LITMIR.BIZ

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seemed to him that he hadn't made the best use of his conversational opportunities, and for a time this troubled him....

      Toward the twilight he was walking along the path that runs through the heather along the edge of the rusty dark ironstone lake opposite the pine-woods. He spoke his thoughts aloud to the discreet bat that flitted about him. "I wonder," he said, "whether I shall ever set eyes on her again...."

      In the small hours when he ought to have been fast asleep he decided she would certainly take the house, and that he would see her again quite a number of times. A long tangle of unavoidable detail for discussion might be improvised by an ingenious man. And the rest of that waking interval passed in such inventions, which became more and more vague and magnificent and familiar as Mr. Brumley lapsed into slumber again....

      Next day the garden essay was still neglected, and he wrote a pretty vague little song about an earthly mourner and a fresh presence that set him thinking of the story of Persephone and how she passed in the springtime up from the shadows again, blessing as she passed....

      He pulled himself together about midday, cycled over to Gorshott for lunch at the clubhouse and a round with Horace Toomer in the afternoon, re-read the poem after tea, decided it was poor, tore it up and got himself down to his little fantasy about Shakespear's Garden for a good two hours before supper. It was a sketch of that fortunate poet (whose definitive immortality is now being assured by an influential committee) walking round his Stratford garden with his daughter, quoting himself copiously with an accuracy and inappropriateness that reflected more credit upon his heart than upon his head, and saying in addition many distinctively Brumley things. When Mrs. Rabbit, with a solicitude acquired from the late Mrs. Brumley, asked him how he had got on with his work—the sight of verse on his paper had made her anxious—he could answer quite truthfully, "Like a house afire."

CHAPTER THE SECOND

       Table of Contents

      The Personality of Sir Isaac

      §1

      It is to be remarked that two facts, usually esteemed as supremely important in the life of a woman, do not seem to have affected Mr. Brumley's state of mind nearly so much as quite trivial personal details about Lady Harman. The first of these facts was the existence of the lady's four children, and the second, Sir Isaac.

      Mr. Brumley did not think very much of either of these two facts; if he had they would have spoilt the portrait in his mind; and when he did think of them it was chiefly to think how remarkably little they were necessary to that picture's completeness.

      He spent some little time however trying to recall exactly what it was she had said about her children. He couldn't now succeed in reproducing her words, if indeed it had been by anything so explicit as words that she had conveyed to him that she didn't feel her children were altogether hers. "Incidental results of the collapse of her girlhood," tried Mr. Brumley, "when she married Harman."

      Expensive nurses, governesses—the best that money without prestige or training could buy. And then probably a mother-in-law.

      And as for Harman——?

      There Mr. Brumley's mind desisted for sheer lack of material. Given this lady and that board and his general impression of Harman's refreshment and confectionery activity—the data were insufficient. A commonplace man no doubt, a tradesman, energetic perhaps and certainly a little brassy, successful by the chances of that economic revolution which everywhere replaces the isolated shop by the syndicated enterprise, irrationally conceited about it; a man perhaps ultimately to be pitied—with this young goddess finding herself.... Mr. Brumley's mind sat down comfortably to the more congenial theme of a young goddess finding herself, and it was only very gradually in the course of several days that the personality of Sir Isaac began to assume its proper importance in the scheme of his imaginings.

      §2

      In the afternoon as he went round the links with Horace Toomer he got some definite lights upon Sir Isaac.

      His mind was so full of Lady Harman that he couldn't but talk of her visit. "I've a possible tenant for my cottage," he said as he and Toomer, full of the sunny contentment of English gentlemen who had played a proper game in a proper manner, strolled back towards the clubhouse. "That man Harman."

      "Not the International Stores and Staminal Bread man."

      "Yes. Odd. Considering my hatred of his board."

      "He ought to pay—anyhow," said Toomer. "They say he has a pretty wife and keeps her shut up."

      "She came," said Brumley, neglecting to add the trifling fact that she had come alone.

      "Pretty?"

      "Charming, I thought."

      "He's jealous of her. Someone was saying that the chauffeur has orders not to take her into London—only for trips in the country. They live in a big ugly house I'm told on Putney Hill. Did she in any way look—as though——?"

      "Not in the least. If she isn't an absolutely straight young woman I've never set eyes on one."

      "He," said Toomer, "is a disgusting creature."

      "Morally?"

      "No, but—generally. Spends his life ruining little tradesmen, for the fun of the thing. He's three parts an invalid with some obscure kidney disease. Sometimes he spends whole days in bed, drinking Contrexéville Water and planning the bankruptcy of decent men.... So the party made a knight of him."

      "A party must have funds, Toomer."

      "He didn't pay nearly enough. Blapton is an idiot with the honours. When it isn't Mrs. Blapton. What can you expect when —— ——"

      (But here Toomer became libellous.)

      Toomer was an interesting type. He had a disagreeable disposition profoundly modified by a public school and university training. Two antagonistic forces made him. He was the spirit of scurrility incarnate, that was, as people say, innate; and by virtue of those moulding forces he was doing his best to be an English gentleman. That mysterious impulse which compels the young male to make objectionable imputations against seemly lives and to write rare inelegant words upon clean and decent things burnt almost intolerably within him, and equally powerful now was the gross craving he had acquired for personal association with all that is prominent, all that is successful, all that is of good report. He had found his resultant in the censorious defence of established things. He conducted the British Critic, attacking with a merciless energy all that was new, all that was critical, all those fresh and noble tentatives that admit of unsavoury interpretations, and when the urgent Yahoo in him carried him below the pretentious dignity of his accustomed organ he would squirt out his bitterness in a little sham facetious bookstall volume with a bright cover and quaint woodcuts, in which just as many prominent people as possible were mentioned by name and a sauce of general absurdity could be employed to cover and, if need be, excuse particular libels. So he managed to relieve himself and get along. Harman was just on the border-line of the class he considered himself free to revile. Harman was an outsider and aggressive and new, one of Mrs. Blapton's knights, and of no particular weight in society; so far he was fair game; but he was not so new as he had been, he was almost through with the running of the Toomer gauntlet, he had a tremendous lot of money and it was with a modified vehemence that the distinguished journalist and humourist expatiated on his offensiveness to Mr. Brumley. He talked in a gentle, rather weary voice, that came through a moustache like a fringe of light tobacco.

      "Personally I've little against the man. A wife too young for him and jealously guarded, but that's all to his credit. Nowadays. If it wasn't for his blatancy in his business.... And the knighthood.... I suppose he can't resist taking anything he can get. Bread made by wholesale and distributed like a newspaper can't, I feel, be the same thing as the loaf of your honest old-fashioned baker—each loaf

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