it offers of a
Shakespeare who is not simply accumulating wealth and property but who apparently suffers inner conflict, a struggle with his conscience, and whose writing is shaped by the mechanisms he has developed for his own psychological and physical self-protection. In this model, Catholicism registers as much as an act of individual assertion and defiance – the poet at an angle to establishment values – as it does as a specific doctrinal allegiance. While the question of whether Shakespeare was a Catholic is unlikely to be definitively answered, we can certainly affirm that we want him to have been.
Whether we want him to be an apprentice is another matter. Some have seen 18-year-old William’s activities in the summer of 1582 as evidence that he would do anything to avoid joining the family business. An apprentice was not allowed to marry. To escape apprenticeship, therefore, William has sex with Anne Hathaway, perhaps six years his senior and, almost as soon as she finds she is pregnant, marries her, welcoming the marriage and pregnancy “as ways to break free of an enforced apprenticeship” (Orlin 2016, p. 39).6
John Shakespeare gave his consent to the marriage of William and Anne in November 1582, that consent necessary because his son, at 18, was still a minor. The Hathaway family appeared content with the marriage, providing the “bondsmen” to safeguard the wife’s interests, as was conventional (Schoenbaum 1991, p. 12). Anne received 10 marks on her wedding day, the equivalent to £6 13s 4d, probably a bit more than a playwright in the next decade received for a completed play (Potter 2012, p. 56). And she duly gave birth to a baby girl the following spring. Susanna Shakespeare was baptized on 26 May 1583, in Holy Trinity Church, as her father had been just over 19 years earlier. Around a year later, Anne was pregnant again. The Shakespeare twins, Hamnet and Judith, were christened on 2 February 1585, probably named for close friends of their parents, the baker Hamnet Sadler and his wife Judith. Richard Barton, a new minister in Stratford, a man unreservedly praised by the more vocal Protestants of the town, baptised the twins. This might offer a glimpse of Shakespeare’s religious position: “either a good Church of England Protestant or doing his best to look like one” (Potter 2012, p. 59). His “distinctive anonymity” (Dutton 2010, p. 11) is the one thing that is certain, although whether this was a reaction against his parent’s alleged crypto-Catholicism, a product of having been brought up in a household which was not fervidly religious or simply all that emerges from a sparse archive, is a matter for debate.
Married at 18, and to an older woman. A father of three children before he was 21. We might think these are crucial events in the formation of William Shakespeare, the man. Yet Alan Stewart (2016, p. 38) has demonstrated how thoroughly the “marriage was effaced by Shakespeare’s seventeenth century ‘biographers’ who constructed for him not a familial but a theatrical dynasty” (Traub 2016, p. 38). These earliest accounts of Shakespeare’s life are almost completely silent about family – and more specifically, silent about women. “Aubrey gives us a father, but only as the representation of a trade that Shakespeare rejects; and there are no women, except an unnamed sister” (Stewart 2016, p. 68). This is normal for seventeenth-century life-writing, so it should not be surprising that only in 1693 is Shakespeare represented as married. Twentieth-century literary critics are, ironically, equally unwilling to consider Shakespeare the married man, not because of a lack of interest in these trivial, domestic (feminine) matters but because of a distrust of the biographical turn. Marjorie Garber (2004, p. 20), for example, is typical in her pronouncement that there has been much “speculation” about William’s marriage to Anne. She does not mention the matter again.
Dismissing talk of marriage at least avoids the at times unedifying biographical feeding frenzy that surrounds William and Anne Shakespeare’s marriage when it is considered. Part of the problem is that the biographers are feeding on nothing. There is no direct evidence to show how William felt about Anne, or vice versa. And nature and biographers abhor a vacuum.
That there were no more children born to Anne and William after the twins prompts the normally cautious Lois Potter (2012, p. 59) to wild speculation, an “if” leading to a “might”: “If Shakespeare did indeed have Catholic sympathies, he might have been unable to envisage any way except separation to avoid having more children.” Potter is determined to discredit an alternative interpretation – that William was repelled by sex with women and the resultant babies. We will return to Shakespeare’s sex life later.
For others, the vacuum itself is viewed as telling. The “supremely eloquent” Shakespeare does not write anything to or about Anne, no “signs of shared joy or grief, no words of advice,” not even any financial transactions (Greenblatt 2004, p. 125). This proves that William “could not find what he craved, emotionally or sexually, within his marriage.” Assuming the Shakespeare family’s Catholicism, and that William’s earliest sexual experiences would have been with other boys at school, Greenblatt goes on to try to work out why Will would have found Anne attractive. She is different: Protestant to his Catholic, straight to his queer. Anne (Greenblatt 2004, p. 119) represents an antidote, “a reassuringly conventional resolution to his sexual ambivalence and perplexity.” And because the great writer is so complicated, tortured, and bisexual it can’t possibly last. In this scenario, William becomes a “reluctant, perhaps highly reluctant” bridegroom (Greenblatt 2004, p. 123), trapped in a marriage that he cannot escape.
It’s an old, old story, as Lena Cowen Orlin (2016, p. 42) points out in her reassessment of the evidence. “By the early nineteenth century, the narrative of Shakespeare’s relationship with Anne Hathaway was fixed: the eighteen-year-old William was trapped by the pregnancy of a twenty-six-year-old into a marriage that he fled as soon as possible, years later confirming his disaffection for his enforced wife in the derisory dying bequest of a second-best bed.”
The marriage is, however, a blessing in disguise, because these nuptial disappointments prompted Shakespeare’s migration to London. Shakespeare, in other words, needed to cast off an unfortunate marriage in order to realize his destiny.
Archeological evidence (Scheil 2015) discovered in William and Anne’s marital home, New Place in Stratford, suggests a different picture. Anne Shakespeare ran a large and wealthy household. In the absence of any evidence of abandonment, let alone complaint from Anne regarding support, perhaps we should see her as the trusted partner in the marriage, the one keeping the home fires burning. Equally, that the Shakespeares had three children, then no more is not necessarily a sign that they were no longer sexually active. Miscarriages and stillbirths were distressingly common and most were unrecorded. What is more, Shakespeare remained involved in Stratford life as a family man and landowner during the years in which he achieved success on the London stage.
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