LITMIR.BIZ

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Catherine’s Sympathy with Animal- and Plant-Life: her Love of the Open Air. Her Deep Self-knowledge as to the Healthiness or Morbidness of her Psycho-Physical States.

      1. Increase of suffering and of range of sympathy.

      It is indeed in this last period of her life that we can most clearly see a deeply attractive mixture of personal suffering and of tender sympathy with even the humblest of all things that live. And this is doubtless not simply due to the much fuller evidence possessed by us for these last years, but is quite as much owing to the actual increase of these twin things within herself. “She was most compassionate towards all creatures; so that, if an animal were killed or a tree cut down, she could hardly bear to see them lose that being which God had given them.”[143] And a beautiful communion of spirit can now be traced even between plant-life and herself; and an innocent self-diversion from a too exciting concentration, and help towards a patient keeping or a bracing reconquering of calmness, is now found by her, Franciscan-like, in the open air and amidst the restful flowers and trees. Thus “at times she would seem to have her mind in a mill; and as if this mill were indeed grinding her, soul and body”; and then “she would walk up and down in the garden, and would address the plants and trees and say: ‘Are not you also creatures created by my God? Are not you, too, obedient to Him?’”—even though, I think she meant to say, your life moves on so instinctive, calm, and freely expansive in the large, liberal air, as I feel it to do, by its very contrast to my own eager, crowded life, struggling in vain for a sustained perfection of equipoise and for an even momentary adequacy of self-expression. “And doing thus, she would gradually be comforted.”[144]

      Indeed she would, in still intenser moods, use plants and other creatures of God in a more violent fashion. But this is now no more done as of old, for direct purposes of mortification; but, at one time, from an unreflective transport of delight, delight which itself seems ever to impel noble natures to seek to mix some suffering with it; and, at another time, for the purpose of producing strong physical impressios, counter-stimulations and escapes from a too great intensity of interior feeling. “She would at times, when in the garden, seize hold of the thorn-covered twigs of the rose-bushes with both her hands; and would not feel any pain whilst thus doing it in a transport of mind. She would also bite her hands and burn them, and this in order to divert, if possible, her interior oppression.”[145]

      2. She alone keeps the sense of the truly spiritual, in the midst of her psycho-physical states.

      Indeed nothing is more characteristic of her psychic state, during these years, than the ever-increasing intensity, shiftingness and close interrelation between the physical and mental. But we shall find that, whereas those who surround her, Confessor, Doctors, Disciples, Attendants, all, in various degrees and ways, increasingly insist upon and persist in finding direct proofs of the supernatural in the purely physical phenomena of her state even when taken separately, and indeed more and more in exact proportion to their non-spiritual character: Catherine herself, although no doubt not above the medical or psychical knowledge of her time, remains admirably centred in the truly spiritual, and continually awake to the necessity of interior spiritual selection amongst and assimilation and transformation of all such psycho-physical impressions and conditions. Even in the midst of the extreme weaknesses of her last illness we shall see her only quite exceptionally, and ever for but a few instants, without this consciousness of the deep yet delicate difference in ethical value and helpfulness between the various psycho-physical things experienced by herself, and of the requirements, duties and perceptions of her own spirit with regard to them.

      And this attitude is all the more remarkable because, to the outer difficulty arising from the persistent, far more immediate, and apparently more directly religious, view of all her little world about her, came two peculiarities working in the same direction from within her own self. There was the old constitutional keenness and concentration of her highly nervous physical and psychical temperament, and the rarely high pitch and swift pace of her whole inner life, which must, at all times, have rendered suspense of judgment and detachment with regard to her own sensations and quasi-physical impressions specially difficult. And there was now the new intensity and closeness of interaction between soul and body, which must have made such lofty detachment from all but spiritual realities a matter of the rarest grace and of the most heroic self-conquest.

      3. Catherine’s health does not break up completely till 1507.

      The Vita, indeed, as we now have it, tells us that “about nine years before her death,” hence in 1501, “an infirmity came upon her, which neither her attendants nor the doctors knew how to identify”; and that “there was confusion, not on her own part, but on the part of those who served her.”[146] But this whole Chapter XLVII (pp. 127-132) of the present Vita, which opens out thus, is wanting in MSS. “A” and “B”; and is composed of documents which appear, in a fuller and more primitive form and in their right chronological place, in the next three chapters (pp. 132-160), chapters without doubt predominantly due to Marabotto; and of the documents making up the present Chapter XXXVIII (pp. 98, 99), which are earlier again, in both contents and composition, and are very certainly the work of Vernazza. And this means that, though the present Chapter XLVII claims to give a general account of her condition during 1501-1510, it does not, as a matter of fact, give us anything but details belonging without doubt to 1507-1510.

      The manner in which this late compiler insists upon the directly spiritual, indeed supernatural, character of even the clearly secondary and physical phenomena of her state, make it highly probable that, having once exaggerated the quality, he readily snatched at any indications (possibly a slip of the pen in some MS., writing 1501 instead of 1507; we have a similar slip in MS. “A” which on p. 193 twice writes 1506 for 1509), which favoured an early date for the beginning of her last illness. Certainly the legal documents at our disposal show her to us still variously interested and active, right up to 1507.

      It will, then, be better first to describe this activity up to 1507, and to take even the general questions concerning her illness in connection with her last four years, 1507-1510.

      XIV. Catherine’s Social Joys and Sorrows, 1501-1507.

      1. Birth of Ettore’s last two daughters.

      It will have been during these years 1501 to 1507, unless indeed already between 1497 and 1501, that Vernazza’s second and third daughters were born; and if Catherine had stood God-mother to his eldest child, Tommasina, it is inconceivable that she should not have cared for Tommasina’s sisters, Catetta and Ginevrina. Certainly their father, Catherine’s closest friend and disciple, gave detailed attention, right up to the end of his strenuous life, to all three children; and made most thoughtful particular provision, in his still extant remarkable Will of 1517, for the youngest, Ginevrina, who at that time was the only one not yet settled in life.[147] Thus Vernazza knew how to combine all this detailed thought for his own children with the spacious public spirit of which his Dispositions are a still extant, most impressive monument; and Catherine, who was his deepest inspirer, clearly led the way here, right up to the last four years of her life. For we have already seen how she managed to conjoin, in a fashion similar to Ettore’s, a universalist love for Love Transcendent, with a particularism of attachment to individual souls, in which that Love is immanent.

      2. Deaths of Limbania, Jacobo, and Giovanni.

      And if she had joy over souls coming into the world, she had sorrow over souls leaving it. For in the single year 1502 she lost her only sister, Limbania, and her two elder brothers Jacopo and Giovanni. It is true that the Vita says: “There died several of her brothers and sisters; but, owing to the great union which she had with the tender will of God, she felt no pain, as though they had not been of her own blood.”[148] But then we have already often found how subject to caution and rebate are all such general, absolute statements; this passage in particular is, by its vagueness and ambiguity (she had but one sister of her own), stamped as late and more or less secondary; and we shall trace, later on, a similar even more extensive a priori modification of her authentic image in

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