Old Plymouth Trails - Winthrop Packard

Скачать книгу

born flower tried quivering flight, and brown Hesperiidae, "bedouins of the pathless air," buzzed in vanishing eccentricity. But it was not for these that I lingered long on the seaward crest. There below me lay the bay that the exploring Pilgrims entered at such hazard, that but the day before had been blotted out with a freezing storm and gray with snow, now smiling in unforgettable beauty at my feet, bringing irresistibly to mind the one who sang,

      My soul today is far away,

       Sailing the blue Vesuvian bay.

Birds of the Plymouth Woods, Wise and Otherwise

      At Naples indeed could be no softer, fairer skies than this June day of late April brought to Plymouth Bay and spread over the waters that nestled within the curve of that splendid young moon of white sand that sweeps from Manomet to the tip of the sandspit, with the Gurnet far to the right and Plymouth's white houses rising in the middle distance. It lacked only the cone of Vesuvius smoking beyond to make the memory complete.

      Nor has the Bay of Naples bluer waters than those that danced below me. Some stray current of the Gulf Stream must have curled about the tip of Cape Cod and spread its wonder bloom over them. Here were the same exquisite soft blues, shoaling into tender green, that I have seen among the Florida keys. Surely it was like a transformation scene. The day before the torn sea wild with wind and the dun clouds of a northeast gale hiding the distance with a mystery of dread, a wind that beat the forest with snow and chilled to the marrow; and this day the warmth of an Italian spring and the blue Vesuvian Bay.

      *****

      The Pilgrims had their seasons of storm and stress, but there came to them too halcyon days like this when the mayflower bloomed in all the woodland about them, the mourning cloak butterflies danced with joy down the sunny glades, and the bay spread its wonderful blue beneath their feet in the delicious promise of June. Nor is it any wonder that in spite of hardships and disaster manifold they yet found heart to write home that it was a fayere lande and bountiful.

      But for all the lure of Plymouth woods with their fragrance of trailing arbutus, from all the grandeur of the wide outlook from Manomet Heights, the hearts of all who come to Plymouth must lead them back to the resting place of the fathers on the brow of the little hill in the midst of the town. There where the grass was not yet green and the buttercups that will later shine in gold have put forth but the tiniest beginnings of their fuzzy, three-parted leaves, I watched the sun sink, big and red in a golden mist, over a land of whose coming material greatness Bradford and his fellow Pilgrims could have had no inkling. Seaward the tropic bloom of the water was all gone, and there as the sun passed I saw the cool steel of the bay catch the last rays in little dimples of silver light. Manomet withdrew, blue and mysterious in the haze of nightfall. Out over the Gurnet, beyond, the sky caught purples from the colors in the west, and there, dropping below the horizon line, east northeast toward England, I saw a sail vanish in the soft haze as if it might be the first Mayflower, sailing away from the heavy-hearted Pilgrims, toward England and home. The sun's last ray touched it with a fleck of rose as it passed, a rose-like that which tipped the petals of the mayflowers that I held in my hand, mayflowers that sent tip to me in the coolness of the gathering April night a fragrance as aromatic and beloved as is the memory of the lives of the Pilgrims that slept all about me on the brow of Burial Hill. Bradford wrote gravely and simply the chronicles of these, and no more, yet the fervent faith and sturdy love for fair play, unquenchable in the hearts of these men, breathes from every page, a fragrance that shall go forth on the winds of the world forevermore.

       Table of Contents

       Table of Contents

      I tore down an old house recently, rent it part from part with my own hands and a crowbar, piling it in its constituents, bricks with bricks, timber on timber, boards with boards.

      Any of us who dare love the iconoclast would be one if we dared sufficiently, and in this work I surely was an image-breaker, for the old house was more than it seemed. To the careless passer, it was a gray, bald, doddering old structure that seemed trying to shrink into the ground, untenanted, unsightly, and forlorn. I know, having analyzed it, that it was an image of New England village life of the two centuries just gone, a life even the images of which are passing, never to return.

      As I knocked the old place down, it seemed to grow up, more vivid as it passed from the roadside of the visible to the realm of the remembered. You may think you know a house by living in it, but you do not; you need to unbuild it to get more than a passing acquaintance. And to unbuild a building you need to be strong of limb, heavy of hand, and sure of eye, lest the structure upon which you have fallen fall upon you; nor do business mottoes count, for you begin not at the bottom, but at the top, or near it.

      Up in the attic among the cobwebs, stooping beneath the ancient rafters, dodging crumbly bunches of pennyroyal and hyssop, hung there by hands that have been dust these fifty years, you poise and swing a forty-pound crowbar with a strong uplift against the roof-board, near where one of the old-time hand-made, hammer-pointed, wrought-iron nails enters the oak timber. The board lifts an inch and snaps back into place. You hear a handful of the time-and-weatherworn shingles jump and go sputtering down the roof. You hear a stealthy rustling and scurrying all about you. Numerous tenants who pay no rent have heard eviction notice, for the house in which no men live is the abode of many races. Another blow near another nail, and more shingles jump and flee, and this time a clammy hand slaps your face. It is only the wing of a bat, fluttering in dismay from his crevice. Blow after blow you drive upon this board from beneath, till all the nails are loose, its shingle-fetters outside snap, and with a surge it rises, to fall grating down the roof, and land with a crash on the grass by the old door-stone.

      The morning sun shines in at the opening, setting golden motes dancing, and caressing rafters that have not felt its touch for a hundred and fifty years, and you feel a little sob of sorrow swell in your heart, for the old house is dead, beyond hope of resurrection. With your crowbar you have knocked it in the head.

      Other boards follow more easily, for now you may use a rafter for the fulcrum of your iron lever and pry where the long nails grip the oak too tenaciously, and it is not long before you have the roof unboarded. And here you may have a surprise and be taught a lesson in wariness which you will need if you would survive your unbuilding. The bare rafters, solid oak, six inches square, hewn from the tree, as adze-marks prove, are halved together at the top and pinned with an oak pin. At the lower end, where they stand upon the plates, they are not fastened, but rest simply on a V-shaped cut, and when the last board is off they tumble over like a row of ninepins and you may be bowled out with them if you are not clever enough to foresee this.

      As with the roof-boards, so with the floors and walls. Blows with the great bar, or its patient use as a lever, separate part from part, board from joist, and joist from timber, and do the work, and you learn much of the wisdom and foolishness of the old-time builder as you go on. Here he dovetailed and pinned the framework so firmly and cleverly that nothing but human patience and ingenuity could ever get it apart; there he cut under the ends of splendid strong floor joists and dropped them into shallow mortises, so that but an inch or two of the wood really took the strain, and the joist seemed likely to split and drop out, of its own weight. You see the work of the man who knew his business and used only necessary nails, and those in the right places; and the work of that other, who was five times as good a carpenter because he used five times as many nails!

      You learn, too, how the old house grew from a very humble beginning to an eleven-room structure that covered a surprising amount of ground, as one generation after another passed and one owner succeeded another. In this the counsel of the local historian helps you much, for he comes daily and sits by as you work, and daily tells you the story

Скачать книгу