The Goose Girl - Harold MacGrath

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of that mystifying hazel, sometimes brown, sometimes gray, according to whether the sky was clear or overcast. And there was something above and beyond all these things, a modesty, a gentleness and a purity; none of the bold, rollicking, knowing manner so common in handsome peasant girls. He contemplated her through half-closed eyes and gave her in fancy the triffing furbelows of a woman of fashion; she would have been beautiful.

      "How old are you, Gretchen?"

      "I do not know," she answered, "perhaps eighteen, perhaps twenty."

      Again they went forward in silence. By the time they reached the gates the sun was no longer visible on the horizon, but it had gone down ruddy and uncrowned by any cloud, giving promise of a fair day on the morrow. The afterglow on the mountains across the valley was now in its prime glory; and once the two wayfarers paused and commented upon it. Once more the mountaineer was agreeably surprised; the average peasant is impervious to atmospheric splendor, beauty carries no message.

      Arriving at length in the city, they passed through the crooked streets, sometimes so narrow that the geese were packed from wall to wall. Oft some jovial soldier sent a jest or a query to them across the now gray backs of the geese. But Gretchen looked on ahead, purely and serenely.

      "Gretchen, where shall I find the Adlergasse?"

      "We pass through it shortly. I will show you. You are also a stranger in Dreiberg?"

      "Yes."

      They took the next turn, and the weather-beaten sign Zum Schwartzen Adler, hanging in front of a frame house of many gables, caused the mountaineer to breathe gratefully.

      "Here my journey ends, Gretchen. The Black Eagle," he added, in an undertone; "it is unchanged these twenty years. Heaven send that the beds are softer than aforetime!"

      They were passing a clock-mender's shop. The man from Jugendheit peered in the window, which had not been cleaned in an age, but there was no clock in sight to give him warning of the time, and he dared not now look at his watch. He had a glimpse of the ancient clock-mender himself, however, huddled over a table upon which sputtered a candle. It touched up his face with grotesque lights. Here was age, mused the man outside the window; nothing less than fourscore years rested upon those rounded shoulders. The face was corrugated with wrinkles, like a frosted road; eyes heavily spectacled, a ragged thatch of hair on the head, a ragged beard on the chin. Aware of a shadow between him and the fading daylight, the clock-mender looked up from his work. The eyes of the two men met, but only for a moment.

      The mountaineer, who felt rejuvenated by this contrast, straightened his shoulders and started to cross the street to the tavern.

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      "Good night, Gretchen. Good luck to you and your geese to-morrow."

      "Thanks, Herr Ludwig. And will you be long in the city?"

      "That depends; perhaps," adding a grim smile in answer to a grim thought.

      He offered his hand, which she accepted trustfully. He was a strange old man, but she liked him. When she withdrew her hand, something cold and hard remained in her palm. Wonders of all the world! It was a piece of gold. Her eyes went up quickly, but the giver smiled reassuringly and put a finger against his lips.

      "But, Herr," she remonstrated.

      "Keep it; I give it to you. Do not question providence, and I am her handmaiden just now. Go along with you."

      So Gretchen in a mild state of stupefaction turned away. Clat-clat! sang the little wooden shoes. A plaintive gonk rose as she prodded a laggard from the dank gutter. A piece of gold! Clat-clat! Clat-clat! Surely this had been a day of marvels; two crowns from the grand duke and a piece of gold from this old man in peasant clothes. Instinctively she knew that he was not a peasant. But what could he be? Comparison would have made him a king. She was too tired and hungry to make further deductions.

      She was regarded with kindly eyes till the dark jaws of the Krumerweg swallowed up both her and her geese.

      "Poor little goose-girl!" he thought. "If she but knew, she could make a bonfire of a thousand hearts. A fine day!" He eyed again the battered sign. It was then that he discerned another, leaning from the ledge of the first story of the house adjoining the tavern. It was the tarnished shield of the United States.

      "What a penurious government it must be! Two weeks, tramping about the country in this unholy garb, following false trails half the time, living on crusts and cold meats. Ah, you have led me a merry dance, nephew, but I shall not forget!"

      He entered the tavern and applied for a room, haggling over the price.

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      The nights in Dreiberg during September are often chill. The heavy mists from the mountain slip down the granite clifts and spread over the city, melting all sharp outlines, enfeebling the gas-lamps, and changing the moon, if there happens to be one, into something less than a moon and something more than a pewter disk. And so it was this night.

      Carmichael, in order to finish his cigar on the little balcony fronting his window, found it necessary to put on his light overcoat, though he perfectly knew that he was in no manner forced to smoke on the balcony. But the truth was he wanted a clear vision of the palace and the lighted windows thereof, and of one in particular. He had no more sense than Tom-fool, the abetter of follies. She was as far removed from him as the most alien of the planets; but the magnet shall ever draw the needle, and a woman shall ever draw a man. He knew that it was impossible, that it grew more impossible day by day, and he railed at himself bitterly and satirically.

      He sighed and teetered his legs. A sigh moves nothing forward, yet it is as essential as life itself. It is the safety-valve to every emotion; it is the last thing in laughter, the last thing in tears. One sighs in entering the world and in leaving it, perhaps in protest. A child sighs for the moon because it knows no better. Carmichael sighed for the Princess Hildegarde, understanding. It was sigh or curse, and the latter mode of expression wastes more vitality. Oh, yes; they made over him, as the world goes; they dined and wined him and elected him honorary member to their clubs; they patted him on the back and called him captain; but it was all in a negligent toleration that turned every pleasure into rust.

      Arthur Carmichael was Irish. He was born in America, educated there and elsewhere, a little while in Paris, a little while at Bonn, and, like all Irishmen, he was baned with the wandering foot; for the man who is homeless by choice has a subtle poison in his blood. He was at Bonn when the Civil War came. He went back to America and threw himself into the fight with all the ardor that had made his forebears famous in the service of the worthless Stuarts. It wasn't a question with him of the mere love of fighting, of tossing the penny; he knew with which side he wished to fight. He joined the cavalry of the North, and hammered and fought his way to a captaincy. He was wounded five times and imprisoned twice. His right eye was still weak from the effects of a powder explosion; and whenever it bothered him he wore a single glass, abominating, as all soldiers do, the burden of spectacles. At the end of the conflict he returned to Washington.

      And then the inherent curse put a hand on his shoulder; he must be moving. His parents were dead; there was no anchor, nor had lying ambition enmeshed him. There was a little property, the income from which was enough for his wants. Without

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