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The Loves of Krishna in Indian Painting and Poetry. W. G. Archer
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isbn 4057664644879
Автор произведения W. G. Archer
Жанр Документальная литература
Издательство Bookwire
But it is the path of bhakti or devotion to a personal God which commands Krishna's strongest approval and leads him to make his startling revelation. 'Have your mind in Me, be devoted to Me. To Me shall you come. What is true I promise. Dear are you to Me. They who make Me their supreme object, they to Me are dear. Though I am the unborn, the changeless Self, I condition my nature and am born by my power. To save the good and destroy evildoers, to establish the right, I am born from age to age. He who knows this when he comes to die is not reborn but comes to Me.' He speaks, in fact, as Vishnu himself.
This declaration is to prove the vital clue to Krishna's character. It is to be expanded in later texts and is to account for the fervour with which he is soon to be adored. For the present, however, his claim is in the nature of an aside. After the battle, he resumes his life as a prince and it is more for his shrewdness as a councillor than his teaching as God that he is honoured and revered. Yet special majesty surrounds him and when, thirty-six years after the conflict, a hunter mistakes him for a deer and kills him by shooting him in the right foot[8], the Pandavas are inconsolable. They retreat to the Himalayas, die one by one and are translated to Indra's heaven[9].
Such an account is obviously a great advance on the Chandogya Upanishad. Yet, as we ponder its intricate drama, we are faced with several intractable issues. It is true that a detailed character has emerged, a figure who is identified with definite actions and certain clear-cut principles. It is true also that his character as Vishnu has been asserted. But it is Krishna the feudal hero who throughout the story takes, by far, the leading part. Between this hero and Krishna the God, there is no very clear connection. The circumstances in which Vishnu has taken form as Krishna are nowhere made plain. Except on the two occasions mentioned, Krishna is apparently not recognized as God by others and does not himself claim this status. Indeed it is virtually only as an afterthought that the epic is used to transmit his great sermon, and almost by accident that he becomes the most significant figure in the story. Even the sermon at first sight seems at variance with his actions as a councillor—his repeated recourse to treachery ill consorting with the paramountcy of duty. In point of fact, such a conflict can be easily reconciled for if God is supreme, he is above and beyond morals. He can act in any way he pleases and yet, as God, can expect and receive the highest reverence. God, in fact, is superior to ethics. And this viewpoint is, in fact, to prove a basic assumption in later versions of the story. Here it is sufficient to note that while the Mahabharata describes these two contrasting modes of behaviour, no attempt is made to face the exact issue. Krishna as God has been introduced rather than explained and we are left with the feeling that much more than has been recorded remains to be said.
This feeling may well have dogged the writers who put the Mahabharata into its present shape for, a little later, possibly during the sixth century A.D., an appendix was added. This appendix was called the Harivansa or Genealogy of Krishna[10] and in it were provided all those details so manifestly wanting in the epic itself. The exact nature of Krishna is explained—the circumstances of his birth, his youth and childhood, the whole being welded into a coherent scheme. In this story Krishna the feudal magnate takes a natural place but there is no longer any contradiction between his character as a prince and his character as God. He is, above all, an incarnation of Vishnu and his immediate purpose is to vanquish a particular tyrant and hearten the righteous. This viewpoint is maintained in the Vishnu Purana, another text of about the sixth century and is developed and illustrated in the tenth and eleventh books of the Bhagavata Purana. It is this latter text—a vast compendium of perhaps the ninth or tenth century—which affords the fullest account in literature of Krishna's story.
Note 3.
Note 4.
A.L. Basham,The Wonder that was India, 245.
Mahabharata, Adi Parva, Section 224 (Roy, I, 615–16).
C. Isherwood and S. Prabhavananda, The Song of God, Bhagavad-Gita, 86–7.
Plate 2.
Note 5.
Note 6.
III
THE BHAGAVATA PURANA: THE COWHERD
(i) Birth and Early Adventures
The Bhagavata Purana is couched in the form of a dialogue between a sage and a king. The king is the successor of the Pandavas but is doomed to die within a week for having by accident insulted a holy ascetic. To ensure his salvation, he spends the week listening to the Bhagavata Purana and concentrating his mind on Krishna whom he declares to be his helper.[11]
Book Ten begins by describing the particular situation which leads to Krishna's birth. The scene is Mathura, a town in northern India, adjoining the kingdom of the Kauravas. The surrounding country is known as Braj and its ruling families are the Yadavas. Just outside Mathura is the district of Gokula which is inhabited by cowherds. These are on friendly terms with the Yadavas, but are inferior to them in caste and status. The time is some fifty years or more before the battle of Kurukshetra and the ruling