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supposed to go to sleep after it. In the late afternoon the horses were saddled, and the whole party went for a gallop on the sands, or up to classic Ardea, or across the half-cultivated country, coming back to supper when it was dark. A particularly fat and quiet pony was kept for Marcello's mother, who was no great rider, but the Contessa and Aurora rode anything that was brought them, as the men did. To tell the truth, the Campagna horse is rarely vicious, and, even when only half broken, can be ridden by a lady if she be an average horsewoman.

      Everything happened as usual. The party reached the cottage in time for a late luncheon, rested afterwards, and then rode out. But the Signora Corbario would not go.

      "Your pony looks fatter and quieter than ever," said Maddalena dell' Armi with a smile. "If you do not ride him, he will turn into a fixture."

      "He is already a very solid piece of furniture," observed Folco, looking at the sleek animal.

      "He is very like the square piano I practise on," said Aurora. "He has such a flat back and such straight thick legs."

      "More like an organ," put in Marcello, gravely. "He has a curious, half-musical wheeze when he tries to move, like the organ in the church at San Domenico, when the bellows begin to work."

      "It is a shame to make fun of my horse," answered the Signora, smiling. "But really I am not afraid of him. I have a little headache from the drive, that is all."

      "Take some phenacetine," said Corbario with concern. "Let me make you quite comfortable before we start."

      He arranged a long straw chair for her in a sheltered corner of the verandah, with cushions and a rug and a small table beside it, on which Marcello placed a couple of new books that had been brought down. Then Folco went in and got a little glass bottle of tablets from his wife's travelling-bag and gave her one. She was subject to headaches and always had the medicine with her. It was the only remedy she ever carried or needed, and she had such confidence in it that she felt better almost as soon as she had swallowed the tablet her husband gave her.

      "Let me stay and read to you," he said. "Perhaps you would go to sleep."

      "You are not vain of your reading, my dear," she answered with a smile. "No, please go with the others."

      Then the Contessa offered to stay, and the good Signora had to use a good deal of persuasion to make them all understand that she would much rather be left alone. They mounted and rode away through the trees towards the beach, whence the sound of the small waves, breaking gently under the afternoon breeze, came echoing softly up to the cottage.

      The two young people rode in front, in silence; Corbario and the Contessa followed at a little distance.

      "How good you are to my wife!" Folco exclaimed presently, as they emerged upon the sand. "You are like a sister to her!"

      Maddalena glanced at him through her veil. She had small and classic features, rather hard and proud, and her eyes were of a dark violet colour, which is very unusual, especially in Italy. But she came from the north. Corbario could not see her expression, and she knew it.

      "You are good to her, too," she said presently, being anxious to be just. "You are very thoughtful and kind."

      Corbario thought it wiser to say nothing, and merely bent his head a little in acknowledgment of what he instinctively felt to be an admission on the part of a secret adversary. Maddalena had never said so much before.

      "If you were not, I should never forgive you," she added, thinking aloud.

      "I don't think you have quite forgiven me as it is," Folco answered more lightly.

      "For what?"

      "For marrying your best friend."

      The little speech was well spoken, so utterly without complaint, or rancour, or suggestion of earnestness, that the Contessa could only smile.

      "And yet you admit that I am not a bad husband," continued Folco. "Should you accept me, or, say, my exact counterpart, for Aurora, in a year or two?"

      "I doubt whether you have any exact counterpart," Maddalena answered, checking the sharp denial that rose to her lips.

      "Myself, then, just for the sake of argument?"

      "What an absurd question! Do you mind tightening the girth for me a little? My saddle is slipping."

      She drew rein, and he was obliged to submit to the check. As he dismounted he glanced at Aurora's graceful figure, a hundred yards ahead, and for one instant he drew his eyelids together with a very strange expression. He knew that the Contessa could not see his face.

      Marcello and Aurora had been companions since they were children, and just now they were talking familiarly of the place, which they had not seen since the previous year. All sorts of details struck them. Here, there was more sand than usual; there, a large piece of timber had been washed ashore in the winter gales; at another place there was a new sand-drift that had quite buried the scrub on the top of the bank; the keeper of the San Lorenzo tower had painted his shutters brown, though they had always been green; here was the spot where Aurora had tumbled off her pony when she was only twelve years old—so long ago! And here—they looked at each other and then quickly at the sea, for it was here that Marcello, in a fit of boyish admiration, had once suddenly kissed her cheek, telling her that she was perfectly beautiful. Even now, he blushed when he thought of it, and yet he longed to do it again, and wondered inwardly what would happen if he did.

      As for Aurora, though she looked at the sea for a moment, she seemed quite self-possessed. It is a strange thing that if a boy and a girl are brought up in just the same way, by women, and without many companions, the boy should generally be by far the more shy of the two when childhood is just past.

      "You are very fond of your stepfather, are you not?" asked Aurora, so suddenly that Marcello started a little and hesitated slightly before he answered.

      "Yes," he said, almost directly, "of course I am! Don't you like him, too?"

      "I used to," answered Aurora in a low voice, "but now his eyes frighten me—sometimes. For instance, though he is a good way behind, I am sure he is looking at me now, just in that way."

      Marcello turned his head instinctively, and saw that Folco had just dismounted to tighten the girth of the Contessa's saddle. It was exactly while Aurora was speaking that he had drawn his eyelids together with such a strange expression—a mere coincidence, no doubt, but one that would have startled the girl if she could have suddenly seen his face.

      They rode on without waiting for the others, at an even canter over the sand.

      "I never saw anything in Folco's eyes that could frighten anybody," Marcello said presently.

      "No," answered Aurora. "Very likely not."

      Marcello had always called Corbario by his first name, and as he grew up it seemed more and more natural to do so. Folco was so young, and he looked even younger than he was.

      "It must be your imagination," Marcello said.

      "Women," said Aurora, as if she were as near thirty as any young woman would acknowledge herself, "women have no imagination. That is why we have so much sense," she added thoughtfully.

      Marcello was so completely puzzled by this extraordinary statement that he could find nothing to say for a few moments. Then he felt that she had attacked his idol, and that Folco must be defended.

      "If you could find a single thing, however small, to bring against him, it would not be so silly to say that his eyes frighten you."

      "There!" laughed Aurora. "You might as well say that because at this moment there is only that one little cloud near the sun, there is no cloud at all!"

      "How ridiculous!" Marcello expressed his contempt of such girlish reasoning by putting his rough little horse to a gallop.

      "Men always say that," retorted Aurora, with exasperating calm. "I'll race you to the tower for the first choice of oranges at dessert. They are

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