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href="#ulink_2d3cee3f-b7a4-58c8-b02a-6b80fc5f70dc">The Passing of the Black Whelps

       The Passing of the Black Whelps

       The Homeward Trail

       The Homeward Trail

       THE END.

       Table of Contents

      

"A HUGE BLACK BEAR STANDING IN THE TRAIL." (See page 177)

       Table of Contents

       Table of Contents

       Table of Contents

       Table of Contents

       Table of Contents

       Table of Contents

       Table of Contents

       Table of Contents

      With many Illustrations by CHARLES LIVINGSTON BULL A. WESSELS COMPANY MDCCCCVI. … . NEW YORK

      Copyright, 1904, by

       The S. S. McClure Co.

       Copyright, 1904, by

       Perry Mason Company

       Copyright, 1903, 1904, by

       Robert Howard Russell

       Copyright, 1903, by

       The Metropolitan Magazine Company

       Copyright, 1903, by

       The Success Company

       Copyright, 1902, 1903, by

       The Outing Publishing Company

       Copyright, 1902, by

       Frank Leslie Publishing House

       Copyright, 1904, by

       L. C. Page & Company

       (INCORPORATED)

       All rights reserved

       Published, June, 1904

       Colonial Press

       Electrotyped and Printed by C. H. Simonds & Co.

       Boston, Mass., U. S. A.

      To

      My Fellow of the Wild

      Ernest Thompson Seton

       Table of Contents

      n the preface to a former volume[1] I have endeavoured to trace the development of the modern animal story and have indicated what appeared to me to be its tendency and scope. It seems unnecessary to add anything here but a few words of more personal application.

      The stories of which this volume is made up are avowedly fiction. They are, at the same time, true, in that the material of which they are moulded consists of facts—facts as precise as painstaking observation and anxious regard for truth can make them. Certain of the stories, of course, are true literally. Literal truth may be attained by stories which treat of a single incident, or of action so restricted as to lie within the scope of a single observation. When, on the other hand, a story follows the career of a wild creature of the wood or air or water through wide intervals of time and space, it is obvious that the truth of that story must be of a different kind. The complete picture which such a story presents is built up from observation necessarily detached and scattered; so that the utmost it can achieve as a whole is consistency with truth. If a writer has, by temperament, any sympathetic understanding of the wild kindreds; if he has any intimate knowledge of their habits, with any sensitiveness to the infinite variation of their personalities; and if he has chanced to live much among them during the impressionable periods of his life, and so become saturated in their atmosphere and their environment;—then he may hope to make his most elaborate piece of animal biography not less true to nature than his transcript of an isolated fact. The present writer, having spent most of his boyhood on the fringes of the forest, with few interests save those which the forest afforded, may claim to have had the intimacies of the wilderness as it were thrust upon him. The earliest enthusiasms which he can recollect are connected with some of the furred or feathered kindred; and the first thrills strong enough to leave a lasting mark on his memory are those with which he used to follow—furtive, apprehensive, expectant, breathlessly watchful—the lure of an unknown trail.

      There is one more point which may seem to claim a word. A very distinguished author—to whom all contemporary writers on nature are indebted, and from whom it is only with the utmost diffidence that I venture to dissent at all—has gently called me to account on the charge of ascribing to my animals human motives and the mental processes of man. The fact

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