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I BRUSH AND PEN WORK

       II THE CRAYON METHOD

       III TRANSFER AND TRACING

       IV CONCERNING THE WOOD-CUT STYLE

       V TWO KINDS OF TOUCHE DRAWING

       VI THE SPATTER METHOD

       VII TOUCHE WITH SEVERAL PLATES

       VIII COLOR-PRINTING WITH MANY PLATES

       IX GOLD AND SILVER PRINTING

       CHAPTER II INTAGLIO METHOD

       I THE LINE ENGRAVED STYLE

       II THE ETCHED METHOD

       III DESIGN WITH PREPARING INK, COMBINED WITH SPATTERED AQUATINT

       IV AQUATINT IN COPPER-PLATE STYLES AND WITH ETCHING-GROUND

       V AQUATINT THROUGH CRAYON GROUND

       VI INTAGLIO CRAYON AND TRACED DESIGNS

       VII TOUCHE DRAWING WITH ETCHING INK

       CHAPTER III MIXED METHODS

       I PEN DESIGN COMBINED WITH ENGRAVING

       II INTAGLIO DESIGN WITH RELIEF TINT

       III INTAGLIO AND RELIEF WITH SEVERAL PLATES

       IV TRANSFORMING RELIEF INTO INTAGLIO AND VICE VERSA

       APPENDIX

       I PRINTING WITH WATER AND OIL COLORS SIMULTANEOUSLY

       II SIMULTANEOUS CHEMICAL AND MECHANICAL PRINTING

       III USE OF THE STONE FOR COTTON-PRINTING THROUGH WIPING. A UNIQUE PRINTING PROCESS

       IV COLOR PRINT WITH WIPING

       V OIL-PAINTING PRINT THROUGH TRANSFER

       VI STONE-PAPER

       VII CHEMICAL PRINT ON METAL PLATES

      By Alois Senefelder

      Translated from the Original German

       by J. W. MULLER

      ————

      THE INVENTION OF LITHOGRAPHY

      Cloth 4to $5.00 Postpaid

      THE FUCHS & LANG MANUFACTURING CO.

       New York

      

SENEFELDER

       LITHOGRAPHY

       Table of Contents

      BY

      ALOIS SENEFELDER

      TRANSLATED

       FROM THE ORIGINAL GERMAN BY

      J. W. MULLER

      NEW YORK: THE FUCHS & LANG

       MANUFACTURING COMPANY

       1911

      COPYRIGHT, 1911,

       BY THE FUCHS & LANG MANUFACTURING COMPANY

       NEW YORK AND LONDON

       Entered at Stationers' Hall, London

       Table of Contents

      Alois Senefelder, not only the inventor, but the father and perfecter of Lithography, wrote this story of his life and his invention in 1817. The translator has followed his style closely, because he felt that the readers would prefer to have this English edition represent Senefelder's original German faithfully.

      When Senefelder wrote, he had to invent many names for the processes, manipulation-methods, and tools. These terms have been translated literally even where modern practice has adopted other names.

      The original German edition carried the following title-page:—

      "Complete | Text-Book of Stone-Printing | containing | a Correct and Lucid Instruction | for all | Various Manipulations in all its Branches and Methods | and also a | Full History of this Art | from its Origin to the Present Day. | Written and Published | by the Inventor of Lithography and Chemical Printing, | Alois Senefelder. | With a Preface by the General-Secretary of the Royal Academy of Sciences in | Munich, the Director | Friederich von Schlichtegroll | Munich, 1821 | Obtainable from the Author and from E. A. Fleischmann" |

      The book was dedicated by Senefelder to Maximilian Joseph, then King of Bavaria.

      July, 1911.

      J. W. M.

       Table of Contents

      A book like this requires no preface; it makes its own way, supported by its contents. But the famous author deems that his acquaintance with me gave him the direct impulse for producing

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