Browning's England: A Study in English Influences in Browning - Helen Archibald Clarke

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accorded to Spenser.

      It is quite fitting that the scene should be set in the "Mermaid." No record exists to show that Shakespeare was ever there, it is true, but the "Mermaid" was a favorite haunt of Ben Jonson and his circle of wits, whose meetings there were immortalized by Beaumont in his poetical letter to Jonson:—

      "What things have we seen

       Done at the Mermaid? heard words that have been

       So nimble and so full of subtle flame,

       As if that every one from whence they came

       Had meant to put his whole wit in a jest,

       And had resolved to live a fool the rest

       Of his dull life."

      Add to this what Fuller wrote in his "Worthies," 1662, "Many were the wit-combats betwixt him and Ben Jonson, which60 two I behold like a Spanish great galleon and an English man-of-war; Master Jonson (like the former) was built far higher in learning, solid but slow in his performances. Shakespeare, with the English man-of-war, lesser in bulk, but lighter in sailing, could turn with all tides, tack about, and take advantage of all winds by the quickness of his wit and invention," and there is sufficient poetic warrant for the "Mermaid" setting.

      First Folio Portrait of Shakespeare

"Do I stoop? I pluck a posy. Do I stand and stare? All's blue."

      The final touch is given in the hint that all the time Shakespeare is aware of his own greatness, perhaps to be recognized by a future age.

      Let Browning, himself, now show what he has done with the material.

       Table of Contents

      The figure that thou here seest. … Tut!

       Was it for gentle Shakespeare put?

       B. Jonson. (Adapted.)

      I

      I—"Next Poet?" No, my hearties,

       I nor am nor fain would be!

       Choose your chiefs and pick your parties,

       Not one soul revolt to me!

       I, forsooth, sow song-sedition?

       I, a schism in verse provoke?

       I, blown up by bard's ambition,

       Burst—your bubble-king? You joke.

      61

      II

      Come, be grave! The sherris mantling

       Still about each mouth, mayhap,

       Breeds you insight—just a scantling—

       Brings me truth out—just a scrap.

       Look and tell me! Written, spoken,

       Here's my life-long work: and where

       —Where's your warrant or my token

       I'm the dead king's son and heir?

      III

      Here's my work: does work discover—

       What was rest from work—my life?

       Did I live man's hater, lover?

       Leave the world at peace, at strife?

       Call earth ugliness or beauty?

       See things there in large or small?

       Use to pay its Lord my duty?

       Use to own a lord at all?

      IV

      Blank of such a record, truly

       Here's the work I hand, this scroll,

       Yours to take or leave; as duly,

       Mine remains the unproffered soul.

       So much, no whit more, my debtors—

       How should one like me lay claim

       To that largess elders, betters

       Sell you cheap their souls for—fame?

      V

      Which of you did I enable

       Once to slip inside my breast,

      62 There to catalogue and label

       What I like least, what love best,

       Hope and fear, believe and doubt of,

       Seek and shun, respect—deride?

       Who has right to make a rout of

       Rarities he found inside?

      VI

      Rarities or, as he'd rather,

       Rubbish such as stocks his own:

       Need and greed (O strange) the Father

       Fashioned not for him alone!

       Whence—the comfort set a-strutting,

       Whence—the outcry "Haste, behold!

       Bard's breast open wide, past shutting,

       Shows what brass we took for gold!"

      VII

      Friends, I doubt not he'd display you

       Brass—myself call orichalc—

       Furnish much amusement; pray you

       Therefore, be content I balk

       Him and you, and bar my portal!

       Here's my work outside: opine

       What's inside me mean and mortal!

       Take your pleasure, leave me mine!

      VIII

      Which is—not to buy your laurel

       As last king did, nothing loth.

       Tale adorned and pointed moral

       Gained him praise and pity both.

      63 Out rushed sighs and groans by dozens,

       Forth by scores oaths, curses flew:

       Proving you were cater-cousins,

       Kith and kindred, king and you!

      IX

      Whereas do I ne'er so little

       (Thanks to sherris) leave ajar

       Bosom's gate—no jot nor tittle

       Grow we nearer than we are.

       Sinning, sorrowing, despairing,

       Body-ruined, spirit-wrecked—

       Should I give my woes an airing—

       Where's one plague that claims respect?

      X

      Have you found your life distasteful?

       My life did, and does, smack sweet.

       Was your youth of pleasure wasteful?

       Mine I saved and hold complete.

       Do your joys with age diminish?

       When mine fail me, I'll

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