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The Valley of Decision. Edith Wharton
Читать онлайн.Название The Valley of Decision
Год выпуска 0
isbn 4057664621665
Автор произведения Edith Wharton
Жанр Языкознание
Издательство Bookwire
Odo had indeed met but one person who cared to listen to him, and that was the strange hunchback who had called himself Brutus. Remembering how entertainingly this odd guide had explained all the wonders of the ducal grounds, Odo began to regret that he had not asked his mother to let him have Brutus for a body-servant. Meanwhile no one attended to his questions and the hours were beginning to seem long when, on the third day, they set out from Vercelli toward the hills. The cold increased as they rose; and Odo, though he had often wished to see the mountains, was yet dismayed at the gloomy and menacing aspect of the region on which they were entering. Leafless woods, prodigious boulders and white torrents foaming and roaring seemed a poor exchange for the pleasantly-ordered gardens of Pianura. Here were no violets and cowslips in bloom; hardly a green blade pierced the sodden roadside, and snowdrifts lingered in the shaded hollows.
Donna Laura's loudly expressed fear of robbers seemed to increase the loneliness of the way, which now traversed tracts of naked moorland, now plunged again into forest, with no sign of habitation but here and there a cowherd's hut under the trees or a chapel standing apart on some grassy eminence. When night fell the waters grew louder, a stinging wind swept the woods, and the carriage, staggering from rut to rut, seemed every moment about to land them in some invisible ravine. Fear and cold at last benumbed the little boy, and when he woke he was being lifted from his seat and torches were flashing on a high escutcheoned doorway set in battlemented walls. He was carried into a hall lit with smoky oil-lamps and hung with armour and torn banners.
Here, among a group of rough-looking servants, a tall old man in a nightcap and furred gown was giving orders in a loud passionate voice. This personage, who was of a choleric complexion, with a face like mottled red marble, seized Odo by the wrist and led him up a flight of stairs so worn and slippery that he tripped at every step; thence down a corridor and into a gloomy apartment where three ladies shivered about a table set with candles. Bidden by the old gentleman to salute his grandmother and great-aunts, Odo bowed over three wrinkled hands, one fat and soft as a toad's stomach, the others yellow and dry as lemon-skins. His mother embraced the ladies in the same humble manner, and the Marquess, first furiously calling for supper, thrust Odo down on a stool in the ingle.
From this point of observation the child, now vividly awake, noted the hangings of faded tapestry that heaved in the draught, the ceiling of beams and the stone floor strewn with rushes. The candle-light flickering on the faces of his aged relatives showed his grandmother to be a pale heavy-cheeked person with little watchful black eyes which she dropped at her husband's approach; while the two great-aunts, seated side by side in high-backed chairs with their feet on braziers, reminded Odo of the narrow elongated saints squeezed into the niches of a church-door. The old Marchioness wore the high coif and veil of the previous century; the aunts, who, as Odo afterwards learned, were canonesses of a noble order, were habited in a semi-conventual dress, with crosses hanging on their bosoms; and none spoke but when the Marquess addressed them.
Their timidity appeared to infect Odo's mother, who, from her habitual volubility of temper, sank to a mood of like submissiveness. A supper of venison and goat's cheese was not designed to restore her spirits, and when at length she and Odo had withdrawn to their cavernous bedchamber, she flung herself weeping on the bed and declared she must die if she remained long in this prison.
Falling asleep under such influences, it was the more wonderful to Odo to wake with the sun on his counterpane, a sweet noise of streams through the casement and the joyous barking of hounds in the castle court. From the window-seat he looked out on a scene extraordinarily novel to his lowland eyes. The chamber commanded the wooded steep below the castle, with a stream looping its base; beyond, the pastures sloped pleasantly under walnut trees, with here and there a clearing ploughed for the spring crops and a sunny ledge or two planted with vines. Above this pastoral landscape, bare crags upheld a snowpeak; and, as if to lend a human interest to the scene, the old Marquess, his flintlock on his shoulder, his dogs and beaters at his heels, now rode across the valley.
Wonder succeeded to wonder that first morning; for there was the castle to be seen, with the kennels and stables roughly kept, but full of dogs and horses; and Odo, in the Marquess's absence, was left free to visit every nook of his new home. Pontesordo, though perhaps as ancient as Donnaz, was but a fortified manor in the plain; but here was the turreted border castle, bristling at the head of the gorge like the fangs in a boar's throat: its walls overhung by machicolations, its portcullis still dropped at nightfall, and the loud stream forming a natural moat at its base. Through the desert spaces of this great structure Odo wandered at will, losing himself in its network of bare chambers, some now put to domestic uses, with smoked meats hanging from the rafters, cheeses ranged on shelves and farmer's implements stacked on the floor; others abandoned to bats and spiders, with slit-like openings choked by a growth of wild cherries, and little animals scurrying into their holes as Odo opened the unused doors. At the next turn he mounted by a winding stair to the platform behind the battlements, whence he could look down on the inner court, where horses were being groomed, dogs fed, harnesses mended, and platters of smoking food carried from the kitchen to the pantry; or, leaning another way, discovered, between the cliff and the rampart a tiny walled garden with fruit-trees and a sundial.
The ladies kept to themselves in a corner of the castle, where the rooms were hung with tapestry and a few straight-backed chairs stood about the hearth; but even here no fires were suffered till nightfall, nor was there so much as a carpet in the castle. Odo's grandmother, the old Marchioness, a heavy woman who would doubtless have enjoyed her ease in a cushioned seat, was afoot all day attending to her household; for besides the dairy and the bakehouse and the stillroom where fruits were stewed and pastes prepared, there was the great spinning-room full of distaffs and looms, where the women spun and wove all the linen used in the castle and the coarse stuffs worn by its inmates; with workshops for the cobbler and tailor who clothed and shod the Marquess and his household. All these the Marchioness must visit, and attend to her devotions between; the ladies being governed by a dark-faced priest, their chaplain and director, who kept them perpetually running along the cold stone corridors to the chapel in a distant wing, where they knelt without so much as a brazier to warm them or a cushion to their knees. As to the chapel, though larger and loftier than that of Pontesordo, with a fine carved and painted tabernacle and many silver candlesticks, it seemed to Odo, by reason of its bare walls, much less beautiful than that deserted oratory; nor did he, amid all the novelty of his surroundings, cease to regret the companionship of his familiar images.
His delight was the greater, therefore, when, exploring a part of the castle now quite abandoned, he came one day on a vaulted chamber used as a kind of granary, where, under layers of dirt and cobwebs, lovely countenances flowered from the walls. The scenes depicted differed indeed from those of Pontesordo, being less animated and homely and more difficult for a child to interpret; for here were naked laurel-crowned knights on prancing horses, nimble goat-faced creatures grouped in adoration round a smoking altar and youths piping to saffron-haired damsels on grass-banks set with poplars. The very strangeness of the fable set forth perhaps engaged the child's fancy; or the benignant mildness of the countenances, so unlike the eager individual faces of the earlier artist; for he returned again and again to gaze unweariedly on the inhabitants of that tranquil grassy world, studying every inch of the walls and with much awe and fruitless speculation deciphering on the hem of a floating drapery the inscription: Bernardinus Lovinus pinxit.
His impatience to know more of the history of these paintings led him to question an old man, half house-servant, half huntsman, now too infirm for service and often to be found sunning himself in the court with an old hound's chin on his knee. The old man, whose name was Bruno, told him the room in question had been painted for the Marquess Gualberto di