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of the fool. “When God wishes me to mate, God grant that I love such a man.”

      The frankness, the simplicity, the purity of this prayer seemed to sting Diogenes to a fierce irritation. Leering and lolling, he advanced upon the girl.

      “Did he kiss you upon the mouth?” he whispered, mean insinuation lighting his face with an ignoble joy.

      The girl turned upon him swiftly, and there was a sternness in her face that made the fool recoil involuntarily and wince as if at a coming blow. But there was little anger in the girl’s clear speech as she condemned the unclean thing.

      “You have a vile mind,” she said, quietly. “And if I did not pity you very greatly I should change no words with you.”

      Diogenes, nothing dashed by her reproof, neared her in a dancing manner, smiling as some ancient satyr may have smiled at the sight of some shy, snared nymph.

      “How if I chose to kiss you?” he asked, and his loose lips mouthed caressingly. To his surprise the girl met his advances as no shy nymph ever met satyr, with a hearty peal of laughter, that brought the tears into her eyes and red rage into his. She thrust towards him her strong, smooth arms.

      “I have a man’s strength to prop my woman’s pity,” she said, as she broke off her laughter, “and, believe me, you would fare ill.”

      Diogenes eyed her with a dubiousness that soon became certainty. That well-fashioned, finely poised creature, with the firm flesh and the clean lines of an athlete, was of very different composition from the court minions who swam in the sunshine of Robert’s favor, of late at Naples and now in Sicily. He had strength enough to tease them and hurt them sometimes when it pleased Robert to suffer him to maltreat them; but here was a different matter. He gave ground sullenly, the girl still laughing, with her strong arms lying by her sides.

      “You seem a stalwart morsel,” he grunted. “I will leave you in peace if you will tell me where to hide from the King’s anger. Indeed, I do not greatly grieve to leave the city, for they say a seaman died of the plague there last night, one of those that came with us out of Naples.” He shivered as he spoke, and his bird-like claws fumbled at his breast in an attempt to make the unfamiliar sign of the cross. But the face of the girl showed no answering alarm.

      “Neither the plague nor the King’s rage need be feared in these forests,” she said. “The pure breezes here bear balsam. As for the King’s rage, there are caves in these woods where a man might hide, snug and warm, for a century. Bush and tree yield fruits and nuts in plenty, for a simple stomach.”

      “I will keep myself alive, I warrant you,” Diogenes responded, “and to pay for your favor I will sing you a song.” So he began to sing, or rather to croak, to a Neapolitan air, the words of the Venus-song of the light women of Naples:

      “Venus stretched her arms, and said, ‘Cool Adonis, fool Adonis, Hasten to my golden bed—’ ”

      Perpetua’s face flamed, and she put her fingers in her ears. “Away with you! away with you!” she commanded.

      The fool stopped in his measure; it was no use piping to deaf ears. “Farewell, fair prudery,” he chuckled, and in a series of fantastic hops and bounds he reached the edge of the pine wood and soon was lost to sight within its sheltering depths.

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       Table of Contents

      When the last gleam of the fool’s parti-colored habit had disappeared in the sanctuary of the wood, Perpetua took her hands from her ears and seated herself on a fragment of a fallen column that had formerly made part of the colonnade of the Temple of Venus. Here she sat for a while with her hands listlessly clasped, trying to disentangle the puzzling web of her thoughts. Her most immediate sensation was delight at the departure of Diogenes. The warm, fair day seemed to have grown old and cold with his world wisdom, a wisdom so different from all that she had ever been taught to venerate as wise.

      “If I were a bird,” she sighed aloud, “I could not sing while he was near. If I were a flower, I should fade at his coming.”

      She rose from her throne and blew kisses on her finger-tips to the birds that sang about her, to the flowers that flamed beneath her feet. “Be happy, birds,” she whispered; “be happy, flowers, for the withered fool has gone.”

      She spoke to the birds, she spoke to the flowers as she would have spoken to human friends if she had any; they were her friends, and she loved them dearly, and she believed with all her heart that they understood her speech. She bent tenderly over one tall plant and touched its golden crest. Diogenes had passed from her thoughts as she stooped and made the flower her confidant. “I wonder when the hunter will come again.”

      She turned and stretched out her hands in pretty appeal towards the woodland.

      “Dear forest beasts,” she whispered, “forgive me, for I think I shall rejoice at his coming.”

      She drew her hand across her forehead, as if she sought to banish distracting thoughts, thoughts that had no place before in the simple order of her life. Then, as one who seeks distraction in the fulfilment of an appointed task, she moved to take the great sword and dedicate herself to its service. Holding it surely and firmly in her strong grasp, she carried it to where the grindstone stood, and carefully laid the edge of the blade to the shoulder of the stone wheel, while she worked the treadle with her foot. As the wheel spun and the sword hissed on the stone, she sang to herself the old, old sword-song that her father had taught her, the song that men who made swords had sung in some form or other from the dawn of war:

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