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husband.

      It has been said that Prince Frederick William of Prussia, who was twenty at the time, became attracted to his future wife during this first visit of his to the English Court, when he accompanied his parents and his only sister to see the Great Exhibition. But that is surely absurd, for the Princess, charming and clever as she was, was then only a child.

      Still the English Court was probably never seen to greater advantage than during that year of miracles, and it is clear that the young Prussian Prince saw for the first time a Royal family leading a happy, natural life, full of affection and kindness. Queen Victoria’s children were healthy, well-mannered, and devoted to their parents, and the leader and head of the little band was the Princess Royal, full of eager interest in everything she was allowed to see and know, blessed with high spirits and a keen sense of humour even then already well developed. She was adored by her father, and encouraged in every way to “produce herself,” to use an expressive French phrase.

      Prince Frederick William could not but note the contrast between the young people whose friendship he was making at Windsor, and the shy, etiquette-ridden Royal children of the minor German courts. Nor could he help contrasting this delightful domestic scene with what he knew at home. At Berlin he was in constant contact with a Royal family profoundly disunited and unhappy. Only three years before his first visit to England he had stood at the palace window and seen the first shot fired in the Revolution of 1848.

      Although the Prince had a tenderly-loved sister, he had spent a lonely, austere youth, for his parents, though outwardly on good terms, were in no sense united as Queen Victoria and Prince Albert were united—indeed, it was an open secret that the Prince of Prussia had only one love in his life, Elise Radziwill.

      Prince Frederick William’s sister was only a very little older than the Princess Royal. The two princesses formed on this visit a friendship destined never to be broken, and henceforth the Royal children called the Prince and Princess of Prussia “Uncle Prussia” and “Aunt Prussia.”

      The Great Exhibition itself undoubtedly helped to strengthen Prince Frederick William’s attraction to England. The palace of glass in Hyde Park absorbed the minds and thoughts of the whole Royal family, if only because all those who were old enough to understand anything of public affairs were aware that the success or failure of the enterprise would seriously affect the position of Prince Albert in England.

      The feeling among the Royal family is shown by a passage in a letter of Queen Victoria to Lady Lyttelton. Writing on May 1, the opening day of the Exhibition, Her Majesty said:

      “The proudest and happiest day of—as you truly call it—my happy life. To see this great conception of my beloved husband’s mind—to see this great thought and work, crowned with triumphant success in spite of difficulties and opposition of every imaginable kind, and of every effort to which jealousy and calumny could resort to cause its failure, has been an immense happiness to us both.”

      Prince Frederick William, thoughtful beyond his years, and already under the spell of Prince Albert’s kindly and affectionate interest, began to regard England as the model State, and took most significant pains to make himself better acquainted with her national life and polity. Even on this comparatively short visit he found time to make an excursion to the industrial North.

      “At the request of the Prince, I visited him three times a week, and had the honour of superintending his studies in English history and literature, in both of which he took special interest. His love for England and his great veneration of the Queen were most remarkable, and our intercourse became very agreeable and confidential. He manifested the keenest interest for all that I was able to tell him of England’s political and social life, and when our more serious studies were over, we amused ourselves by writing imaginary letters to Ministers and leading members of English society.”

      It was in truth with England that Prince Frederick William fell in love on this memorable visit, not with the little Princess Royal, though he was undoubtedly attracted, as all the people round her were, by her winning charm and quick intelligence.

      The idea of a marriage between the two had, however, occurred to other people, as is shown by the fact that in the following year the Princess of Prussia desired to visit England with a view to suggesting it. But the Prince’s uncle, King Frederick William IV, influenced by his pro-Russian consort, did not look on the proposal with favour, and it remained in abeyance, partly on account of the Princess Royal’s youth, partly owing to the outbreak of the Crimean War.

      

THE PRINCE OF WALES AND THE PRINCESS ROYAL PAINTED BY COMMAND OF THE QUEEN THE PRINCE OF WALES AND THE PRINCESS ROYAL PAINTED BY COMMAND OF THE QUEEN

      The Crimean War made an immense impression on the Princess Royal. For months the Queen, the Prince, and the elder Royal children thought and talked of nothing else. The children contributed drawings to be sold for the benefit of the war funds, and we know that the Princess’s emotions were deeply stirred by the thought of the sufferings of the wounded and by the work of Florence Nightingale, which was followed with intense interest in the Royal circle. The Princess in fact was able at a most impressionable age to realise something of the horrors of war, and this was destined, as we shall see, to bear rich fruit.

      The war also led directly to the Princess’s first real sight of France. In August, 1855, the Princess Royal and the Prince of Wales accompanied their parents on a State visit to the Emperor Napoleon III and the Empress Eugénie.

      Of this visit a story was told at the time which greatly delighted all the Royal families of the Continent. Much as Queen Victoria and Prince Albert were respected for their solid virtues, their artistic taste in matters of dress was considered to be not always infallible. It was feared at the French Court that the Princess Royal would be dressed, not exactly unbecomingly, but in a style which would by no means harmonise with Parisian taste and Parisian surroundings. The question was how to beguile her parents into dressing the child in a suitable manner.

      In this difficulty someone suggested a really brilliant stratagem. The height and other measurements of the Princess Royal were obtained, and a doll of exactly corresponding size was procured, provided with a large and exquisitely finished wardrobe, and despatched to Buckingham Palace as an Imperial gift to the Princess. The expected then happened. Queen Victoria transferred most of the doll’s wardrobe to her daughter, with the result that the Princess appeared at her best and everyone was pleased.

      The children stayed at the delightful country palace of Saint Cloud, whence they drove in every day to see the sights of Paris. They were not, of course, present at evening entertainments, but an exception was made on the occasion of the great ball held in the Galeries des Glaces at Versailles, when they supped with the Emperor and Empress. They both became sincerely attached to the Emperor, who was himself very fond of children. Indeed, his young guests enjoyed themselves so much that, according to an oft-quoted story, the Prince of Wales asked that his sister and himself might stay on after their parents had gone home, “for there are six more of us at home and they don’t want us!”

      As to their conduct, Prince Albert wrote to the Duchess of Kent: “I am bound to praise the children greatly. They behaved extremely well, and pleased everybody. The task was no easy one for them, but they discharged it without embarrassment and with natural simplicity.”

      This visit laid the foundation of that strong affection and admiration for France and the French which thenceforth characterised the Princess Royal. It was on this visit, too, that she conceived her enthusiastic adoration of the Empress Eugénie. Her character was now beginning to be formed, and it is the key to the tragedy of her life, for a cruel fate so ordered her future that, while she was made to pay the full penalty for her failings, her many lovable and generous qualities seemed often to find none but the most

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