LITMIR.BIZ

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must depart from the exact words, and frame your own phrases. I have chosen this latter course. My translation follows the original closely enough in narrative and incident; but so far as mere phraseology is concerned, I have used the English language freely, not allowing myself to be trammelled by too close an adherence to the very words of the text. The originals are in general simple in style; and I have done my best to render them into simple, plain, homely English. In short, I have tried to tell the stories as I conceive the old shanachies themselves would have told them, if they had used English instead of Gaelic.

      In the originals, the stories run on without break or subdivision;[III.] but I have thought it better to divide the longer ones into chapters, with appropriate headings.

      In almost all cases I had at my command several copies of the same story, some of them differing in phraseology and in minor points of detail, though agreeing, in the main, in narrative and incident. I found this a considerable advantage, as it gave me more freedom in the choice of expression.

      I have made full use of the literal translations of those tales that have been already published in the Transactions of the Ossianic Society, in the Atlantis, in the Proceedings of the Royal Irish Academy, and in the Journal of the Royal Historical and Archæological Association of Ireland. But, in order to secure the advantage of various readings, I compared, in every case, the published text with at least one copy of the story, in the Royal Irish Academy, in Trinity College, or in my own private manuscript collection.

      The ancient institution of professional story-telling held its ground both in Ireland and in Scotland down to a very recent period; and it is questionable if it be even yet quite extinct. Within my own memory, this sort of entertainment was quite usual among the farming classes of the south of Ireland. The family and workmen, and any neighbours that chose to drop in, would sit round the kitchen fire after the day's work—or perhaps gather in a barn on a summer or autumn evening—to listen to some local shanachie reciting one of his innumerable Gaelic tales. The story-teller never chose his own words—he always had the story by heart, and recited the words from memory, often gliding into a sort of recitative in poetical passages, or when he came to some favourite grandiose description abounding in high-sounding alliterative adjectives. And very interesting it was to mark the rapt attention of the audience, and to hear their excited exclamations when the speaker came to relate some mighty combat, some great exploit of the hero, or some other striking incident. Three years ago, I met a man in Kilkee, who had a great number of these stories by heart, and who actually repeated for me, without the slightest hitch or hesitation, more than half—and if I had not stopped him would have given me the whole—of "Cúirt an Mheadhon-Oidhche" ("The Midnight Court"), a poem about six times as long as Gray's "Elegy."

      I will now proceed to give a few particulars concerning these tales, including a short account of the manuscript or manuscripts from which each has been translated.

      THE THREE TRAGIC STORIES OF ERIN.

      Among the ancient Gaelic tales, three were known as "the three most sorrowful (tales) of story-telling," or "The Three Tragic Stories of Erin;" viz., "The Fate of the Children of Usna," "The Fate of the Children of Lir," and "The Fate of the Children of Turenn." I have not included the first in this volume, but a poetical version of it has been written and published by my brother.[IV.]

      THE FATE OF THE CHILDREN OF LIR.

      Two translations of this tale have been published: one literal, with the Gaelic text, by Professor O'Curry, in the Atlantis (Nos. vii. and viii.); and another, less literal, by Gerald Griffin, in his "Tales of a Jury-Room."

      The oldest known copies of the tale are, one in the Catholic University, Dublin, made by Andrew Mac Curtin, a well-known Gaelic scholar and scribe of the county Clare, who lived between 1680 and 1740; one in Trinity College, Dublin, made by Hugh O'Daly, in 1758; and one in the British Museum, made by Richard Tipper of Dublin, in 1718.[V.] There is also a very good copy in the Royal Irish Academy (23. C. 26), of which I made considerable use, written in or about 1782, by Peter O'Connell, a good Gaelic scholar of the county Clare. From a comparison of several of these versions, O'Curry made his copy of the text as published in the Atlantis.

      There may be, and there probably are, older copies, in Trinity College, in the British Museum, or elsewhere, if we knew only where to find them. And this observation applies to several of the tales that follow, of which we have at hand only modern copies.

      THE FATE OF THE CHILDREN OF TURENN.

      In the Book of Lecan (folio 28), which was compiled by the Mac Firbises, about a.d. 1416, is a short account, partly in prose and partly in verse, of the celebrated eric-fine imposed on the three sons of Turenn, by Luga of the Long Arms, for killing his father Kian; but this old book does not give the story of the quest for the fine. The full tale, text and literal translation, has been published by O'Curry in the Atlantis. There are several good copies in the Royal Irish Academy: one in 23. G. 10, transcribed by Patrick Brown of the county Clare, in 1805; another in 23. E. 16, written out by Michael Oge O'Longan, in 1797; and a third (imperfect) in 23. M. 47, copied by Andrew Mac Curtin, in 1734.

      There are references to these three sons of Turenn, and to the manner of their death, in two very old authorities, viz., Cormac's "Glossary" (about a.d. 900); and a poem by Flann of Monaster-boice (who died a.d. 1056), a copy of which is in the Book of Leinster, written about a.d. 1130.

      In the older references to the sons of Turenn, they are called Brian, Iuchar, Iucharba; but in some comparatively modern copies of the tale the names are a little different—for instance, Peter O'Connell calls them Uar, Iuchar, and Iucharba; and they vary still further in other copies. I have taken advantage of this variety to give the names in a more pronounceable form in my translation.

      In the original, this tale is introduced by an anecdote of Nuada of the Silver Hand and the two great Dedannan leeches, Midac and Armedda (see page 92, infra), which has nothing whatever to do with the story, and which I have omitted.

      THE OVERFLOWING OF LOUGH NEAGH.

      "Leabhar na h-Uidhre," or "The Book of the Dun Cow," from which this and the two following tales are taken, is the oldest manuscript of miscellaneous Gaelic literature we possess. It was transcribed from older books by Maelmuire Mac Ceilechair, who died a.d. 1106; and it is now deposited in the Royal Irish Academy, Dublin—or rather, I should say, a large fragment of it, for the book has suffered much mutilation. This venerable book may now be said to be in the hands of the public, as it has been lately reproduced in lithograph fac-simile, and published by the Council of the Royal Irish Academy, at the Government expense.

      The story of "The Overflowing of Lough Neagh" (called in the original "The Destruction of Eocho Mac Mairedo") has been published, with text and literal translation, by the late J. O'Beirne Crowe, in the Kilkenny Archæological Journal volume for 1870–1.

      In this story I have been obliged to make a few transpositions in the mere order of the incidents, for the narrative in the original is in some places very ill arranged.

      It is now nearly eight hundred years since this story was transcribed from some old authority into "The Book of the Dun Cow;" and it is singular that the tradition of the formation of Lough Neagh, by the overflow of an enchanted well which was neglected by the woman in charge of it, still maintains a vivid existence among the peasantry. (See on this subject the author's "Origin and History of Irish Names of Places," Series I. 4th edition, page 176.)

      CONNLA OF THE GOLDEN HAIR, AND THE FAIRY MAIDEN.

      This tale (called in the original "Echtra Condla Cain," "The Adventures of Connla the Comely") is taken from "The Book of the Dun Cow." It has been published, with text and literal translation, by the late J. O'Beirne Crowe, in the Kilkenny Archæological Journal (volume 1874–5, page 128).

      This is one of the many tales that illustrate the ancient and widespread superstition that fairies sometimes take away mortals to their palaces in the fairy forts and pleasant green hills;[19] of which the last story in this book—"Oisin

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