LITMIR.BIZ

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against the world of evil into which she was to go would be the unconditional sacrifice of herself.

      Padre Filippo was silent. He hoped that the passionate outburst of grief and self-reproach would pass, though he himself could find little enough to say. It was all too natural. What was he, he thought, that he should explain away nature, and bid a friendless woman defy a power that has more than once overset the reckoning of the world? He could bid her pray for help and strength, but he found it hard to argue the case with her; for he had to allow that his beautiful penitent was, after all, only experiencing what it might have been foretold that she must feel, and that, as far as he could see, she was struggling bravely against the dangers of her situation.

      Corona cried bitterly as she knelt there. It was a great relief to give way for a time to the whole violence of what she felt. It may be that in her tears there was a subtle instinctive knowledge that she was weeping for her love as well as for her sin in loving, but her grief was none the less real. She did not understand herself. She did not know, as Padre Filippo knew, that her woman's heart was breaking for sympathy rather than for religious counsel. She knew many women, but her noble pride would not have let her even contemplate the possibility of confiding in any one of them, even if she could have done so in the certainty of not being herself betrayed and of not betraying the man she loved. She had been accustomed to come to her confessor for counsel, and she now came to him with her troubles and craved sympathy for them, in the knowledge that Padre Filippo could never know the name of the man who had disturbed her peace.

      But the monk understood well enough, and his kind heart comprehended hers and felt for her.

      "My daughter," he said at last, when she seemed to have grown more calm, "it would be an inestimable advantage if this man could go away for a time, but that is probably not to be expected. Meanwhile, you must not listen to him if he speaks—"

      "It is not that," interrupted Corona—"it is not that. He never speaks of love. Oh, I really believe he does not love me at all!" But in her heart she felt that he must love her; and her hand, as it lay upon the hard wood of the confessional, seemed still to feel his trembling arm.

      "That is so much the better, my child," said the monk, quietly. "For if he does not love you, your temptations will not grow stronger."

      "And yet, perhaps—he may—" murmured Corona, feeling that it would be wrong even to conceal her faintest suspicions at such a time.

      "Let there be no perhaps," answered Padre Filippo, almost sternly. "Let it never enter your mind that he might love you. Think that even from the worldly point there is small dignity in a woman who exhibits love for a man who has never mentioned love to her. You have no reason to suppose you are loved save that you desire to be. Let there be no perhaps."

      The monk's keen insight into character had given him an unexpected weapon in Corona's defence. He knew how of all things a proud woman hates to know that where she has placed her heart there is no response, and that if she fails to awaken an affection akin to her own, what has been love may be turned to loathing, or at least to indifference. The strong character of the Duchessa d'Astrardente responded to his touch as he expected. Her tears ceased to flow, and her scorn rose haughtily against herself.

      "It is true. I am despicable," she said, suddenly. "You have shown me myself. There shall be no perhaps. I loathe myself for thinking of it. Pray for me, lest I fall so low again."

      A few minutes later Corona left the confessional and went and kneeled in the body of the church to collect her thoughts. She was in a very different frame of mind from that in which she had left home an hour ago. She hardly knew whether she felt herself a better woman, but she was sure that she was stronger. There was no desire left in her to meditate sadly upon her sorrow—to go over and over in her thoughts the feelings she experienced, the fears she felt, the half-formulated hope that Giovanni might love her after all. There was left only a haughty determination to have done with her folly quickly and surely, and to try and forget it for ever. The confessor's words had produced their effect. Henceforth she would never stoop so low again. She was ready to go out into the world now, and she felt no fear. It was more from habit than for the sake of saying a prayer that she knelt in the church after her confession, for she felt very strong. She rose to her feet presently, and moved towards the door: she had not gone half the length of the church when she came face to face with Donna Tullia Mayer.

      It was a strange coincidence. The ladies of Rome frequently go to the church of the Capuchins, as Corona had done, to seek the aid and counsel of Padre Filippo, but Corona had never met Donna Tullia there. Madame Mayer did not profess to be very devout. As a matter of fact, she had not found it convenient to go to confession during the Christmas season, and she had been intending to make up for the deficiency for some time past; but it is improbable that she would have decided upon fulfilling her religious obligations before Lent if she had not chanced to see the Duchessa d'Astrardente's carriage standing at the foot of the church steps.

      Donna Tullia had risen early because she was going to sit for her portrait to a young artist who lived in the neighbourhood of the Piazza Barberini, and as she passed in her brougham she caught sight of the Duchessa's liveries. The artist could wait half an hour: the opportunity was admirable. She was alone, and would not only do her duty in going to confession, but would have a chance of seeing how Corona looked when she had been at her devotions. It might also be possible to judge from Padre Filippo's manner whether the interview had been an interesting one. The Astrardente was so very devout that she probably had difficulty in inventing sins to confess. One might perhaps tell from her face whether she had felt any emotion. At all events the opportunity should not be lost. Besides, if Donna Tullia found that she herself was really not in a proper frame of mind for religious exercises, she could easily spend a few moments in the church and then proceed upon her way. She stopped her carriage and went in. She had just entered when she was aware of the tall figure of Corona d'Astrardente coming towards her, magnificent in the simplicity of her furs, a short veil just covering half her face, and an unwonted colour in her dark cheeks.

      Corona was surprised at meeting Madame Mayer, but she did not show it. She nodded with a sufficiently pleasant smile, and would have passed on. This would not have suited Donna Tullia's intentions, however, for she meant to have a good look at her friend. It was not for nothing that she had made up her mind to go to confession at a moment's notice. She therefore stopped the Duchessa, and insisted upon shaking hands.

      "What an extraordinary coincidence!" she exclaimed. "You must have been to see Padre Filippo too?"

      "Yes," answered Corona. "You will find him in the sacristy." She noticed that Madame Mayer regarded her with great interest. Indeed she could hardly be aware how unlike her usual self she appeared. There were dark rings beneath her eyes, and her eyes themselves seemed to emit a strange light; while an unwonted colour illuminated her olive cheeks, and her voice had a curiously excited tone. Madame Mayer stared at her so hard that she noticed it.

      "Why do you look at me like that?" asked the Duchessa, with a smile.

      "I was wondering what in the world you could find to confess," replied Donna Tullia, sweetly. "You are so immensely good, you see; everybody wonders at you."

      Corona's eyes flashed darkly. She suspected that Madame Mayer noticed something unusual in her appearance, and had made the awkward speech to conceal her curiosity. She was annoyed at the meeting, still more at being detained in conversation within the church.

      "It is very kind of you to invest me with such virtues," she answered. "I assure you I am not half so good as you suppose. Good-bye—I must be going home."

      "Stay!" exclaimed Donna Tullia; "I can go to confession another time. Will not you come with me to Gouache's studio? I am going to sit. It is such a bore to go alone."

      "Thank you very much," said Corona, civilly. "I am afraid I cannot go. My husband expects me at home. I wish you a good sitting."

      "Well, good-bye. Oh, I forgot to tell you, we had such a charming picnic yesterday. It was so fortunate—the only fine day this week. Giovanni was very amusing: he was completely en train, and kept us laughing the whole day. Good-bye; I do so wish you had come."

      "I

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