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one hundred and twenty-four fragments of the Catalogue* and twenty-six of the 'Or likes.'* If they sometimes contradict each other, that is natural enough, and it cannot be held that the Alexandrian five books had all the women there ever were in the Hesiodic lists. When once the formula 'Or like' was started, it was as easy to put a new ancestress into the list as it is, say, to invent a new quatrain on the model of Edward Lear's. Further more, it was easy to expand a given Eoiê* into a story, and this is actually the genesis of our third Hesiodic poem, the Shield of Heracles, the ancestress being, of course, the hero's mother, Alcmênê.

      The Shieldbegins: "Or like Alcmênê, when she fled her home and fatherland, and came to Thebes;" it goes on to the birth of Heracles, who, it proceeds to say, slew Kyknos, and then it tells how he slew Kyknos. In the arming of Heracles before the battle comes a long description of the shield.

      The Bridal of Keyx,* about a prince of Trachis, who entertained Heracles, was probably also an expanded Eoiê'very like the Shield; and the same perhaps holds of the Aigimios,* which seems to have narrated in two books the battle of that ancestor of the Dorians against the Lapithæ. The Descent to Hades* had Theseus for its hero. The Melampodia* was probably an account of divers celebrated seers. More interesting are the scanty remains of the Advices of Chiron* to his pupil Achilles. The wise Centaur recommended sacrificing to the gods whenever you come to a house, and thought that education should not begin till the age of seven.

      The Ergawas known in an expanded form, The Great Erga.* There were poems on Astronomy* and on Augury by Birds,* on a journey round the World,* and on the Idæan Dactyli,* who attended Zeus in Crete. The names help us to realise the great mass of poetry of the Bæotian school that was at one time in existence. As every heroic story tended to take shape in a poem, so did every piece of art or knowledge or ethical belief which stirred the national interest or the emotions of a particular poet.

      The Contest of Homer and Hesiod

       Table of Contents

      The whole tract is, of course, mere romance; its only values are (1) the insight it give into ancient speculations about Homer; (2) a certain amount of definite information about the Cyclic poems; and (3) the epic fragments included in the stichomythia of the Contest proper, many of which—did we possess the clue—would have to be referred to poems of the Epic Cycle.

      1118 Cp. Marckscheffel, Hesiodi fragmenta, p. 35. The papyrus fragment recovered by Petrie (Petrie Papyri, ed. Mahaffy, p. 70, No. xxv.) agrees essentially with the extant document, but differs in numerous minor textual points.

      Works of Homer

       Table of Contents

      Iliad

       Table of Contents

       BOOK I

       BOOK II

       BOOK III

       BOOK IV

       BOOK V

       BOOK VI

       BOOK VII

       BOOK VIII

       BOOK IX

       BOOK X

       BOOK XI

       BOOK XII

       BOOK XIII

       BOOK XIV

       BOOK XV

       BOOK XVI

       BOOK XVII

       BOOK XVIII

       BOOK XIX

       BOOK XX

       BOOK XXI

       BOOK XXII

       BOOK XXIII

       BOOK XXIV

      BOOK I

      

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