Rambles in Womanland - O'Rell Max

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world of love can boast a roll of demi-gods, heroes, martyrs, and saints that would put into the shade those of Paradise and Olympus.

      Love, after being conquered, has to be reconquered every day. Love is like money invested in doubtful stock, which has to be watched at every moment. Speculators know this; but married men and women too often ignore it.

      In love the hand lies much less than the lips and the eyes. A certain pressing of the hand is often the most respectful and surest of proofs of love.

      The language of the hand is most eloquent. Who has not been able to translate a pressure from a woman's hand by 'stay' or 'go'? How a woman can say to you with her hand 'I love you' or 'I cannot love you'!

      Whoever says that two kisses can be perfectly alike does not know the A B C of love.

      No two acts dictated, or even suggested, by love should ever be alike.

      In love it is better to be a creditor than a debtor.

      Think of the torrents of harmony which maestros have composed with seven notes; the millions of thoughts which have been expressed with a score of letters; think of all the exploits, deeds of valour, and crimes that have been committed under the influence of love!

      Love is not compatible with conceit; the love of self excludes all other. Even injury cannot cure love; if it does, there was in the person much more conceit than love.

      When a man and a woman have pronounced together the three sacramental words 'I love you,' they become priest and priestess of the same temple. In order to keep the sacred fire alive, they must be careful not to stifle it by an excess of fuel or to let it go out for want of air.

      When you are in love, do not be over-sensitive, but always imagine that the other is. Thus your susceptibility will never be wounded, nor will that of your partner be.

      Woe to people in love who satisfy all their desires in a week, in a month, in a year! Two lovers, or married people, should die without having drunk the cup of love to the last dregs.

      Absence is a tonic for love only when men and women love with all their heart and soul. When they do not, the ancient proverb is still true: 'Far from the eyes, far from the heart.'

      A beautiful woman is jealous of no woman, not even of a George Sand, a George Eliot, or of a queen; but a duchess may be jealous of a chambermaid.

      All the love-letters of a woman are not worth one of her smiles.

      If a woman wants to know the secret for remaining loved a long time, let her keep this recipe in mind: Give much, give more still, but be sure that you do not give all. Cupid is a little ungrateful beast, who takes his flight when expectations cease to whet his appetite.

      For common mortals, desire engenders love, and love kills desire; for the elect, love is the son of desire and the prolific father of a thousand new desires.

      To conquer a man is nothing for a woman to boast of, but to conquer a woman is a real victory, because it requires in a man, to conquer a woman, far more qualities than it requires in a woman to conquer a man.

      There is a touching exchange of amiable services between the sexes. The man of twenty often receives his first lesson in love from a woman of forty; and the woman of twenty generally receives hers from a man of forty.

      The following are among the little tortures which people in love take pleasure in inflicting upon themselves-:

      'Amelia has been coughing twice to-day. I wonder if the poor darling is consumptive? An aunt of hers died of consumption. She was an aunt only by marriage, but when those confounded microbes enter a family, no one knows the mischief they may do!'

      'George did not notice I had a carnation, his favourite flower, on my corsage the whole of last evening. He loves me no more.'

      'Do I love Algy—do I adore him as he deserves? Am I worthy of him? Shall I be able to keep the love of a man so handsome, so kind, so clever? This morning he did not kiss me with the same ardour. Perhaps he has not courage enough to confess that he does not love me as much as he used to.'

      'I am too happy. Something tells me it cannot last. I have a presentiment that a great misfortune is going to happen. Our love cannot possibly enjoy such bliss for long. I feel I am going to cry.'

      And she bursts into hot tears.

      'To-day Arthur met me at the appointed time to the minute. Formerly he used to be in advance—always. I told him so, and he said, showing me the time by his watch, that he was quite punctual. He ought to have been pleased with my remark, and have answered otherwise. I wonder if there is anything wrong?'

      'He never notices my dresses as he used to. Yesterday I changed the bow I had on, and he made no remark. I know all his cravats, every one of them. I also know when he has tied them before a glass, and when he has not. He does not love me as I love him.'

      'I am quite happy when my hands are in his, but he is not satisfied with that; he always wants to kiss me. He loves me with his senses, not with his heart. They say all men are the same. I thought George was different from all of them!'

      'I have always heard that love is the most sublime joy on earth. I love and I am loved; yet I want to cry, and I don't know why. Oh, why?'

      'Why do I find that Angelina looks better in gray than in red? I ought to admire her in whatever colour she has on. Should I make such a remark if my love was intense? Was I a brute for making it before her? She has been sad ever since. But why does she wear red? Red does not suit a blonde. Red is for brunettes. Yet, can I tell her that? Of course, I cannot. I must not imagine that she does not know that herself, and besides, I should find her beautiful in anything. I am an ass, a silly ass!'

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