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Ali), through the Omaiyide and Abbaside dynasties, to the end of the

       Khalifate of Baghdad, A.D. 1258.

      The legislator of Islam, whose era began on the 16th July, A.D. 622 (though his actual departure from Mecca has been calculated to have taken place on the 20th June, A.D. 622), is here to be considered not from an historical, but from a poetical point of view. Although Muhammad despised the metres in which the bards of his nation chanted their Kasidas, and himself gave utterance in the name of Heaven to the inspirations of his genius only in richly-modulated and rhymed prose, nevertheless, according to the Oriental idea, he was regarded as a poet. Those who declare that he was not a poet overlook the circumstance that he was vehemently assailed by contemporary poets, who attempted to degrade his heaven-inspired Surahs into mere poetical fables. He himself protested against this insinuation, and declared at the end of the 26th Surah, entitled 'The Poets,' that those are in error who believe poets, as follows:

      'And those who err follow the poets; dost thou not see how they roam (as bereft of their senses) through every valley (of the imagination) and that they say things which they do not perform? … Except those who believe, and do good works, and remember God frequently, and those who defend themselves after they have been unjustly treated by poets in their lampoons, and they who act unjustly shall know hereafter with what treatment they shall be treated.'

      These lines are important as far as the history of literature is concerned. They are written against inimical poets, but distinguish the friendly ones, who, taking the part of Muhammad, repaid the lampooning poets in their own coin.

      Some of the hostile poets, such as Hobeira and the woman Karitha, were killed at the taking of Mecca, whilst Zibary and the woman Hertlemah saved their lives only by making a profession of Islam. Muhammad had, however, also his panegyrists, the chief of whom was Ka'b bin Zoheir, the composer of the celebrated Kasida called 'The Poem of the Mantle,' as a reward for which the Prophet threw his own cloak over him, under the following circumstances, as related by Mr. J.W. Redhouse in the preface to his translation of the poem published in the 'Arabian Poetry for English Readers'[1] alluded to above.

      [Footnote 1: In this same work will also be found a

       translation by Mr. Redhouse of another poem, also called

       'The Poem of the Mantle,' but written by Sharaf-uddin

       Muhammad Al-Busiri, who was born A.D. 1211, and died between

       A.D. 1291 and 1300.]

      Ka'b was a son of Zoheir, already mentioned as the author of one of the pre-Islamite poems known as the 'Mua'llakat.' He had a brother named Bujeir, and, like their father, both brothers were good poets. Bujeir was first converted, and embraced the faith of Islam. Ka'b was angry at this, and composed a lampoon on his brother, on the Prophet, and on their new religion. This he sent to his brother by the mouth of a messenger. Bujeir repeated it to Muhammad, who commented on it as favourable to the new faith and to himself, but at the same time passed a sentence of death on the satirist.

      Bujeir well knew that his brother's life was in danger, and warned him accordingly, advising him at the same time to renounce his errors, and come repentant to the Prophet, or to seek a safe asylum far away. Ka'b found out that his life would really soon be taken, and set out secretly for Madinah. There he found an old friend, claimed his protection, and went with him next morning to the simple meeting-house where Muhammad and his chief followers performed their daily devotions. When the service was ended, Ka'b approached Muhammad, and the two sat down together. Ka'b placed his own right hand in that of the Prophet, whom he addressed in these words: 'Apostle of God, were I to bring to you Ka'b, the son of Zoheir, penitent and professing the faith of Islam, wouldst thou receive and accept him? The Prophet answered, 'I would.' 'Then,' said the poet, 'I am he!'

      Hearing this, the bystanders demanded permission to put him to death. Muhammad ordered his zealous followers to desist, and the poet then, on the spur of the moment, recited a poem improvised at the time, probably with more or less premeditation. It is said that when Ka'b reached the fifty-first verse: 'Verily the Apostle of God is a light from which illumination is sought—a drawn Indian blade, one of the swords of God,' Muhammad took from his own shoulders the mantle he wore, and threw it over the shoulders of the poet as an honour and as a mark of protection. Hence the name given to the effusion, 'The Poem of the Mantle,' A.D. 630.

      Moawia, the first Khalif of the Omaiyides, endeavoured to purchase this sacred mantle from Ka'b for ten thousand pieces of silver, but the offer was refused. Later on it was, however, bought from Ka'b's heirs for twenty thousand pieces of silver, and it passed into the hands of the Khalifs, and was preserved by them as one of the regalia of the empire until Baghdad was sacked by the Mughals. The mantle, or what is supposed to be the self-same mantle, is now in the treasury[2] of the Sultan Khalif of the Ottomans at Constantinople, in an apartment named 'The Room of the Sacred Mantle,' in which this robe is religiously preserved, together with a few other relics of the great prophet.

      [Footnote 2: Apropos of this treasury, it is much to be regretted that a complete catalogue of its contents has never been prepared along with a brief historical account of them. It is difficult to obtain the order, which comes direct from the Sultan, to visit the collection; and even then visitors are hurried through at such a pace that it is impossible to examine with minuteness the many curiosities collected there.]

      Ka'b has thus come to be considered as one of the friendly poets, and the names of two others are also mentioned, viz., Abd-Allah bin Rewaha and Hassan bin Thabit. On the other hand, the most celebrated antagonists who attacked Muhammad, not only with their verses, but also with their swords, were Abu Sofyan, Amr bin Al-'A'asi, and Abd-Allah bin Zobeir. These three became great political characters, but later on made profession of Islam, and were the staunchest supporters of it, rendering the greatest services to the Prophet during his life, and to the cause after his death. But Muhammad's greatest triumph over the poets was the conversion of Labid, who, after the perusal of the commencement of the second Surah of the Koran, tore down his own poem, which was hung up in the Kaabah, and ran to the Prophet to announce his conversion, and to make his profession of Islam. Even Ali, the cousin, son-in-law, and first convert of Muhammad, was a poet, but it is uncertain which of the Diwans attributed to him are genuine, and how many of his maxims of wisdom, over a hundred in number, are his own.

      During the period under review the number of Arabic authors was legion. Some idea of the number of writers, and of the subjects on which they wrote, can be gathered from the Fihrist of An-Nadim, from Ibn Khallikan's Biographical Dictionary, and from Haji Khalfa's Encyclopædia. With such a mass of information as is contained in the above-mentioned works, it is difficult to deal in a small work. To put them together in an intelligible form, the idea of classing the authors, according to the subjects on which they principally wrote, naturally presented itself. This plan, therefore, has been followed, and a few details of the most celebrated writers will be given, classified under the following heads:

      Jurisconsults.

       Imams and lawyers.

       Traditionists.

       Alchemists.

       Astronomers.

       Grammarians.

       Geographers and travellers.

       Historians.

       Lexicographers, biographers and encyclopædists.

       Writers on natural history.

       Philologists.

       Philosophers.

       Physicians.

       Poets.

       Collectors and editors of poems.

       Translators.

       The Omaiyide Khalifs.

       The Abbaside Khalifs.

       The Spanish Khalifs.

      During the latter part of the first century of the Hijrah (July, 622—July, 719), the first persons of note in the Muhammadan world after Muhammad and his immediate successors were probably the seven jurisconsults, viz., Obaid Allah, Orwa, Kasim, Said, Sulaiman, Abu Bakr and Kharija, who all lived at Madinah about the same time; and it was

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