Misinforming a Nation - Willard Huntington Wright

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vocabulary, an adjective signifying all manner of sexual abnormalities, and when applied to a play, a story, or an illustration, it is synonymous with “dirty” and “immoral.” This country has yet to understand the true fineness of French life and character, or to appreciate the glories of French art and literature; and the reason for our distorted ideas is that French culture, in coming to America, has been filtered through the nasty minds of middle-class English critics.

      But it is not our biased judgment of the Continental nations that is the most serious result of English misrepresentation; in time we will come to realize how deceived we were in accepting England's insinuations that France is indecent, Germany stupid, Italy decadent, and Russia barbarous. The great harm done by England's contemptuous critics is in belittling American achievement. Too long has bourgeois British culture been forced upon the United States; and we have been too gullible in our acceptance of it without question. English critics and English periodicals have consistently attempted to discourage the growth of any national individualism in America, by ridiculing or ignoring our best æsthetic efforts and by imposing upon us their own insular criteria. To such an extent have they succeeded that an American author often must go to England before he will be accepted by his own countrymen. Thus purified by contact with English culture, he finds a way into our appreciation.

      But on the other hand, almost any English author—even one that England herself has little use for can acquire fame by visiting this country. Upon his arrival he is interviewed by the newspapers; his picture appears in the “supplements”; his opinions emblazon the headlines and are discussed in editorials; and our publishers scramble for the distinction of bringing out his wares. In this the publishers, primarily commercial, reveal their business acumen, for they are not unaware of the fact that the “literary” sections of our newspapers are devoted largely to British authors and British letters. So firmly has the English superstition taken hold of our publishers that many of them print their books with English spelling. The reason for this un-American practice, so they explain, is that the books may be ready for an English edition without resetting. The English, however, do not use American spelling at all, though, as a rule, the American editions of English books are much larger than the English edition of American books. But the English do not like our spelling; therefore we gladly arrange matters to their complete satisfaction.

      The evidences of the American's enforced belief in English superiority are almost numberless. Apartment houses and suburban sub-divisions are named after English hotels and localities. The belief extends even to the manufacturers of certain brands of cigarettes which, for sale purposes, are advertised as English, although it would be difficult to find a box of them abroad. The American actor, in order to gain distinction, apes the dress, customs, intonation and accent of Englishmen. His great ambition is to be mistaken for a Londoner. This pose, however, is not all snobbery: it is the outcome of an earnest desire to appear superior; and so long has England insisted upon her superiority that many Americans have come to adopt it as a cultural fetish.

      Hitherto this exalted intellectual guidance has been charitably given us: never before, as now, has a large fortune been spent to make America pay handsomely for the adoption of England's provincialism. I refer to the Encyclopædia Britannica which, by a colossal campaign of flamboyant advertising, has been scattered broadcast over every state in the union.

      No more vicious and dangerous educational influence on America can readily be conceived than the articles in this encyclopaedia. They distort the truth and disseminate false standards. America is now far enough behind the rest of the civilized world in its knowledge of art, without having added to that ignorance the erroneous impressions created by this partial and disproportioned English work; for, in its treatment of the world's progress, it possesses neither universality of outlook nor freedom from prejudice in its judgments—the two primary requisites for any work which lays claim to educational merit. Taken as a whole, the Britannica's divisions on culture are little more than a brief for British art and science—a brief fraught with the rankest injustice toward the achievements of other nations, and especially toward those of America.

      The distinguishing feature of the Encyclopædia Britannica is its petty national prejudice. This prejudice appears constantly and in many disguises through the Encyclopædia's pages. It manifests itself in the most wanton carelessness in dealing with historical facts; in glaring inadequacies when discussing the accomplishments of nations other than England; in a host of inexcusable omissions of great men who do not happen to be blessed with English nationality; in venom and denunciation of viewpoints which do not happen to coincide with “English ways of thinking”; and especially in neglect of American endeavor. Furthermore, the Britannica shows unmistakable signs of haste or carelessness in preparation. Information is not always brought up to date. Common proper names are inexcusably misspelled. Old errors remain uncorrected. Inaccuracies abound. Important subjects are ignored. And only in the field of English activity does there seem to be even an attempt at completeness.

      The Encyclopædia Britannica, if accepted unquestioningly throughout this country as an authoritative source of knowledge, would retard our intellectual development fully twenty years; for so one-sided is its information, so distorted are its opinions, so far removed is it from being an international and impartial reference work, that not only does it give inadequate advice on vital topics, but it positively creates false impressions. Second- and third-rate Englishmen are given space and praise much greater than that accorded truly great men of other nations; and the eulogistic attention paid English endeavor in general is out of all proportion to its deserts. In the following chapters I shall show specifically how British culture is glorified and exaggerated, and with what injustice the culture of other countries is treated. And I shall also show the utter failure of this Encyclopaedia to fulfill its claim of being a “universal” and “objective” reference library. To the contrary, it will be seen that the Britannica is a narrow, parochial, opinionated work of dubious scholarship and striking unreliability.

      With the somewhat obscure history of the birth of the Eleventh Edition of the Encyclopædia Britannica, or with the part played in that history by Cambridge University and the London Times, I am not concerned. Nor shall I review the unethical record of the two issues of the Encyclopædia. To those interested in this side of the question I suggest that they read the following contributions in Reedy's Mirror: The Same Old Slippery Trick (March 24, 1916). The Encyclopædia Britannica Swindle (April 7, 1916). The Encyclopædia Britannica Fake (April 14, 1916); and also the article in the March 18 (1916) Bellman, Once More the Same Old Game.

      Such matters might be within the range of forgiveness if the contents of the Britannica were what were claimed for them. But that which does concern me is the palpable discrepancies between the statements contained in the advertising, and the truth as revealed by a perusal of the articles and biographies contained in the work itself. The statements insisted that the Britannica was a supreme, unbiased, and international reference library—an impartial and objective review of the world; and it was on these statements, repeated constantly, that Americans bought the work. The truth is that the Encyclopædia Britannica, in its main departments of culture, is characterized by misstatements, inexcusable omissions, rabid and patriotic prejudices, personal animosities, blatant errors of fact, scholastic ignorance, gross neglect of non-British culture, an astounding egotism, and an undisguised contempt for American progress.

      Rarely has this country witnessed such indefensible methods in advertising as those adopted by the Britannica's exploiters. The “copy” has fairly screamed with extravagant and fabulous exaggerations. The vocabulary of hyperbole has been practically exhausted in setting forth the dubious merits of this reference work. The ethics and decencies of ordinary honest commerce have been thrown to the wind. The statements made day after day were apparently concocted irrespective of any consideration save that of making a sale; for there is an abundance of evidence to show that the Encyclopædia was not what was claimed for it.

      With the true facts regarding this encyclopædia it is difficult to reconcile the encomiums of many eminent Americans who, by writing eulogistic letters to the Britannica's editor concerning the exalted merits of his enterprise, revealed either their unfamiliarity

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