LITMIR.BIZ

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greensward behind him. As she turned the last bastion before reaching the drawbridge, the funeral was moving along by the outer edge of the moat, and between the procession and her there was only the broad water, reflecting the lights of the moving tapers, the dark cowls of the monks, the white surplices of the song-boys. They moved slowly, and she, as in a dream, followed them on the other side with little steps, wondering, fearing, starting now with a wild thrill of liberty at last, now struggling with a half conventional, half hysterical sob that rose in her throat at the thought of death so near. She had lived with him, she had played the long comedy of love with him, she had loathed him in her heart, she had smiled at him with well-trained eyes; and now she was free to choose, free to love, free to be Arnold's wife. And yet she had lived with the dead man; and in the far-off past there were little tender lights of happiness, half real, half played, but never forgotten, upon which she had once taught her thoughts to dwell tenderly and sadly. She had loved the dead man in the first days of marriage, as well as her cold and unawakened nature could love at all—if not for himself, at least for the hopes of vanity built on his name. She had hated him in secret, but she could not have hated him so heartily had there not once been a little love to turn so fiercely sour. She could not have trained her eyes to smile at him so gently had she not once smiled for his own sake. And so, when they brought him dead to the gate of his own house, his wife had still some shreds of memories for weeds to eke out a show of sorrow.

      She passed through the postern in the small round tower beside the gateway, knowing that when she came out under the portcullis, the funeral train would be just reaching the other end of the bridge. The little vaulted room in the lower story of the tower was not four steps in width across, from door to door; but it was almost dark, and there the Lady Goda stopped one moment before she went out to meet the mourners. Standing still in the dimness, she pressed her gloved hands to her eyes with all her might, as though to concentrate her thoughts and her strength. Then she threw back her arms, and looked up through the gloom, and almost laughed; and she felt something just below her heart that stifled her like a great joy. Then all at once she was calm, and touched her eyes again with her gloved hands, but gently now, as though smoothing them and preparing them to look upon what they must see presently. She opened the little door, and was suddenly standing in the midst of the frightened herd of retainers and servants, while the last strains of the dirge came echoing under the deep archway. At that instant another sound startled the air—the deep bell-note of the great bloodhounds, chained in the courtyard from sunrise to sunset; and it sank to a wail, and the wail broke to a howl, dismal, ear-rending, wild. Before it had died away, one of the Saxon bondwomen shrieked aloud, and the next took up the cry, and then another, as a likewake dirge, till every stone in the shadowy manor seemed to have a voice, and every voice was weeping for the dead lord. And many of the women fell upon their knees, and some of the men, too, while others drew up their hoods, and stood with bent heads and folded hands against the rough walls.

      Slowly and solemnly they bore him in and set the bier down under the mid-arch. Then Gilbert Warde looked up and faced his mother; but he stood aside, that she might see her husband; and the monks and song-boys stood back also, with their wax torches, which cast a dancing glare through the dim twilight. Gilbert's face was white and stern; but the Lady Goda was pale, too, and her heart fluttered, for she had to play the last act of her married life before many who would watch her narrowly. For one moment she hesitated whether to scream or to faint in honour of her dead husband. Then, with the instinct of the born and perfect actress, she looked wildly from her son's face to the straight, still length that lay beneath the pall. She raised one hand to her forehead, pressing back her golden hair with a gesture half mad, half dazed, then seemed to stagger forward two steps, and fell upon the body, in a storm of tears.

      Gilbert went to the bier, and lifted one of his mother's gloved hands from the covered face, and it dropped from his fingers as if lifeless. He lifted the black cloth pall, and turned it back as far as he could without disturbing the woman's prostrate figure; and there lay the Lord of Stoke, in his mail, as he had fallen in fight, in his peaked steel helmet, the straight, fine, ring-mail close-drawn round his face and chin, the silky brown hair looking terribly alive against the dead face. But across the eyes and the forehead below the helmet there was laid a straight black band, and upon his breast the great mailed hands clasped the cross-hilted sword that lay lengthwise with his body. Gilbert, bareheaded and unarmed, gazed down into his father's face for a while, then suddenly looked up and spoke to all the people who thronged the gateway.

      "Men of Stoke," he said, "here lies the body of Sir Raymond Warde, your liege lord, my father. He fell in the fight before Faringdon Castle, and this is the third day since he was slain; for the way was long, and we were not suffered to pass unmolested. The castle was but half built, and we were encamped about it with the Earl of Gloucester, when the king came suddenly from Oxford with a great host; and they fell upon us unawares at early morning, when we had but just heard the mass and most of us were but half armed, or not at all. So we fought as we could, and many fell, and not a few we killed with our hands. And I, with a helmet on my head and a gambison but half buckled upon my body, and my hands bare, was fighting with a full-armed Frenchman and was hard pressed. But I smote him in the neck, so that he fell upon one knee and reeled. And even in that moment I saw this sight. A score of paces from me, my father and Sir Arnold de Curboil met face to face, suddenly and without warning, their swords lifted in the act to strike; but when my father saw his friend before him, he dropped his sword-arm and smiled, and would have turned away to fight another; but Sir Arnold smiled also, and lowered not his hand, but smote my father by the point, unguarded, and thrust his sword through head and hood of mail at one stroke, treacherously. And so my father, your liege lord, fell dead unshriven, by his friend's hand; and may the curse of man and the damnation of Almighty God be upon his murderer's head, now and after I shall have killed him. For, as I would have sprung forward, the Frenchman, who was but stunned, sprang to his feet and grappled with me; and by the time he had no breath left, and the light broke in his eyes, Sir Arnold was gone, and our fight was lost. So we made a truce to bury our dead, and brought them away, each his own."

      When he had spoken there was silence for many moments, broken only by the Lady Goda's unceasing sobs. In the court within, and on the bridge without, the air grew purple, and dark, and misty; for the sun had long gone down, and the light from the wax torches, leaping, flaming and flickering in the evening breeze, grew stronger and yellower under the gateway than the twilight without. The dark-robed monks looked gravely on, waiting till they should be told to pass into the chapel—men of all ages and looks, red and pale, thin and stout, dark and fair, but all having that something in their faces that marks the churchman from century to century. Between them and the dead knight, Gilbert stood still with bent head and downcast eyes, with pale face and set lips, looking at his mother's bright hair, and at her clutching hands, and listening to the painfully drawn breath, broken continually by her agonized weeping. Suddenly the bloodhounds' bay broke out again, fierce and deep; and on the instant a high young voice rang from the court through the deep arch.

      "Burn the murderer! To Stortford, and burn him out!"

      Gilbert looked up quickly, peering into the gloom whence the voice had spoken. He did not see how, at the words, his mother started back from the corpse, steadied herself with one hand, and fixed her eyes in the same direction; but before he could answer, the cry was taken up by a hundred throats.

      "Burn the traitor! burn the murderer! To Stortford! Fagots! Fagots and pitch!"

      High, low, hoarse, clear, the words followed one another in savage yells; and here and there among the rough men there were eyes that gleamed in the dark like a dog's.

      Then through the din came a rattling of bolts and a creaking of hinges, as the grooms tore open the stable doors to bring out the horses and saddle them for the raid; and one called for a light and another warned men from his horse's heels. The Lady Goda was on her feet, her hands stretched out imploringly to her son, turning to him instinctively and for the first time, as to the head of the house. She spoke to him, too; but he neither heard nor saw, for in his own heart a new horror had possession, beside which what had gone before was as nothing. He thought of Beatrix.

      "Hold!" he cried. "Let no man stir, for no man shall pass out who would burn Stortford. Sir Arnold de Curboil is the king's man, and the king has the power in England; so that

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