The Honor of the Big Snows - James Oliver Curwood

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and there was the poise of a queen in her head, the glory of wife and womanhood, the living, breathing essence of all that was beautiful in her people's honor of the big snows.

      That night Mukee, the half-Cree, slunk around in the edge of the forest to see that all was well in Cummins' little home. Once Mukee had suffered a lynx-bite that went clear to the bone, and the woman had saved his hand. After that, the savage in him was enslaved to her like an invisible spirit.

      He crouched for a few minutes in the snow, looking at the pale filter of light that came through a hole in the curtain of the woman's window; and as he looked something came between him and the light. Against the cabin he saw the shadow of a sneaking human form; and as silently as the steely flash of the aurora over his head, as swiftly as a lean deer, he sped through the gloom of the forest's edge and came up behind the woman's home.

      With the caution of a lynx, his head close to the snow, he peered around the logs. It was the Englishman who stood looking through the tear in that curtained window.

      Mukee's moccasined feet made no sound. His hand fell as gently as a child's upon the stranger's arm.

      "Thees is not the honor of the beeg snows," he whispered. "Come!"

      A sickly pallor filled the other man's face; but Mukee's voice was soft and dispassionate, his touch was velvety in its hint, and he went with the guiding hand away from the curtained window, smiling in a companionable way. Mukee's teeth gleamed back. The Englishman chuckled.

      Then Mukee's hands changed. They flew to the thick, reddening throat of the man from civilization, and without a sound the two sank together upon the snow.

      The next day a messenger behind six dogs set out for Fort Churchill, with word for the company's home office that the Englishman had died in the big snow—which was true.

      Mukee told this to Jan, for there was the bond of blood between them. It was a painting of life, and love, and purity. Deep down in the loneliness of his heart, Jan Thoreau, in his own simple way, thanked the great God that it had been given to him to play his violin as the woman died.

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      LITTLE MELISSE

      The passing of Cummins' wife was as quiet as had been her coming. With bare heads, their shaggy hair falling wildly about their faces, their lips set tight to choke back their grief, the few at the post went, one by one, into the little cabin, and gazed for the last time upon her face. There was but one sound other than the gentle tread of their moccasined feet, and that was a catching, sobbing moan that fell from the thick gray beard of Williams, the old factor.

      After that they carried her to where a clearing had been cut in the edge of the forest; and at the foot of a giant spruce, towering sentinel-like to the sky, they lowered her into the frozen earth. Gaspingly, Williams stumbled over the words on a ragged page that had been torn from a Bible. The rough men who stood about him bowed their wild heads upon their breasts, and sobs broke from them.

      At last Williams stopped his reading, stretched his long arms above his head, and cried chokingly:

      "The great God keep Mees Cummins!"

      As the earth fell, there came from the edge of the forest the low, sweet music of Jan Thoreau's violin. No man in all the world could have told what he played, for it was the music of Jan's soul, wild and whispering of the winds, sweetened by some strange inheritance that had come to him with the picture which he carried in his throbbing heart.

      He played until only the tall spruce and John Cummins stood over the lone grave. When he stopped, the man turned to him, and they went together to the little cabin where the woman had lived.

      There was something new in the cabin now—a tiny, white, breathing thing over which an Indian woman watched. The boy stood beside John Cummins, looking down upon it, and trembling.

      "Ah," he whispered, his great eyes glowing. "It ees the LEETLE white angel!"

      "It is the little Mélisse," replied the man.

      He dropped upon his knees, with his sad face close to the new life that was to take the place of the one that had just gone out. Jan felt something tugging in a strange way at his heart, and he, too, fell upon his knees beside John Cummins in this first worship of the child.

      From this hour of their first kneeling before the little life in the cabin, something sprang up between Jan Thoreau and John Cummins which it would have been hard for man to break. Looking up after many moments' contemplation of the little Mélisse, Jan gazed straight into Cummins' face, and whispered softly the word which in Cree means "father." This was Jan's first word for Mélisse.

      When he looked back, the baby was wriggling and kicking as he had seen tiny wolf-whelps wriggle and kick before their eyes were open. His beautiful eyes laughed. As cautiously as if he were playing with hot iron, he reached out a thin hand, and when one of his fingers suddenly fell upon something very soft and warm, he jerked it back as quickly as if he had been burned.

      That night, when Jan picked up his violin to go back to Mukee's cabin,

       Cummins put his two big hands on the boy's shoulders and said:

      "Jan, who are you, and where did you come from?"

      Jan stretched his arm vaguely to the north.

      "Jan Thoreau," he replied simply. "Thees is my violon. We come alone through the beeg snow."

      Cummins stared as if he saw a wonderful picture in the boy's eyes. He dropped his hands, and walked to the door. When they stood alone outside, he pointed up to the stars, and to the mist-like veil of silver light that the awakening aurora was spreading over the northern skies.

      "Get your bearings, and tell me again where you came from, Jan!"

      Unhesitatingly the boy pointed into the north.

      "We starve seven day in the beeg snow. My violon keep the wolf off at night."

      "Look again, Jan! Didn't you come from there, or there, or there?"

      Cummins turned slowly, facing first to the east and Hudson's Bay, then to the south, and lastly to the west. There was something more than curiosity in the tense face that came back in staring inquiry to Jan Thoreau.

      The boy hunched his shoulders, and his eyes flashed.

      "It ees not lie that Jan Thoreau and hees violon come through the beeg snow," he replied softly. "It ees not lie!"

      There was more than gentleness in John Cummins' touch now. Jan could not understand it, but he yielded to it, and went back into the cabin. There was more than friendship in Cummins' eyes when he placed his hands again upon the boy's shoulders, and Jan could not understand that.

      "There is plenty of room here—now," said Cummins huskily. "Will you stay with the little Mélisse and me?"

      "With the leetle Mélisse!" gasped the boy. Softly he sped to the tiny cot and knelt beside it, his thin shoulders hunched over, his long black hair shining lustrously in the lamp-glow, his breath coming in quick, sobbing happiness. "I—I—stay with the leetle white angel for ever and ever!" he whispered, his words meant only for the unhearing ears of the child. "Jan Thoreau will stay, yes—and hees violon! I give it to you—and ze museek!"

      He laid his precious violin across the foot of the cot.

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      THE PROBLEM

      In the days that followed, there came other things which Jan could not understand, and

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