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felt that she was tempting Leander into the paths of gossip, undoubtedly his besetting sin, but she could not resist the temptation to linger. He had disposed of his last dish-cloth, and he withdrew the remaining clothes-pin from his mouth in a way that was pathetically feminine.

      “She keeps the post-office here, since Mrs. Dax lost the job, and boards with us; p’r’aps it’s because she is my wife’s successor in office, or p’a’ps it’s jest the natural grudge that wimmin seem to harbor agin each other, I dunno, but they don’t sandwich none.”

      Leander having disposed of his last dish-towel, squinted at it through his half-closed eyes, like an artist “sighting” a landscape, saw apparently that it was in drawing, and next brought his vision to bear on the back premises of his own dwelling, where he saw there was no wifely figure in evidence.

      “Sh-sh-h!” he said, creeping towards Mary, his dull face transfigured with the consciousness that he had news to tell. “Sh-sh—her brother’s a rustler. If ’twan’t for her”—Leander went through the grewsome pantomime of tying an imaginary rope round his neck and throwing it over the limb of an imaginary tree. “They’re goin’ to get him for shore this time, soon as he comes out of jail; but would you guess it from her bluff?”

      There was no mistaking the fate of a rustler after Mr. Dax’s grisly demonstration, but of the quality of his calling Mary was as ignorant as before.

      “And why should they do that?” she inquired, with tenderfoot simplicity.

      “Stealin’ cattle ain’t good for the health hereabouts,” said Leander, as one who spoke with authority. “It’s apt to bring on throat trouble.”

      But Mary did not find Leander’s joke amusing. She had suddenly remembered the pale, gaunt man who had walked into the eating-house the previous morning and walked out again, his errand turned into farce-comedy by the cowardice of an unworthy antagonist. The pale man’s grievance had had to do with sheep and cattle. His name had been Rodney, too. She understood now. He was Judith Rodney’s brother, and he was in danger of being hanged. Mary Carmichael felt first the admiration of a girl, then the pity of a woman, for the brave young creature who so stoutly carried so unspeakable a burden. But she could not speak of her new knowledge to Leander.

      She glanced towards this childlike person and saw from his stealthy manner that he had more to impart. He walked towards the kitchen door, saw no one, and came back to Mary.

      “There ain’t a man in this Gawd-forsaken country wouldn’t lope at the chance to die for her—but the women!” Leander’s pantomimic indication of absolute feminine antagonism was conclusive.

      “The wimmin treats her scabby—just scabby. Don’t you go to thinkin’ she ain’t a good girl on that account”; and something like an attitude of chivalrous protection straightened the apologetic crook in his craven outline.

      “She’s good, just good, and when a woman’s that there’s no use in sayin’ it any more fanciful. As I says to my wife, every time she give me a chance, ‘If Judy wasn’t a good girl these boys about here would just natchrally become extinct shootin’ each other upon account of her.’ But she don’t favor none enough to cause trouble.”

      “Are the women jealous of her?”

      “It’s her independence that riles ’em. They take on awful about her ridin’ in pants, an’ it certainly is a heap more modest than ridin’ straddle in a hitched up caliker skirt, same as some of them do.”

      “And do all the women out here ride astride?” Mary gasped.

      “A good many does, when you ain’t watchin’; horses in these parts ain’t broke for no such lopsided foolishness as side-saddles. But you see she does it becomin’, and that’s where the grudge comes in. You can’t stir about these foot-hills without coming across a woman, like as not, holdin’ on to a posse of kids, and ridin’ clothes-pin fashion in a looped-up skirt; when she sees you comin’ she’ll p’r’aps upset a kid or two assoomin’ a decorous attitood. That’s feeminine, and as such is approved by the ladies, but”—and here Leander put his head on one side and gave a grotesque impression of outraged decorum—“pants is considered unwomanly.”

      “Leander! Leander!” came in accusing accents from the kitchen.

      “Run!” gasped Mrs. Dax’s handmaiden; “don’t let her catch us chinnin’.”

      Mary Carmichael ran round one side of the house as she was bidden, but, like Lot’s wife, could not resist the temptation of looking back. Leander, with incredible rapidity, grabbed two clothes-pins off the line, clutched a dish-towel, shook it. “Comin’! comin’!” he called, as he went through the farce of rehanging it.

      The lonesomeness of plain and foot-hill, the utter lack of the human element that gives to this country its character of penetrating desolation, had been changed while Mary Carmichael forgathered with Leander by the clothes-line. From the four quarters of the compass, men in sombreros, flannel shirts, and all manner of strange habiliments came galloping over the roads as if their horses were as keen on reaching Dax’s as their riders. They came towards the house at full tilt, their horses stretching flat with ears laid back viciously, and Mary, who was unused to the tricks of cow-ponies, expected to see them ride through the front door, merely by way of demonstrating their sense of humor. Not so; the little pintos, buckskins, bays, and chestnuts dashed to the door and stopped short in a full gallop; as a bit of staccato equestrianism it was superb.

      And then the wherefore of all this dashing horsemanship, this curveting, prancing, galloping revival of knightly tourney effects was apparent—Judith Rodney had opened post-office. She had changed her riding clothes; or, rather, that portion of them to which the ladies took exception was now concealed by a long, black skirt. Her wonderful braids of black hair had been twisted high on her head. She was well worth a trip across the alkali wastes to see. The room was packed with men. One unconsciously got the impression that a fire, a fight, or some crowd-collecting casualty had happened. Above the continual clinking of spurs there arose every idiom and peculiarity of speech of which these United States are capable. There is no Western dialect, properly speaking. Men bring their modes of expression with them from Maine or Minnesota, as the case may be, but their figures of speech, which give an essential picturesqueness to their language, are almost entirely local—the cattle and sheep industries, prospecting, the Indians, poker, faro, the dance-halls, all contribute their printable or unprintable embellishment.

      Judith managed them all—cow-punchers, sheep-herders, prospectors, freighters—with an impersonal skill that suggested a little solitary exercise in the bowling-alley. The ten-pins took their tumbles in good part—no one could congratulate himself on escaping the levelling ball—and where there’s a universal lack of luck, doubtless also there will be found a sort of grim fellowship.

      That they were all more or less in love with her there could be no doubt. As a matter of fact, Judith Rodney did not depend on the scarcity of women in the desert for her pre-eminence in the interests of this hot-headed group. Her personality—and through no conscious effort of hers—would have been pre-eminent anywhere. As it was, in this woman-forsaken wilderness she might have stirred up a modern edition of the Trojan war at any moment. That she did not, despite the lurking suggestion of temptation written all over her, brought back the words of Leander: “If Judy wasn’t a good girl, these boys would just nacherally become extinct shooting each other upon account of her.”

      And yet what a woman she was! It struck Miss Carmichael, as she watched Judith hold these warring elements in the hollow of her hand, that her interest might be due to a certain temperamental fusion; that there might lie, at the essence of her being, a subtle combination of saint and devil. One could fancy her leading an army on a crusade or provoking a bar-room brawl. The challenging quality of her beauty, the vividness of color, the suggestion of endurance and radiating health in every line, were comparable to the great primeval forces about her. She was cast to be the mother of men of brawn and muscle, who would make this vast, unclaimed wilderness subject to them.

      At present neither pole of her

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