The Country Beyond - James Oliver Curwood

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of these was a cabin built of logs. A lovelier spot could not have been chosen for the home of man. The hollow, from where Peter stood, was a velvety carpet of green, thickly strewn with flowers and ferns, sweet with the scent of violets and wild honey-suckle, and filled with the song of birds. Through the middle of it purled a tiny creek which disappeared between the ragged shoulders of rock, and close to this creek stood the cabin, its log walls smothered under a luxuriant growth of wood-vine. But Peter's quizzical little eyes were not measuring the beauty of the place, nor were his ears listening to the singing of birds, or the chattering of a red-squirrel on a stub a few yards away. He was looking beyond the cabin, to a chalk-white mass of rock that rose like a giant mushroom in the edge of the trees—and he was listening to the ringing of the axe, and straining his ears to catch the sound of a voice.

      It was the voice he wanted most of all, and when this did not come he choked back a whimper in his throat, and went down to the creek, and waded through it, and came up cautiously behind the cabin, his eyes and ears alert and his loosely jointed legs ready for flight at a sign of danger. He wanted to set up his sharp yipping signal for the girl, but the menace of the axe choked back his desire. At the very end of the cabin, where the wood-vine grew thick and dense, Peter had burrowed himself a hiding-place, and into this he skulked with the quickness of a rat getting away from its enemies. From this protecting screen he cautiously poked forth his whiskered face, to make what inventory he could of his chances for supper and a safe home-coming.

      And as he looked forth his heart gave a sudden jump.

      It was the girl, and not the man who was using the axe today. At the big wood-pile half a stone's throw away he saw the shimmer of her brown curls in the sun, and a glimpse of her white face as it was turned for an instant toward the cabin. In his gladness he would have leaped out, but the curse of a voice he had learned to dread held him back.

      A man had come out of the cabin, and close behind the man, a woman. The man was a long, lean, cadaverous-faced creature, and Peter knew that the devil was in him as he stood there at the cabin door. His breath, if one had stood close enough to smell it, was heavy with whiskey. Tobacco juice stained the corners of his mouth, and his one eye gleamed with an animal-like exultation as he nodded toward the girl with the shining curls

      "Mooney says he'll pay seven-fifty for her when he gets his tie-money from the Government, an' he paid me fifty down," he said. "It'll help pay for the brat's board these last ten years—an' mebby, when it comes to a show-down, I can stick him for a thousand."

      The woman made no answer. She was, in a way, past answering with a mind of her own. The man, as he stood there, was wicked and cruel, every line in his ugly face and angular body a line of sin. The woman was bent, broken, a wreck. In her face there was no sign of a living soul. Her eyes were dull, her heart burned out, her hands gnarled with toil under the slavedom of a beast. Yet even Peter, quiet as a mouse where he lay, sensed the difference between them. He had seen the girl and this woman sobbing in each other's arms. And often he had crawled to the woman's feet, and occasionally her hand had touched him, and frequently she had given him things to eat. But it was seldom he heard her voice when the man was near.

      The man was biting off a chunk of black tobacco. Suddenly he asked,

      "How old is she, Liz?"

      And the woman answered in a strange and husky voice.

      "Seventeen the twelfth day of this month."

      The man spat.

      "Mooney ought to pay a thousand. We've had her better'n ten years—an' Mooney's crazy as a loon to git her. He'll pay!"

      "Jed—" The woman's voice rose above its hoarseness. "Jed—it ain't right!"

      The man laughed. He opened his mouth wide, until his yellow fangs gleamed in the sun, and the girl with the axe paused for a moment in her work, and flung back her head, staring at the two before the cabin door.

      "Right?" jeered the man. "Right? That's what you been preachin' me these last ten years 'bout whiskey-runnin,' but it ain't made me stop sellin' whiskey, has it? An' I guess it ain't a word that'll come between Mooney and me—not if Mooney gits his thousand." Suddenly he turned upon her, a hand half raised to strike. "An' if you whisper a word to her—if y' double-cross me so much as the length of your little finger—I'll break every bone in your body, so help me God! You understand? You won't say anything to her?"

      The woman's uneven shoulders drooped lower.

      "I won't say ennything, Jed. I—promise."

      The man dropped his uplifted hand with a harsh grunt.

      "I'll kill y' if you do," he warned.

      The girl had dropped her axe, and was coming toward them. She was a slim, bird-like creature, with a poise to her head and an up-tilt to her chin which warned that the man had not yet beaten her to the level of the woman. She was dressed in a faded calico, frayed at the bottom, and with the sleeves bobbed off just above the elbows of her slim white arms. Her stockings were mottled with patches and mends, and her shoes were old, and worn out at the toes.

      But to Peter, worshipping her from his hiding place, she was the most beautiful thing in the world. Jolly Roger had said the same thing, and most men—and women, too—would have agreed that this slip of a girl possessed a beauty which it would take a long time for unhappiness and torture to crush entirely out of her. Her eyes were as blue as the violets Peter had thrust his nose among that day. And her hair was a glory, loosed by her exertion from its bondage of faded ribbon, and falling about her shoulders and nearly to her waist in a mass of curling brown tresses that at times had made even Jed Hawkins' one eye light of with admiration. And yet, even in those times, he hated her, and more than once his bony fingers had closed viciously in that mass of radiant hair, but seldom could he wring a scream of pain from Nada. Even now, when she could see the light of the devil in his one gleaming eye, it was only her flesh—and not her soul—that was afraid.

      But the strain had begun to show its mark. In the blue of her eyes was the look of one who was never free of haunting visions, her cheeks were pallid, and a little too thin, and the vivid redness of her lips was not of health and happiness, but a touch of the color which should have been in her face, and which until now had refused to die.

      She faced the man, a little out of the reach of his arm.

      "I told you never again to raise your hand to strike her," she cried in a fierce, suppressed little voice, her blue eyes flaming loathing and hatred at him. "If you hit her once more—something is going to happen. If you want to hit anyone, hit me. I kin stand it. But—look at her! You've broken her shoulder, you've crippled her—an' you oughta die!"

      The man advanced half a step, his eye ablaze. Deep down in him Peter felt something he had never felt before. For the first time in his life he had no desire to run away from the man. Something rose up from his bony little chest, and grew in his throat, until it was a babyish snarl so low that no human ears could hear it. And in his hiding-place his needle-like fangs gleamed under snarling lips.

      But the man did not strike, nor did he reach out to grip his fingers in the silken mass of Nada's hair. He laughed, as if something was choking him, and turned away with a toss of his arms.

      "You ain't seein' me hit her any more, are you, Nady?" he said, and disappeared around the end of the cabin.

      The girl laid a hand on the woman's arm. Her eyes softened, but she was trembling.

      "I've told him what'll happen, an' he won't dare hit you any more," she comforted. "If he does, I'll end him. I will! I'll bring the police. I'll show 'em the places where he hides his whiskey. I'll—I'll put him in jail, if I die for it!"

      The woman's bony hands clutched at one of Nada's.

      "No, no, you mustn't do that," she pleaded. "He was good to me once, a long time ago, Nada. It ain't Jed that's bad—it's the whiskey. You mustn't tell on him, Nada—you mustn't!"

      "I've promised you I won't—if he don't hit you any more. He kin shake me by the hair if he wants to. But if he hits you—"

      She

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