LITMIR.BIZ

      8. The Impulse to Abolish War; The Episode of the Ford Peace Ship

       Table of Contents

      One quaint expedition, grotesque and childish and yet an augury of greater things to come, flits very illuminatingly across the dreadful record of these war years. It is the voyage of a passenger steamship from New York to Norway. The dark curtains of oblivion fall in heavier and heavier folds before the thundering battleships of the twilit Battle of Jutland; their forgotten names sink back into a vague general impression of huge flame-spouting masses that rush through smoke and mist to their fate; only a specialist can tell us now whether the Lützow or the Friedrich der Grosse, the Lion, or the Iron Duke, the Vanguard or the Colossus perished with its complement of men or staggered out of that battle. They have become monstrous irrelevances. There is nothing but their size, and the smashing and drowning of hundreds of men in them, to make them more significant to us now than an exploding casket of fireworks. But steaming its way across the Atlantic a few months before Jutland was fought came this other ship, a passenger boat of the Scandinavian-American line, the Oscar II, whose voyage remains to this day important and interesting, because in the most simple and artless fashion it mingled the new conceptions of life that were coming into being, with all the prevalent weaknesses of the time. The Oscar II is better known in history as the Peace Ship of Henry Ford. It is a gleam of tragic comedy amidst the universal horror.

      This Henry Ford was a very natural-minded mechanical genius, without much education or social sophistication, a great friend of, and kindred spirit with, that Edison whose career has been traced in the chapter of human history dealing with the development and exploitations of inventions at the close of the nineteenth and the beginning of the twentieth century. Born and brought up in a period of economic expansion, Ford took economic expansion as if it were a necessity inherent in things, and never began to doubt continual progress until he was a man of over seventy. That was his good fortune. That gave him the confidence to design an automobile as sound and good and cheap as could be done at that time, and to organize the mass production of his pattern with extraordinary energy and skill, because his mind was untroubled by the thought that there could be a limit to the number of possible purchasers. He marketed his “flivver”, or “tin lizzie”, as it was affectionately called, in enormous quantities, and in consequence he revolutionized the road transport and town planning of America. He changed the shape of every growing town by enabling the small householder to live further from the work and business centre than had ever been possible before. He did more than any other single man to drive the horse not only from the road but, by making farm tractors, from the fields. He created factories at Dearborn that even to-day seem vast. He became enormously rich and an outstanding “character” in the world, and particularly in America. And he remained curiously simple and direct in his outlook upon life.

      The first effect of the Great War upon him, as on a vast proportion of the English-speaking peoples, was incredulous amazement. He had known there were armies and sovereign nations in the world, but apparently he had never supposed they would fight. He felt there must be some mistake. He exchanged views with other Americans in a similar phase of astonishment. By the beginning of 1915 they had accumulated a sufficient mass of evidence from the belligerent countries to convince them that great masses of people in these countries were as amazed and as anxious to end the widening bloodshed and brutalization as the neutral onlookers. There had been deputations to the President (President Wilson), who was at that time, in harmony with his country, highly pacificist, and there was a widespread ambition that the United States should evoke some sort of permanent arbitration council alone, or in concert with the other Powers still neutral, which should stand, so to speak, on the edge of the battlefield and continue to offer its mediatory services to the warring governments until they were accepted. There was the suggestion of a deputation to Europe to further this idea, and the question arose how should it go across the Atlantic. Ford offered to charter a ship to take it.

      Then his peculiar imagination seized upon his own offer. He would make this ship a spectacular ship; it should be the “Peace Ship”. It should take a complement of chosen delegates to Europe in such a blaze of publicity that at its coming the war would be, as it were, arrested, to look at it. Its mere appearance would recall infuriated Europe to its senses. “I want to get those boys out of the trenches,” said Ford. “They don’t want to fight, and would be only too glad to shake hands with each other.” At the back of his mind there seems to have been an idea of calling a general strike at the fronts. “Out of the trenches by Christmas, never to return again,” was his brief speech at a public meeting in Washington in November. All sorts of eminent and energetic people were invited to join the mission. He sought the overt approval of the President, but the President was far too seasoned a politician to squander his publicity upon this “gesture” of Henry Ford’s. He was meditating a gesture of his own later on.

      American life at that time had its conspicuous popular stars, who embodied its ideals of greatness and goodness. Some of them are still for various reasons remembered by the historian, Jane Addams and Thomas Edison, for example, William Jennings Bryan (the “Last Creationist”) and Luther Burbank. These names are still to be found even in the Lower School Encyclopædia. Ford tried to include them all in one meteoric shipload. The governors of all the states in the Union were also invited, groups of representative university students, and so on. The Historical Collection at Atacama has gathered all the surviving originals or replicas of Ford’s invitations, and the replies in which these outstanding individuals hesitated over or evaded his proposals. Several were only prevented by sudden attacks of ill-health at the very last moment from joining him. And there was a number of newspaper reporters, cinema operators and other photographers, stenographers, typists, translators, interpreters, baggage masters and publicity agents who made no trouble about coming. A certain Madame Rosika Schwimmer, an Hungarian lady, gleams forth and vanishes again from history as the organizing spirit of this selection. A vast multitude of adventurers and crazy people offered to assist when Ford’s project was made public, and many were only prevented with the utmost difficulty from coming aboard the Oscar II.

      There is still material for a great writer in the details of that expedition, but our interest here is neither with the expedition as a whole nor with Ford or the other persons concerned in it as personalities, but with this idea that flamed and faded, this idea of ‘an appeal against war to human sanity’. And with the vicissitudes of that idea.

      The first thing to note is that it evoked response, and a very wide response. Eminent people, both in America and Europe, with their popularity to consider, found it advisable to be sympathetic, even if unhelpful. President Wilson, for example, was sympathetic but unhelpful. All the pretentious weathercocks of the Western World swung round towards it. We have every indication indeed of a very considerable drive towards a world pax in these years. But presently the weathercocks began to waver and swing away.

      Why did they waver? From the first there was a sustained, malignant antagonism to the project. This grew in force and vigour. The American Press, and in its wake the European Press, set itself to magnify and distort every weakness, every slight absurdity, in the expedition and to invent further weaknesses and absurdities. A campaign of ridicule began, so skilful and persistent that it stripped away one blushing celebrity after another from the constellation, and smothered the essential sanity of the project in their wilting apologies. While Ford and his surviving missioners discussed and discoursed

Скачать книгу