LITMIR.BIZ

      Published by Good Press, 2020

       [email protected]

      EAN 4064066104108

Table of Contents

       Preface

       Preface to Second Edition

       Preface to Tenth Edition

       Illustrations

       PART I

       CHAPTER I - INTRODUCTORY

       CHAPTER II - THE SCIENTIFIC SENSE IN PICTURES

       CHAPTER III - BALANCE

       BALANCE OF THE STEELYARD.

       POSTULATES

       VERTICAL AND HORIZONTAL BALANCE.

       THE NATURAL AXIS

       APPARENT OR FORMAL BALANCE.

       BALANCE BY OPPOSITION OF LINE.

       BALANCE BY OPPOSITION OF SPOTS.

       TRANSITION OF LINE.

       BALANCE BY GRADATION

       BALANCE OF PRINCIPALITY OR ISOLATION

       BALANCE OF CUBICAL SPACE.

       CHAPTER IV - EVOLVING THE PICTURE

       CHAPTER V - ENTRANCE AND EXIT

       GETTING INTO THE PICTURE

       GETTING OUT OF THE PICTURE

       CHAPTER VI - THE CIRCULAR OBSERVATION OF PICTURES

       CIRCULAR COMPOSITION

       RECONSTRUCTION FOR CIRCULAR OBSERVATION.

       CHAPTER VII - ANGULAR COMPOSITION, THE LINE OF BEAUTY AND THE RECTANGLE

       The Triangle.

       THE VERTICAL LINE IN ANGULAR COMPOSITION

       ANGULAR COMPOSITION BASED ON THE HORIZONTAL

       THE LINE OF BEAUTY.

       THE RECTANGLE

       LINE

       CHAPTER VIII - THE COMPOSITION OF ONE, TWO, THREE AND MORE UNITS

       THE FIGURE IN LANDSCAPE

       CHAPTER IX - GROUPS

       CHAPTER X - LIGHT AND SHADE

       PRINCIPALITY BY EMPHASIS, SACRIFICE, AND CONTRAST.

       GRADATION

       EQUIVALENTS

       CHAPTER XI - THE PLACE OF PHOTOGRAPHY IN FINE ART

       PART II - THE ÆSTHETICS OF COMPOSITION

       CHAPTER XII - BREADTH VERSUS DETAIL

       SUGGESTIVENESS.

       MYSTERY.

       SIMPLICITY.

       RESERVE.

       RELIEF.

       FINISH.

       PART III - THE CRITICAL JUDGEMENT OF PICTURES

       CHAPTER XIII - THE MAN IN ART

       CHAPTER XIV - SPECIFIC QUALITIES AND FAULTS

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