Franz Kafka: The Complete Novels - Franz Kafka

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pressed firmly together, his eyes were open and looked as they had when he was alive, his gaze was calm and convinced. The tip of a large iron needle had gone through his forehead.

      ***

      As the Traveler, with the Soldier and the Condemned Man behind him, came to the first houses in the colony, the Soldier pointed to one and said, “That’s the tea house.”

      On the ground floor of one of the houses was a deep, low room, like a cave, with smoke-covered walls and ceiling. On the street side it was open along its full width. Although there was little difference between the tea house and the rest of the houses in the colony, which were all very dilapidated, except for the Commandant’s palatial structure, the Traveler was struck by the impression of historical memory, and he felt the power of earlier times. Followed by his companions, he walked closer, going between the unoccupied tables, which stood in the street in front of the tea house, and took a breath of the cool, stuffy air which came from inside. “The old man is buried here,” said the soldier; “a place in the cemetery was denied him by the chaplain. For a long time people were undecided where they should bury him. Finally they buried him here. Of course, the Officer explained none of that to you, for naturally he was the one most ashamed about it. A few times he even tried to dig up the old man at night, but he was always chased off.” “Where is the grave?” asked the Traveler, who could not believe the Soldier. Instantly both men, the Soldier and the Condemned Man, ran in front of him and with hands outstretched pointed to the place where the grave was located. They led the Traveler to the back wall, where guests were sitting at a few tables. They were presumably dock workers, strong men with short, shiny, black beards. None of them wore coats, and their shirts were torn. They were poor, oppressed people. As the Traveler came closer, a few got up, leaned against the wall, and looked at him. A whisper went up around the Traveler — “It’s a foreigner. He wants to look at the grave.” They pushed one of the tables aside, under which there was a real grave stone. It was a simple stone, low enough for it to remain hidden under a table. It bore an inscription in very small letters. In order to read it the Traveler had to kneel down. It read, “Here rests the Old Commandant. His followers, who are now not permitted to have a name, buried him in this grave and erected this stone. There exists a prophecy that the Commandant will rise again after a certain number of years and from this house will lead his followers to a re-conquest of the colony. Have faith and wait!”

      When the Traveler had read it and got up, he saw the men standing around him and smiling, as if they had read the inscription with him, found it ridiculous, and were asking him to share their opinion. The Traveler acted as if he hadn’t noticed, distributed some coins among them, waited until the table was pushed back over the grave, left the tea house, and went to the harbor.

      In the tea house the Soldier and the Condemned Man had come across some people they knew who detained them. However, they must have broken free of them soon, because by the time the Traveler found himself in the middle of a long staircase which led to the boats, they were already running after him. They probably wanted to force the Traveler at the last minute to take them with him. While the Traveler was haggling at the bottom of the stairs with a sailor about his passage out to the steamer, the two men were racing down the steps in silence, for they didn’t dare cry out. But as they reached the bottom, the Traveler was already in the boat, and the sailor at once cast off from shore. They could still have jumped into the boat, but the Traveler picked up a heavy knotted rope from the boat bottom, threatened them with it, and thus prevented them from jumping in.

      A Hunger Artist

      First published: 1922

      a short story

      During these last decades the interest in professional fasting has markedly diminished. It used to pay very well to stage such great performances under one’s own management, but today that is quite impossible. We live in a different world now. At one time the whole town took a lively interest in the hunger artist; from day to day of his fast the excitement mounted; everybody wanted to see him at least once a day; there were people who bought season tickets for the last few days and sat from morning till night in front of his small barred cage; even in the nighttime there were visiting hours, when the whole effect was heightened by torch flares; on fine days the cage was set out in the open air, and then it was the children’s special treat to see the hunger artist; for their elders he was often just a joke that happened to be in fashion, but the children stood openmouthed, holding each other’s hands for greater security, marveling at him as he sat there pallid in black tights, with his ribs sticking out so prominently, not even on a seat but down among straw on the ground, sometimes giving a courteous nod, answering questions with a constrained smile, or perhaps stretching an arm through the bars so that one might feel how thin it was, and then again withdrawing deep into himself, paying no attention to anyone or anything, not even to the all-important striking of the clock that was the only piece of furniture in his cage, but merely staring into vacancy with half-shut eyes, now and then taking a sip from a tiny glass of water to moisten his lips.

      Besides casual onlookers there were also relays of permanent watchers selected by the public, usually butchers, strangely enough, and it was their task to watch the hunger artist day and night, three of them at a time, in case he should have some secret recourse to nourishment. This was nothing but a formality, instigated to reassure the masses, for the initiates knew well enough that during his fast the artist would never in any circumstances, not even under forcible compulsion, swallow the smallest morsel of food; the honor of his profession forbade it. Not every watcher, of course, was capable of understanding this, there were often groups of night watchers who were very lax in carrying out their duties and deliberately huddled together in a retired corner to play cards with great absorption, obviously intending to give the hunger artist the chance of a little refreshment, which they supposed he would draw from some private hoard. Nothing annoyed the artist more than these watchers; they made him miserable; they made his fast seem unendurable; sometimes he mastered his feebleness sufficiently to sing during their watch for as long as he could keep going, to show them how unjust their suspicions were. But that was of little use; they only wondered at his cleverness in being able to fill his mouth even while singing. Much more to his taste were the watchers who sat close up to the bars, who were not content with the dim night lighting of the hall but focused him in the full glare of the electric pocket torch given them by the impresario. The harsh light did not trouble him at all, in any case he could never sleep properly, and he could always drowse a little, whatever the light, at any hour, even when the hall was thronged with noisy onlookers. He was quite happy at the prospect of spending a sleepless night with such watchers; he was ready to exchange jokes with them, to tell them stories out of his nomadic life, anything at all to keep them awake and demonstrate to them again that he had no eatables in his cage and that he was fasting as not one of them could fast. But his happiest moment was when the morning came and an enormous breakfast was brought for them, at his expense, on which they flung themselves with the keen appetite of healthy men after a weary night of wakefulness. Of course there were people who argued that this breakfast was an unfair attempt to bribe the watchers, but that was going rather too far, and when they were invited to take on a night’s vigil without a breakfast, merely for the sake of the cause, they made themselves scarce, although they stuck stubbornly to their suspicions.

      Such suspicions, anyhow, were a necessary accompaniment to the profession of fasting. No one could possibly watch the hunger artist continuously, day and night, and so no one could produce first-hand evidence that the fast had really been rigorous and continuous; only the artist himself could know that, he was therefore bound to be the sole completely satisfied spectator of his own fast. Yet for other reasons he was never satisfied; it was not perhaps mere fasting that had brought him to such skeleton thinness that many people had regretfully to keep away from his exhibitions, because the sight of him was too much for them, perhaps it was dissatisfaction with himself that had worn him down. For he alone knew, what no other initiate knew, how easy it was to fast. It was the easiest thing in the world.

      He made no secret of this, yet people did not believe him, at best they set him down as modest, most of them, however, thought he was out for publicity or else was some kind of cheat who found it easy to fast because he had discovered a

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