LITMIR.BIZ

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relations with Gigetto's family, he assumed as far as possible the position of a wine-dealer rather than that of a wine-seller. The distinction, in Italian mountain towns, is very marked.

      "They can have a measure of the best, if they care to pay for it," he said. "If they wish a mouthful of food, there is what there is. But I am not the village host, and Nanna is not a wine-shop cook, to fry tripe and peel onions for Titius and Caius."

      The old Roman expression, denoting generally the average public, survives still in polite society, and Stefanone had caught it from Sor Tommaso.

      Dalrymple was sitting as usual over his supper, by the light of the triple-beaked brass lamp, his measure of wine beside him, and a beefsteak, which on this occasion was really of beef, before him. Stefanone was absent in Rome, with a load of wine. Sora Nanna sat on Dalrymple's right, industriously knitting in Italian fashion, one of the needles stuck into and supported by a wooden sheath thrust into her waist-band, while she worked off the stitches with the others. Annetta sat opposite the Scotchman, but a little on one side of the lamp, so that she could see his face.

      "Mother," she said suddenly, without lifting her chin from the hand in which it rested, "you do not know anything! This Signor Englishman is making love with a nun in the convent! Eh—what do you think of it? Only this was wanting. A little more and the lightning will fall upon the convent! These Protestants! Oh, these blessed Protestants! They respect nothing, not even the saints!"

      "My daughter! what are you saying?"

      Sora Nanna's fingers did not pause in their work, nor did her eyes look up, but the deep furrow showed itself in her thick peasant's forehead, and her coarse, hard lips twitched clumsily with the beginning of a smile.

      "What am I saying? The truth. Ask rather of the Signore whether it is not true."

      "It is silly," said Dalrymple, growing unnaturally red, and looking up sharply at Annetta, before he took his next mouthful.

      "Look at him, mother!" laughed the girl. "He is red, red—he seems to me a boiled shrimp. Eh, this time I have guessed it! And as for Sister Maria Addolorata, she no longer sees with her eyes! To-day, when you were carrying in the baskets, you and the other women who went with us, I asked her whether the abbess was satisfied with the new doctor, and she answered that he was a very wise man, much wiser than Sor Tommaso. So I told her that it was a pity, because Sor Tommaso was getting well and would not allow the English doctor to come instead of him much longer. Then she looked at me. By Bacchus, I was afraid. Certain eyes! Not even a cat when you take away her kittens! A little more and she would have eaten me. And then her face made itself of marble—like that face of a woman that is built into the fountain in the piazza. Arch-priest! What a face!"

      The girl stared hard at Dalrymple, and her mouth laughed wickedly at his evident embarrassment, while there was something very different from laughter in her eyes. During the long speech, Sora Nanna had stopped knitting, and she looked from her daughter to the Scotchman with a sort of half-stupid, half-cunning curiosity.

      "But these are sins!" she exclaimed at last.

      "And what does it matter?" asked the girl. "Does he go to confession? So what does it matter? He keeps the account himself, of his sins. I should not like to have them on my shoulders. But as for Sister Maria Addolorata—oh, she! I told you that she sinned in her throat. Well, the sin is ready, now. What is she waiting for? For the abbess to die? Or for Sor Tommaso to get well? Then she will not see the Signor Englishman any more. It would be better for her. When she does not see him any more, she will knead her pillow with tears, and make her bread of it, to bite and eat. Good appetite, Sister Maria!"

      "You talk, you talk, and you conclude nothing," observed Sora Nanna. "You have certain thoughts in your head! And you do not let the Signore say even a word."

      "What can he say? He will say that it is not true. But then, who will believe him? I should like to see them a little together. I am sure that she shows him her face, and that it is 'Signor Doctor' here, and 'Dear Signor Doctor' there, and a thousand gentlenesses. Tell the truth, Signore. She shows you her face."

      "No," said Dalrymple, who had regained his self-possession. "She never shows me her face."

      "What a shame for a Carmelite nun to show her face to a man!" cried the girl.

      "But I tell you she is always veiled to her chin," insisted Dalrymple, with perfect truth.

      "Eh! It is you who say so!" retorted Annetta. "But then, what can it matter to me? Make love with a nun, if it goes, Signore. Youth is a flower—when it is withered, it is hay, and the beasts eat it."

      "This is true," said Sora Nanna, returning to her knitting. "But do not pay attention to her, Signore. She is stupid. She does not know what she says. Eat, drink, and manage your own affairs. It is better. What can a child understand? It is like a little dog that sees and barks, without understanding. But you are a much instructed man and have been round the whole world. Therefore you know many things. It seems natural."

      Though Dalrymple was not diffident, as has been said, he was far from vain, on the whole, and in particular he had none of that contemptible vanity which makes a man readily believe that every woman he meets is in love with him. He had not the slightest idea at that time that Annetta, the peasant girl, looked upon him with anything more than the curiosity and vague interest usually bestowed on a foreigner in Italy.

      He was annoyed, however, by what she said this evening, though he was also secretly surprised and delighted. The contradiction is a common one. The miser is half mad with joy on discovering that he has much more than he supposed, and bitterly resents, at the same time, any notice which may be taken of the fact by others.

      Annetta did not enjoy his discomfiture and evident embarrassment, for she was far more deeply hurt herself than she realized, and every word she had spoken about Maria Addolorata had hurt her, though she had taken a sort of vague delight in teasing Dalrymple. She relapsed into silence now, alternately wishing that he loved her, and then, that she might kill him. If she could not have his heart, she would be satisfied with his blood. There was a passionate animal longing in the instinct to have him for herself, even dead, rather than that any other woman should get his love.

      Dalrymple was aware only that the girl's words had annoyed him, while inwardly conscious that if what she said were true, the truth would make a difference in his life. He showed no inclination to talk any more, and finished his supper in a rather morose silence, turning to his book as soon as he had done. Then Gigetto came in with his guitar and sang and talked with the two women.

      But he was restless that night, and did not fall asleep until the moon had set and his window grew dark. And even in his dreams he was restless still, so that when he awoke in the morning he said to himself that he had been foolish in his behaviour towards Maria Addolorata on the previous day. He felt tired, too, and his colour was less brilliant than usual. It was Sunday, and he remembered that if he chose he could go in the afternoon to the Benediction in the convent church and hear Maria's voice perhaps. But at the usual hour, just before noon, he went to make his visit to the abbess.

      It was his intention to forget his stiff manner, and to behave as he had always behaved until yesterday. Strange to say, however, he felt a constraint coming upon him as soon as he was in the nun's presence. She received him as usual, there was the usual comic scene at the abbess's door, and, as every day, the two were alone together after her door was shut.

      "Are you ill?" asked Maria Addolorata, after a moment's silence which, short as it was, both felt to be awkward.

      Dalrymple was taken by surprise. The tone in which she had spoken was cold and distant rather than expressive of any concern for his welfare, but he did not think of that. He only realized that his manner must seem to her very unusual, since she asked such a question. An Italian would have observed that his own face was pale, and would have told her that he was dying of love.

      "No, I am not ill," answered the Scotchman, simply, and in his most natural tone of voice.

      "Then what is the matter with you since yesterday?" asked Maria Addolorata, less coldly, and as though she

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