The Mystery of Witchcraft - History, Mythology & Art - William Godwin

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down to as late a date as the beginning of the eighteenth century. It must be admitted, however, that his alchemical pursuits gradually sank into obscurity, and that it was more in the character of an astrologer, and as a manufacturer of love-potions and philtres, of charms and waxen images—not to say as a pimp and a bawd—that he looked for clients. In the Spectator, for instance, that admirable mirror of English social life in the early part of the eighteenth century, you will find no reference to alchemy or the alchemist; but in the Guardian Addison’s light humour plays readily enough round the delusions or deceptions of the astrologer. The reader will remember the letter which Addison pretends to have received with great satisfaction from an astrologer in Moorfields. And in contemporary literature generally, it will be found that the august inquirer into the secrets of nature, who aimed at the transmutation of metals, and the possession of immortal youth, had by this time been succeeded by an obscure and vulgar cheat, who beguiled the ignorant and weak by his jargon about planetary bodies, and his cheap stock-in-trade of a wig and a gown, a wand, a horoscope or two, and a few coloured vials. This ‘modern magician’ is, indeed, a common character in eighteenth-century fiction.

      But a century earlier the magician retained some little of the ‘pomp and circumstance’ of the old magic, and was still the confidant of princes and nobles, and not seldom the depository of State secrets involving the reputation and the honour of men and women of the highest position. So much as this may be truly asserted of Simon Forman, who flourished in the dark and criminal period of the reign of James I., when the foul practices of mediæval Italy were transferred for the first and last time to an English Court. Forman was born at Quidham, a village near Wilton, in Wilts, in 1552. Little is known of his early years; but he seems to have received a good education at the Sarum Grammar School, and afterwards to have been apprenticed to a druggist in that ancient city. Endowed with considerable natural gifts and an ambitious temper, he made his way to Oxford, and was entered at Magdalene College, but owing to lack of means was unable to remain as a student for more than two years. To improve his knowledge of astrology, astronomy, and medicine, he visited Portugal, the Low Countries, and the East.

      On his return he began to practise as a physician in Philpot Lane, London; but, as he held no diploma, was four times imprisoned and fined as a quack. Eventually he found himself compelled to take the degree of M.D. at Cambridge (June 27, 1603); after which he settled in Lambeth, and carried on the twofold profession of physician and astrologer. In his comedy of ‘The Silent Woman,’ Ben Jonson makes one of his characters say: ‘I would say thou hadst the best philtre in the world, and could do more than Madam Medea or Doctor Forman,’ whence we may infer that the medicines he compounded were not of the orthodox kind or approved by the faculty. Lovers resorted to him for potions which should soften obdurate hearts; beauties for powders and washes which might preserve their waning charms; married women for drugs to relieve them of the reproach of sterility; rakes who desired to corrupt virtue, and impatient heirs who longed for immediate possession of their fortunes, for compounds which should enfeeble, or even kill. Such was the character of Doctor Forman’s sinister ‘practice.’ Among those who sought his unscrupulous assistance was the infamous Countess of Essex, though Forman died before her nefarious schemes reached the stage of fruition.

      His death, which took place on the 12th of September, 1611, was attended (it is said) by remarkable circumstances. The Sunday night previous, ‘his wife and he being at supper in their garden-house, she being pleasant, told him she had been informed he could resolve whether man or wife should die first. “Whether shall I,” quoth she, “bury you or no?” “Oh, Truais,” for so he called her, “thou shalt bury me, but thou wilt much repent it.” “Yea, but how long first?” “I shall die,” said he, “on Thursday night.” Monday came; all was well. Tuesday came, he not sick. Wednesday came, and still he was well, with which his impertinent wife did much twit him in his teeth. Thursday came, and dinner was ended, he very well; he went down to the water-side, and took a pair of oars to go to some buildings he was in hand with in Puddle Dock. Being in the middle of the Thames, he presently fell down, only saying, “An impost, an impost,” and so died. A most sad storm of wind immediately following.’

      It seems as if these men could never die without bringing down upon the earth a grievous storm or tempest! The preceding story, however, partakes too much of the marvellous to be very easily accepted.

      According to Anthony Wood, this renowned magician was ‘a person that in horary questions, especially theft, was very judicious and fortunate’ (in other words, he was well served by his spies and instruments); ‘so, also, in sickness, which was indeed his masterpiece; and had good success in resolving questions about marriage, and in other questions very intricate. He professed to his wife that there would be much trouble about Sir Robert Carr, Earl of Somerset, and the Lady Frances, his wife, who frequently resorted to him, and from whose company he would sometimes lock himself in his study one whole day. He had compounded things upon the desire of Mrs. Anne Turner, to make the said Sir Robert Carr calid quo ad hanc, and Robert, Earl of Essex frigid quo ad hanc; that his, to his wife the Lady Frances, who had a mind to get rid of him and be wedded to the said Sir Robert. He had also certain pictures in wax, representing Sir Robert and the said Lady, to cause a love between each other, with other such like things.’

      A CAUSE CÉLÈBRE.

      Lady Frances Howard, second daughter of the Earl of Suffolk, was married, at the age of thirteen, to Robert, Earl of Essex, who was only a year older. The alliance was dictated by political considerations, and had been recommended by the King, who did not fail to attend the gorgeous festivities that celebrated the occasion (January 5th, 1606). As it was desirable that the boy-bridegroom should be separated for awhile from his child-wife, the young Earl was sent to travel on the Continent, and he did not return to claim his rights as a husband until shortly after Christmas, 1609, when he had just passed his eighteenth birthday. In the interval his wife had developed into one of the most beautiful, and, unfortunately, one of the most dissolute, women in England. Naturally impetuous, self-willed, and unscrupulous, she had received neither firm guidance nor wise advice at the hands of a coarse and avaricious mother. Nor was James’s Court a place for the cultivation of the virtues of modesty and self-restraint. The young Countess, therefore, placed no control upon her passions, and had already become notorious for her disregard of those obligations which her sex usually esteem as sacred. At one time she intrigued with Prince Henry, but he dismissed her in angry disgust at her numerous infidelities. Finally, she crossed the path of the King’s handsome favourite, Sir Robert Carr, and a guilty passion sprang up between them. It is painful to record that it was encouraged by her great-uncle, Lord Northampton, who hoped through Carr’s influence to better his position at Court; and it was probably at his mansion in the Strand that the plot was framed of which I am about to tell the issue. But the meetings between the two lovers sometimes took place at the house of one of Carr’s agents, a man named Coppinger.

      At first, when Essex returned, the Countess refused to live with him; but her parents ultimately compelled her to treat him as her husband, and even to accompany him to his country seat at Chartley. There she remained for three years, wretched with an inconceivable wretchedness, and animated with wild dreams of escape from the husband she hated to the paramour she loved.

      The Countess next conceived the most flagitious designs against her husband’s health; and, to carry them out, again sought the assistance of her unscrupulous quack, who accordingly set to work, made waxen images, invented new charms, supplied drugs to be administered in the

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