LITMIR.BIZ

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      “And presently they will ask you where you got the money,” said Carlos, when Lucien reported this last word in the bargain.

      “My brother-in-law will have made his fortune,” remarked Lucien; “we can make him the responsible backer.”

      “Then only the million is needed,” said Carlos. “I will think it over.”

      To be exact as to Lucien’s position in the Hotel Grandlieu, he had never dined there. Neither Clotilde, nor the Duchesse d’Uxelles, nor Madame de Maufrigneuse, who was always extremely kind to Lucien, could ever obtain this favor from the Duke, so persistently suspicious was the old nobleman of the man that he designated as “le Sire de Rubempre.” This shade of distinction, understood by every one who visited at the house, constantly wounded Lucien’s self-respect, for he felt that he was no more than tolerated. But the world is justified in being suspicious; it is so often taken in!

      To cut a figure in Paris with no known source of wealth and no recognized employment is a position which can by no artifice be long maintained. So Lucien, as he crept up in the world, gave more and more weight to the question, “What does he live on?” He had been obliged indeed to confess to Madame de Serizy, to whom he owed the patronage of Monsieur Granville, the Public Prosecutor, and of the Comte Octave de Bauvan, a Minister of State, and President of one of the Supreme Courts: “I am dreadfully in debt.”

      As he entered the courtyard of the mansion where he found an excuse for all his vanities, he was saying to himself as he reflected on Trompe-la-Mort’s scheming:

      “I can hear the ground cracking under my feet!”

      He loved Esther, and he wanted to marry Mademoiselle de Grandlieu! A strange dilemma! One must be sold to buy the other.

      Only one person could effect this bargain without damage to Lucien’s honor, and that was the supposed Spaniard. Were they not bound to be equally secret, each for the other? Such a compact, in which each is in turn master and slave, is not to be found twice in any one life.

      Lucien drove away the clouds that darkened his brow, and walked into the Grandlieu drawing-room gay and beaming. At this moment the windows were open, the fragrance from the garden scented the room, the flower-basket in the centre displayed its pyramid of flowers. The Duchess, seated on a sofa in the corner, was talking to the Duchesse de Chaulieu. Several women together formed a group remarkable for their various attitudes, stamped with the different expression which each strove to give to an affected sorrow. In the fashionable world nobody takes any interest in grief or suffering; everything is talk. The men were walking up and down the room or in the garden. Clotilde and Josephine were busy at the tea-table. The Vidame de Pamiers, the Duc de Grandlieu, the Marquis d’Ajuda-Pinto, and the Duc de Maufrigneuse were playing Wisk, as they called it, in a corner of the room.

      When Lucien was announced he walked across the room to make his bow to the Duchess, asking the cause of the grief he could read in her face.

      “Madame de Chaulieu has just had dreadful news; her son-in-law, the Baron de Macumer, ex-duke of Soria, is just dead. The young Duc de Soria and his wife, who had gone to Chantepleurs to nurse their brother, have written this sad intelligence. Louise is heart-broken.”

      “A women is not loved twice in her life as Louise was loved by her husband,” said Madeleine de Mortsauf.

      “She will be a rich widow,” observed the old Duchesse d’Uxelles, looking at Lucien, whose face showed no change of expression.

      “Poor Louise!” said Madame d’Espard. “I understand her and pity her.”

      The Marquise d’Espard put on the pensive look of a woman full of soul and feeling. Sabine de Grandlieu, who was but ten years old, raised knowing eyes to her mother’s face, but the satirical glance was repressed by a glance from the Duchess. This is bringing children up properly.

      “If my daughter lives through the shock,” said Madame de Chaulieu, with a very maternal manner, “I shall be anxious about her future life. Louise is so very romantic.”

      “It is so difficult nowadays,” said a venerable Cardinal, “to reconcile feeling with the proprieties.”

      Lucien, who had not a word to say, went to the tea-table to do what was polite to the demoiselles de Grandlieu. When the poet had gone a few yards away, the Marquise d’Espard leaned over to whisper in the Duchess’ ear:

      “And do you really think that that young fellow is so much in love with your Clotilde?”

      The perfidy of this question cannot be fully understood but with the help of a sketch of Clotilde. That young lady was, at this moment, standing up. Her attitude allowed the Marquise d’Espard’s mocking eye to take in Clotilde’s lean, narrow figure, exactly like an asparagus stalk; the poor girl’s bust was so flat that it did not allow of the artifice known to dressmakers as fichus menteurs, or padded habitshirts. And Clotilde, who knew that her name was a sufficient advantage in life, far from trying to conceal this defect, heroically made a display of it. By wearing plain, tight dresses she achieved the effect of that stiff prim shape which medieval sculptors succeeded in giving to the statuettes whose profiles are conspicuous against the background of the niches in which they stand in cathedrals.

      Clotilde was more than five feet four in height; if we may be allowed to use a familiar phrase, which has the merit at any rate of being perfectly intelligible—she was all legs. These defective proportions gave her figure an almost deformed appearance. With a dark complexion, harsh black hair, very thick eyebrows, fiery eyes, set in sockets that were already deeply discolored, a side face shaped like the moon in its first quarter, and a prominent brow, she was the caricature of her mother, one of the handsomest women in Portugal. Nature amuses herself with such tricks. Often we see in one family a sister of wonderful beauty, whose features in her brother are absolutely hideous, though the two are amazingly alike. Clotilde’s lips, excessively thin and sunken, wore a permanent expression of disdain. And yet her mouth, better than any other feature of her face, revealed every secret impulse of her heart, for affection lent it a sweet expression, which was all the more remarkable because her cheeks were too sallow for blushes, and her hard, black eyes never told anything. Notwithstanding these defects, notwithstanding her board-like carriage, she had by birth and education a grand air, a proud demeanor, in short, everything that has been well named le je ne sais quoi, due partly, perhaps, to her uncompromising simplicity of dress, which stamped her as a woman of noble blood. She dressed her hair to advantage, and it might be accounted to her for a beauty, for it grew vigorously, thick and long.

      She had cultivated her voice, and it could cast a spell; she sang exquisitely. Clotilde was just the woman of whom one says, “She has fine eyes,” or, “She has a delightful temper.” If any one addressed her in the English fashion as “Your Grace,” she would say, “You mean ‘Your leanness.’ ”

      “Why should not my poor Clotilde have a lover?” replied the Duchess to the Marquise. “Do you know what she said to me yesterday? ‘If I am loved for ambition’s sake, I undertake to make him love me for my own sake.’—She is clever and ambitious, and there are men who like those two qualities. As for him—my dear, he is as handsome as a vision; and if he can but repurchase the Rubempre estates, out of regard for us the King will reinstate him in the title of Marquis.—After all, his mother was the last of the Rubempres.”

      “Poor fellow! where is he to find a million francs?” said the Marquise.

      “That is no concern of ours,” replied the Duchess. “He is certainly incapable of stealing the money.—Besides, we would never give Clotilde to an intriguing or dishonest man even if he were handsome, young, and a poet, like Monsieur de Rubempre.”

      “You are late this evening,” said Clotilde, smiling at Lucien with infinite graciousness.

      “Yes, I have been dining out.”

      “You have been quite gay these last few days,” said she, concealing her jealousy and anxiety behind a smile.

      “Quite gay?” replied Lucien. “No—only by the

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