LITMIR.BIZ

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again we became silent. We were all in such a wonderful mood--so unspeakably sweet it all was! Each felt for himself a whole world of happiness and each one would have shared his happiness with the whole world. All felt the same--and so no one disturbed another. We had scarcely even noticed the Greek, after an hour or so, had arisen, folded his portfolio and with a slight nod had taken his departure. We remained.

      Finally after several hours, when the distance was becoming overspread with a darker violet, so magically beautiful in the south, the mother reminded us it was time to depart. We arose and walked down towards the hotel with the easy, elastic steps that characterize carefree children. We sat down in the hotel under the handsome veranda.

      Hardly had we been seated when we heard below the sounds of quarreling and oaths. Our Greek was wrangling the hotel-keeper, and for the entertainment of it we listened.

      The amusement did not last long. "If I didn't have other guests," growled the hotel-keeper, and ascended the steps towards us.

      "I beg you to tell me, sir," asked the young Pole of the approaching hotel-keeper, "who is that gentleman? What's his name?"

      "Eh--who knows what the fellow's name is?" grumbled the hotel-keeper, and he gazed venomously downwards. "We call him the ."

      "An artist?"

      "Fine trade! He sketches only corpses. Just as soon as someone in Constantinople or here in the neighborhood dies, that very day he has a picture of the dead one completed. That fellow paints them beforehand--and he never makes a mistake--just like a vulture!"

      The old Polish woman shrieked affrightedly. In her arms lay her daughter pale as chalk. She had fainted.

      In one bound the lover had leaped down the steps. With one hand he seized the Greek and with the other reached for the portfolio.

      We ran down after him. Both men were rolling in the sand. The contents of the portfolio were scattered all about. On one sheet, sketched with a crayon, was the head of the young Polish girl, her eyes closed and a wreath of myrtle on her brow.

      THE END

      Varney the Vampire, or, the Feast of Blood

       (Thomas Peckett Prest and James Malcolm Rymer)

       Table of Contents

       Table of Contents

       Volume 1

       Volume 2

       Volume 3

      VOLUME 1

       Table of Contents

       Preface

       Chapter I.

       Chapter II.

       Chapter III.

       Chapter IV.

       Chapter V.

       Chapter VI.

       Chapter VII.

       Chapter VIII.

       Chapter IX.

       Chapter X.

       Chapter XI.

       Chapter XII.

       Chapter XIII.

       Chapter XIV.

       Chapter XV.

       Chapter XVI.

       Chapter XVII.

       Chapter XVIII.

       Chapter XIX.

       Chapter XX.

       Chapter XXI.

       Chapter XXII.

       Chapter XXIII.

       Chapter XXIV.

       Chapter XXV.

       Chapter XXVI.

       Chapter XXVII.

       Chapter XXVIII.

       Chapter XXIX.

       Chapter XXX.

       Chapter XXXI.

       Chapter XXXII.

       Chapter XXXIII.

       Chapter XXXIV.

       Chapter XXXV.

       Chapter XXXVI.

       Chapter XXXVII.

       Chapter

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