LITMIR.BIZ

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Quarles, Frederick W. Faber, John Keble, Charles Kingsley, Alexander Pope, Joseph Addison, John Gay, Edward Young, Thomas Moore, John Newton, John Bunyan, H. Kirke White, Horatius Bonar, James Montgomery, Charles Wesley, Richard Baxter, Norman Macleod, George Heber, Richard Chenevix Trench, Henry Alford, Charles Mackay, Gerald Massey, Alfred Austin, Robert Louis Stevenson, Arthur Hugh Clough, Henry Burton, Samuel Taylor Coleridge, Hartley Coleridge, Joseph Anstice, George Macdonald, Robert Leighton, John Henry Newman, John Sterling, Edward H. Bickersteth, Dante Gabriel Rossetti, and many others. Of German authors there are not a few, including Johann W. von Goethe, Johann C. F. Schiller, George A. Neumarck, Paul Gerhardt, Benjamin Schmolke, S. C. Schoener, Scheffler, Karl Rudolf Hagenbach, S. Rodigast, Novalis, Wolfgang C. Dessler, L. Gedicke, Martin Luther, and Johann G. von Herder.

      The number of American poets drawn upon is small compared with this list. It is the case in all such collections. According to an analysis of the hymns contained in the most widely used American hymnals down to 1880 the average number of hymns of purely American origin was not quite one in seven; the proportion would be a little larger now. And the number of Methodist poets is almost nil, in spite of the fact that the compiler is a Methodist and the volume is issued from the official Methodist Publishing House. But if we thought that this would be any barrier to its wide circulation in Methodist homes we should be deeply ashamed for our church. We are confident it will not be. For mere denominational tenets do not at all enter into these great matters of the soul's life. A book like this speaks loudly for the real oneness, not only of all branches of the Christian Church, but of all religions, in some respects. Not only do we find the various Protestant denominations amply represented here; not only have we most inspiring words from Roman Catholic writers like Francis Xavier, Madame Guyon, Alexander Pope, John Henry Newman, Frederick W. Faber, and Adelaide Anne Procter; but from Mohammedan sources, from Sufi saints of Persia, and the Moslem devotees of Arabia, and even from Hinduism, there are utterances of noblest truth which we cannot read without a kindling heart. These are all brought together from the ends of the earth into a delightful "upper chamber," where the warring discords of opinion cease and an exceedingly precious peace prevails.

      It should be said, though it is perhaps hardly necessary, that this is by no means a book to be read at a sitting. It furnishes very concentrated nourishment. It can be taken with largest profit only a little at a time, according as the mood demands and circumstances appoint. There should be very much meditation mingled with the perusal, an attempt to penetrate the deep meaning of the lines and have them enter into the soul for practical benefit. Some of these hymns have great histories: they are the war cries of combatants on hard-fought battle fields; they are living words of deep experience pressed out of the heart by strong feeling; they are the embodiment of visions caught on some Pisgah's glowing top. Here will be found and furnished hope for the faint-hearted, rest for the weary, courage for the trembling, cheer for the despondent, power for the weak, comfort for the afflicted, guidance in times of difficulty, wise counsel for moments of perplexity, a stimulant to faithfulness, a cure for the blues, exhilaration, jubilation. Everything of a depressing nature has been scrupulously ruled out. The keynote, persistently followed through all the pages, is optimistic, bright, buoyant. Trumpet calls and bugle notes are furnished in abundance, but no dirges or elegies. Large space, it will be seen, is given to such topics as Heroism, True Greatness, the Care and Presence of God, the blessings of Brotherliness, the privilege of Service, the path of Peace, the secret of Contentment, the mission of Prayer, the joy of Jesus, the meaning of Life, the glory of Love, the promise of Faith, the happy aspect of old Age and Death; for these subjects come very close home to the heart, and are illustrated in daily experience. Anyone who feels a special need in any of these directions is confidently recommended to turn to the proper sections and read the selections.

      Very much that is here may easily and suitably be committed to memory, that thus it may the more permanently penetrate into the inmost depth of being. It may be used with most telling effect in sermons to give point and pungency to the thought of the preacher. Alike in popular discourse and public testimony or in private meditation these gems of sentiment and thought will come into play with great advantage. The benefit which may be derived from them can scarcely be overestimated. President Eliot, of Harvard University, has said: "There are bits of poetry in my mind learned in infancy that have stood by me in keeping me true to my ideas of duty and life. Rather than lose these I would have missed all the sermons I have ever heard." Many another can say substantially the same, can trace his best deeds very largely to the influence of some little stanza or couplet early stored away in his memory and coming ever freshly to mind in after years as the embodiment of truest wisdom.

      We cannot guarantee in all cases the absolute correctness of the forms of the poems given, though much pains have been taken to ensure accuracy; but authors themselves make changes in their productions at different times in different editions. Nor have we always been able to trace the poem to its source. Slips and errors of various kinds can hardly be avoided in such matters. Even so competent an editor as John G. Whittier, in his "Songs of Three Centuries," ascribes "Love divine, all love excelling" to that bitter Calvinist, Augustus M. Toplady, giving it as the sole specimen of his verse; when it was really written by the ardent Arminian, Charles Wesley, with whom Toplady was on anything but friendly terms. If Whittier could make a blunder of this magnitude we may be pardoned if possibly a keen-eyed critic spies something in our book almost as grossly incorrect. In some cases we have been obliged to change the titles of poems so as to avoid reduplication in our index, or to adapt them the better to the small extract taken from the much longer form in the original. In a few cases we have made (indicated) alterations in poems to fit them more fully to the purpose of the book.

      The volume will be found not only a readable one, we think, but also an uncommonly useful one for presentation by those who would do good and give gratification to their serious-minded friends with a taste for religious poetry and a love for wandering in the "holy land of song." He who would put before another the essential elements of religion would do better to give him such a book as this than a treatise on theology. He who would himself get a clear idea of what the religious life really is will do better to pore over these pages than to dip into some philosophical discussion. Here the best life is expressed rather than analyzed, exhibited rather than explained. Mrs. Browning has well said, "Plant a poet's word deep enough in any man's breast, looking presently for offshoots, and you have done more for the man than if you dressed him in a broadcloth coat and warmed his Sunday pottage at your fire." We who, by preparing or circulating such volumes, aid the poets in finding a larger circle to whom to give their message, may claim a part of the blessing which comes to those who in any way aid humanity. George Herbert has said,

      "A verse may find him who a sermon flies,

      And turn delight into a sacrifice."

      He himself most excellently illustrated the sentiment by bequeathing to the world many beautiful verses that are sermons of the most picturesque sort.

      One definition of poetry is "a record of the best thoughts and best moments of the best and happiest minds." This in itself would almost be sufficient to establish the connection between poetry and religion. It is certain that the two have very close and vital relations. Dr. Washington Gladden has admirably remarked, "Poetry is indebted to religion for its largest and loftiest inspirations, and religion is indebted to poetry for its subtlest and most luminous interpretations." No doubt a man may be truly, deeply religious who has little or no development on the æsthetic side, to whom poetry makes no special appeal. But it is certain that he whose soul is deaf to the "concord of sweet sounds" misses a mighty aid in the spiritual life. For a hymn is a wing by which the spirit soars above earthly cares and trials into a purer air and a clearer sunshine. Nothing can better scatter the devils of melancholy and gloom or doubt and fear. When praise and prayer, trust and love, faith and hope, and similar sentiments, have passed into and through some poet's passionate soul, until he has become so charged with them that he has been able to fix them in a form of expression where beauty is united to strength, where concentration and ornamentation are alike secured, then the deepest needs of great numbers are fully met. What was vague and dim is brought into light. What was only half conceived, and so but half felt, is made to grip the soul with power. Poetry is of the very highest value for the inspiration and guidance of life, for calling out the emotions and opening up spiritual visions. It carries truths not only into the understanding,

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