The Heather-Moon - C. N. Williamson

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to another. Nothing led to this village built against a wall. Its site was in a no-thoroughfare, and, perhaps by design, perhaps by accident, a barricade had been erected before it; not a very high barricade, but a wall or series of stumbling-blocks made up of useless litter. If there could be a special corner of disgrace in this land where all things were under decree of banishment, here was the corner.

      By means of crawling over, under, and between numerous strangely assorted objects which formed the barricade, the intruder arrived, somewhat the worse for wear, at her destination. The furniture village was composed, she discovered, of a set of blue satin-covered chairs and sofas, with elaborately carved and gilded frames. There were tables to match, and an empty glass cabinet, two long mirrors with marble brackets underneath, also a highly ornamental chest of drawers and a bedstead of gilded cane and wood, with cupids holding garlands of carved roses.

      Barrie began talking to herself half aloud, according to long-established habit. "Good gracious me!" she exclaimed so inelegantly that it was well Miss Hepburn could not hear. "What things to find in this house! They're like—like canary birds in an ironmonger's shop. Who could have owned them?"

      Suddenly the answer flashed into her head, and sent the blood to her face as if she had received a stinging slap such as Grandma used to give: "These things were my mother's!"

      How insulting that these traces of the vanished one should have been hustled into a dingy hole where no self-righteous eyes could be offended by the sight of them! How frivolous and daintily young they looked, even in their dusty and (Barrie was furiously sure) undeserved disgrace! This was the secret of the locked garret!

      The girl occasionally had moments of hatred for Grandma: moments when she thought it would have delighted her to see the grim old Puritan scoffed at and humiliated, or even tortured. At the picture of torture, however, Barrie's heart invariably failed, and in fancy she rescued the victim. But never had she hated Mrs. MacDonald so actively as now.

      "My mother!" she said again. "How dared the wicked old creature be such a brute to her!"

      For Barrie was certain that these were relics of her mother's presence in the house. She knew the history of every other woman who had ever lived here since the place was built in the seventeenth century by an Alexander Hillard, an ancestor of Grandma's. A forbidding old prig he must have been, judging from the portrait over the dining-room mantelpiece, a worthy forbear of Ann Hillard, who had married Barrie's grandfather, John MacDonald of Dhrum. Barrie often said to herself that she did not feel related to Grandma. She wanted to be all MacDonald and—whatever her mother had been. But it was just that which she did not know, and not a soul would tell. This was her grievance, the great and ever-burning grievance as well as mystery of her otherwise commonplace existence; a conspiracy of silence which kept the secret under lock and key.

      Because of Mrs. MacDonald's "taboo," Barrie's mother had become her ideal. The girl felt that whatever Grandma disapproved must be beautiful and lovable; and there had been enough said, as well as enough left unsaid whenever dumbness could mean condemnation, to prove that the old woman had detested her daughter-in-law.

      All Barrie knew about the immediate past of her family was that her father's people had once been rich, and as important as their name implied. They were the MacDonalds of Dhrum, an island not far from Skye, but they had lost their money; and while old Mrs. MacDonald was still a young married woman (it seemed incredible that she could have been young!) she and her husband, with their one boy, had come to her old home near Carlisle. This one boy had grown up to marry—Somebody, or, according to the standards of Grandma, Nobody, a creature beyond the pale. The bride must have died soon, for even Barrie's elastic memory, which could recall first steps taken alone and first words spoken unprompted, had no niche in it for a mother's image, though father's portrait was almost painfully distinct. It presented a young man very tall, very thin, very sad, very dark. The frame for this portrait was the black oak of the library wainscoting, picked out with the faded gold on backs of books in a uniform binding of brown leather. Once a day Barrie had been escorted by her nurse to the door of the library and left to the tender mercies of this sad young man, who raised his eyes resignedly from reading or writing to emit a "How do you do?" as if she were a grown-up stranger. After this question and a suitable reply, not much conversation followed, for neither could think of anything to say. After an interval of strained politeness, the child was dismissed to play or lessons—generally lessons, even from the first, for play had never been considered of importance in Hillard House. It was nobler, in the estimation of Grandma, and perhaps of father, to learn how to spell "the fat cat sat on the black rug," rather than to sprawl personally on the black rug, sporting in company with the fat cat.

      One day, Barrie remembered, she had been told that father was ill and she could not bid him good morning. She had been treacherously glad, for father was depressing; but when days passed and she was still kept from him, it occurred to her that after all father was much, much nicer than Grandma, and that his eyes, though sad, were kind. The next and last time she ever saw him, the kind sad eyes were shut, and he was lying in a queer bed, like a box. He was white as a doll made of porcelain which he had once given her, and Grandma, who led the child into his room, said that he was dead. The sleeping figure in the box was only the body, and the soul had gone to heaven. Heaven, according to Grandma, who wore black and had red rims round her eyes, was a place high up above the sky where if you were a sheep you played constantly on a harp and sang songs. If you were a goat, you did not get there at all, which might have been preferable, except for the fact that being a goat doomed you to burn in everlasting fire. Sheep were saved, goats were damned; and, of course, the sheep must be deserving and clever if they had learned to sing and play on harps.

      Barrie thought she could have been no more than three when her father died, but she never cared to question Grandma concerning the episode, after a day when Mrs. MacDonald said in an icy voice, "Your mother was before God guilty of your father's death." That was years ago now, but Barrie had not forgotten the shock, or the hateful, thwarted feeling, almost like suffocation, when Grandma had answered an outbreak of hers with the words, "The less you know about your mother the better for you. And the less like her you grow up, the more chance you will have of escaping punishment in this world and the next."

      Barrie believed that her mother's hair must have been red, for once she had heard nurse say to Mrs. Muir, "No wonder the sight of the child's a daily eyesore to the mistress; what with them identical dimples, and hair of the selfsame shade, it must be a living reminder of what we'd all be glad to forget." Barrie's hair was extremely red; and it had been intimated to her that no red-haired girl could have cause for vanity, because to such unfortunates beauty was denied; but loyalty to the unknown mother forbade the child to hate her copper-coloured locks.

      In a room decorated with pale blue satin, red hair might perhaps simulate gold. The furniture was quite new-looking and unless there had been some special reason, no mere change of taste would have induced economical Grandma to make a clean sweep of these practically unused things.

      A tall mirror with its wooden back turned outward helped to screen the furniture; and deep under the dusty surface of the glass Barrie saw her own figure dimly reflected, like a form moving stealthily in water beneath thin ice. It half frightened her, like seeing a spirit, and she brought the gliding ghost to life by polishing the glass. This gave her back suddenly the only friend she had, herself, and she was glad of the companionship. Close to the huddled furniture stood a large trunk, a Noah's Ark of a trunk. Perhaps it was old-fashioned, but compared to other luggage stored here in the garret it was new and defiantly smart. It had a rounded top, and was made of gray painted wood clamped with iron.

      Too good to be true that it should not be locked! And yes, locked it was, of course. But tied to the iron handle on one end was a key. It seemed as if some one had thought that the trunk might be sent for, and therefore the key must be kept handy. The knot was easily undone. The key fitted the lock. Her heart beating fast, Barrie lifted the lid, and up to her nostrils floated a faint fragrance. She had never smelled any perfume quite like it before. The nearest thing was the scent of a certain rose in the garden when its petals were dried, as she dried them sometimes for a bowl in her own room.

      It was deep twilight in this corner, but Barrie's eyes were accustoming themselves to the gloom.

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