LITMIR.BIZ

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and the Kaliph Haroun-al-Raschid met to make trial of their swords. The sword of Alfred was a simple sword: its name was Hewer. And the sword of Charlemagne was a French sword, and its name was Joyeuse. But the sword of Haroun was of the finest steel, forged in Toledo, tempered at Cordova, blessed in Mecca, damascened (as one might imagine) in Damascus, sharpened upon Jacob's Stone, and so wrought that when one struck it it sounded like a bell. And as for its name, By Allah! that was very subtle—for it had no name at all.

      Well then, upon that day in Lombardy Alfred and Charlemagne and the Kaliph were met to take a trial of their blades. Alfred took a pig of lead which he had brought from the Mendip Hills, and swiping the air once or twice in the Western fashion, he cut through that lead and girded the edge of his sword upon the rock beneath, making a little dent.

      Then Charlemagne, taking in both hands his sword Joyeuse, and aiming at the dent, with a laugh swung down and cut the stone itself right through, so that it fell into two pieces, one on either side, and there they lie today near by Piacenza in a field.

      Now that it had come to the Kaliph's turn, one would have said there was nothing left for him to do, for Hewer had manfully hewn lead, and Joyeuse had joyfully cleft stone.

      But the Kaliph, with an Arabian look, picked out of his pocket a gossamer scarf from Cashmir, so light that when it was tossed into the air it would hardly fall to the ground, but floated downwards slowly like a mist. This, with a light pass, he severed, and immediately received the prize. For it was deemed more difficult by far to divide such a veil in mid-air, than to cleave lead or even stone.

      I knew a man once, Maurice, who was at Oxford for three years, and after that went down with no degree. At College, while his friends were seeking for Truth in funny brown German Philosophies, Sham Religions, stinking bottles and identical equations, he was lying on his back in Eynsham meadows thinking of Nothing, and got the Truth by this parallel road of his much more quickly than did they by theirs; for the asses are still seeking, mildly disputing, and, in a cultivated manner, following the gleam, so that they have become in their Donnish middleage a nuisance and a pest; while he—that other—with the Truth very fast and firm at the end of a leather thong is dragging her sliding, whining and crouching on her four feet, dragging her reluctant through the world, even into the broad daylight where Truth most hates to be.

      He it was who became my master in this creed. For once as we lay under a hedge at the corner of a road near Bagley Wood we heard far off the notes of military music and the distant marching of a column; these notes and that tramp grew louder, till there swung round the turning with a blaze of sound five hundred men in order. They passed, and we were full of the scene and of the memories of the world, when he said to me: "Do you know what is in your heart? It is the music. And do you know the cause and Mover of that music? It is the Nothingness inside the bugle; it is the hollow Nothingness inside the Drum."

      Then I thought of the poem where it says of the Army of the Republic:

      The thunder of the limber and the rumble of a hundred of the guns.

       And there hums as she comes the roll of her innumerable drums.

      I knew him to be right.

      From this first moment I determined to consider and to meditate upon Nothing.

      Many things have I discovered about Nothing, which have proved it—to me at least—to be the warp or ground of all that is holiest. It is of such fine gossamer that loveliness was spun, the mists under the hills on an autumn morning are but gross reflections of it; moonshine on lovers is earthy compared with it; song sung most charmingly and stirring the dearest recollections is but a failure in the human attempt to reach its embrace and be dissolved in it. It is out of Nothing that are woven those fine poems of which we carry but vague rhythms in the head:—and that Woman who is a shade, the_ Insaisissable, _whom several have enshrined in melody—well, her Christian name, her maiden name, and, as I personally believe, her married name as well, is Nothing. I never see a gallery of pictures now but I know how the use of empty spaces makes a scheme, nor do I ever go to a play but I see how silence is half the merit of acting and hope some day for absence and darkness as well upon the stage. What do you think the fairy Melisende said to Fulk-Nerra when he had lost his soul for her and he met her in the Marshes after twenty years? Why, Nothing—what else could she have said? Nothing is the reward of good men who alone can pretend to taste it in long easy sleep, it is the meditation of the wise and the charm of happy dreamers. So excellent and final is it that I would here and now declare to you that Nothing was the gate of eternity, that by passing through Nothing we reached our every object as passionate and happy beings—were it not for the Council of Toledo that restrains my pen. Yet … indeed, indeed when I think what an Elixir is this Nothing I am for putting up a statue nowhere, on a pedestal that shall not exist, and for inscribing on it in letters that shall never be written:

       TO NOTHING THE HUMAN RACE IN GRATITUDE.

      So I began to write my book, Maurice: and as I wrote it the dignity of what I had to do rose continually before me, as does the dignity of a mountain range which first seemed a vague part of the sky, but at last stands out august and fixed before the traveller; or as the sky at night may seem to a man released from a dungeon who sees it but gradually, first bewildered by the former constraint of his narrow room but now gradually enlarging to drink in its immensity. Indeed this Nothing is too great for any man who has once embraced it to leave it alone thenceforward for ever; and finally, the dignity of Nothing is sufficiently exalted in this: that Nothing is the tenuous stuff from which the world was made.

      For when the Elohim set out to make the world, first they debated among themselves the Idea, and one suggested this and another suggested that, till they had threshed out between them a very pretty picture of it all. There were to be hills beyond hills, good grass and trees, and the broadness of rivers, animals of all kinds, both comic and terrible, and savours and colours, and all around the ceaseless streaming of the sea.

      Now when they had got that far, and debated the Idea in detail, and with amendment and resolve, it very greatly concerned them of what so admirable a compost should be mixed. Some said of this, and some said of that, but in the long run it was decided by the narrow majority of eight in a full house that Nothing was the only proper material out of which to make this World of theirs, and out of Nothing they made it: as it says in the Ballade:

      Dear, tenuous stuff, of which the world was made.

      And again in the Envoi:

      Prince, draw this sovereign draught in your despair,

       That when your riot in that rest is laid,

       You shall be merged with an Essential Air:—

       Dear, tenuous stuff, of which the world was made!

      Out of Nothing then did they proceed to make the world, this sweet world, always excepting Man the Marplot. Man was made in a muddier fashion, as you shall hear.

      For when the world seemed ready finished and, as it were, presentable for use, and was full of ducks, tigers, mastodons, waddling hippopotamuses, lilting deer, strong-smelling herbs, angry lions, frowsy snakes, cracked glaciers, regular waterfalls, coloured sunsets, and the rest, it suddenly came into the head of the youngest of these strong Makers of the World (the youngest, who had been sat upon and snubbed all the while the thing was doing, and hardly been allowed to look on, let alone to touch), it suddenly came into his little head, I say, that he would make a Man.

      Then the Elder Elohim said, some of them, "Oh, leave well alone! send him to bed!" And others said sleepily (for they were tired), "No! no! let him play his little trick and have done with it, and then we shall have some rest." Little did they know! … And others again, who were still broad awake, looked on with amusement and applauded, saying: "Go on, little one! Let us see what you can do." But when these last stooped to help the child, they found that all the Nothing had been used up (and that is why there is none of it about to-day). So the little fellow began to cry, but they, to comfort him, said: "Tut, lad! tut! do not cry; do your best with this bit of mud. It will always serve to fashion something."

      So the jolly little fellow took the dirty lump of mud and pushed it this way and that, jabbing with his thumb and

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