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       Dorothy Fielding

      Scarecrow

      (Musaicum Murder Mysteries)

      Published by

      Books

      - Advanced Digital Solutions & High-Quality eBook Formatting -

       [email protected]

      2021 OK Publishing

      EAN 4064066381424

      Table of Contents

       CHAPTER I. THE FARM OF THE GOLDEN GOAT

       CHAPTER II. INSKIPP HEARS OF MIREILLE, AND LEARNS WHAT THE GOLDEN GOAT STANDS FOR

       CHAPTER III. INSKIPP WRITES TO MIREILLE, AND AN ACCIDENT HAPPENS TO FLORENCE

       CHAPTER IV. MISS BLYTHE TAKES THE NEWS ODDLY

       CHAPTER V. INSKIPP DECIDES TO RETURN TO ENGLAND

       CHAPTER VI. SOME OLD NEWSPAPERS FURNISH INTERESTING READING

       CHAPTER VII. INSKIPP UNDERTAKES A COMMISSION

       CHAPTER VIII. INSKIPP GOES TO DOVER

       CHAPTER IX. THE PARTY OF FOUR BREAK UP

       CHAPTER X A DEAD TRAMP IS CLAIMED BY TWO WOMEN

       CHAPTER XI. A NAME IS FOUND FOR THE TRAMP

       CHAPTER XII. COTTAGE IS A MYSTERY

       CHAPTER XIII. AN OLD CRIME THROWS ITS SHADOW ON THE NEW ONE

       CHAPTER XIV. THE CHIEF INSPECTOR RUNS OVER THE POSSIBLE LINKS BETWEEN MRS. WHIN-BROWNING AND INSKIPP

       CHAPTER XV. LEMONS GROW IN MENTON

       CHAPTER XVI. MR. PARNALL GOES TO THE FARM OF THE GOLDEN GOAT

       CHAPTER XVII. POINTER IS INTERESTED IN A PHOTOGRAPH AND TWO FRAMES

       CHAPTER XVIII. THE GUESTS LEARN THAT SOME OF THEM HAVE GOT INTO PRINT

       CHAPTER XIX. MIREILLE

       CHAPTER XX. MIREILLE'S IDENTITY BECOMES A PUZZLE

       CHAPTER XXI. A PRISONER IS SET FREE

       CHAPTER XXII. AT CLERMONT-FERRAND THE END COMES IN SIGHT

       CHAPTER XXIII. MRS. NORBURY IS MISSING

       CHAPTER XXIV. A SCARECROW IS THE MAIN INCIDENT IN THE ROUNDING-UP OF A MURDERER

      CHAPTER I.

       THE FARM OF THE GOLDEN GOAT

       Table of Contents

      "JACK you're infernally lazy." Florence Rackstraw, hands on narrow hips, looked at Inskipp with an air of impatience. "Come along. The walk back will do you good."

      It was now nearly five o'clock.

      "I don't need to be done good to," murmured Inskipp, his felt hat tilted over his eyes. "I'm perfect."

      "Same here," said Elsie Cameron drowsily. She was seated on the rocks beside him. "Don't let us keep you, Florence."

      Florence shot Inskipp an angry look. He caught it and closed his eyes promptly. Her brother joined the little group of three on the Menton promenade.

      "Well, haven't we dallied long enough in Babylon?" he asked, shifting a handful of stones to another pocket.

      "In Bosio, you mean," chaffed Elsie. Honoré Bosio keeps the best cake shop in Menton, and the Rackstraws loved a good feed.

      "Shake a leg, Inskipp," adjured Rackstraw. "I want to discuss an episode in Haroun with you."

      Inskipp yawned. The two were writing a scenario. They were to share the profits of the film between them, and each talked as though they had a gold mine under their hats.

      "Haroun is tired," announced Inskipp firmly. "Very tired. He won't be at home to visitors until to-morrow. Besides, Elsie and I are going to drive up to the farm with Norbury."

      "You are an idler," said Florence with a nip-in of her thin lips, as, with a wave of the hand that looked angry instead of friendly, she led the way at a good pace along the Promenade du Midi to where the road started that would bring them after a three hours' ramble to Norbury's farm, La Chèvre d'Or, high up in the hills behind Menton. The four were his paying guests.

      Elsie and Inskipp watched them disappear.

      "There, but for the grace of God—" murmured Inskipp unctuously.

      "I don't think any one should be as ugly as those two are," said Elsie. She spoke meditatively, objectively. She was an artist, and, incidentally, a very pretty girl.

      And as though to give her another look at them, the brother and sister suddenly reappeared, walking briskly towards them. As usual, Florence Rackstraw was in the lead. She was very tall. Her head was too large for her bony body, and seemed to be all face, a face the colour of mottled mahogany. Her hair, straight as that of a mouse, was looped in two curtains over her ears and gathered into a tight little bun on her long, scraggy neck. Her eyes protruded. Her chin retreated. Her nose was hooked. Her mouth consisted of two thin, pale lines that slanted up to one side.

      Her brother resembled her closely, with rougher features, and a still harsher voice. He, too, had her air of absolute self-satisfaction.

      "As you're driving with Norbury, take these up for us, will you." The coats were tossed at the two before they could reply. Then the Rackstraws wheeled and strode off once more.

      "You're treading on dangerous ground when you talk of ugliness to me," said Inskipp meaningly. And he certainly could not

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