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Shakespearean Playhouses. Joseph Quincy Adams
Читать онлайн.Название Shakespearean Playhouses
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isbn 4057664655325
Автор произведения Joseph Quincy Adams
Жанр Документальная литература
Издательство Bookwire
How many inns were let on special occasions for dramatic purposes we cannot say; but there were five "great inns," more famous than the rest, which were regularly used by the best London troupes. Thus Howes, in his continuation of Stow's Annals (p. 1004), in attempting to give a list of the playhouses which had been erected "within London and the suburbs," begins with the statement, "Five inns, or common osteryes, turned to playhouses." These five were the Bell and the Cross Keys, hard by each other in Gracechurch Street, the Bull, in Bishopsgate Street, the Bell Savage, on Ludgate Hill, and the Boar's Head, in Whitechapel Street without Aldgate.[2]
Although Flecknoe referred to the Order of the Common Council as a "banishment," it did not actually drive the players from the city. They were able, through the intervention of the Privy Council, and on the old excuse of rehearsing plays for the Queen's entertainment, to occupy the inns for a large part of each year.[3] John Stockwood, in a sermon preached at Paul's Cross, August 24, 1578, bitterly complains of the "eight ordinary places" used regularly for plays, referring, it seems, to the five inns and the three playhouses—the Theatre, Curtain, and Blackfriars—recently opened to the public.
Richard Reulidge, in A Monster Lately Found Out and Discovered (1628), writes that "soon after 1580" the authorities of London received permission from Queen Elizabeth and her Privy Council "to thrust the players out of the city, and to pull down all playhouses and dicing-houses within their liberties: which accordingly was effected; and the playhouses in Gracious Street [i.e., the Bell and the Cross Keys], Bishopsgate Street [i.e., the Bull], that nigh Paul's [i.e., Paul's singing school?], that on Ludgate Hill [i.e., the Bell Savage], and the Whitefriars[4] were quite put down and suppressed by the care of these religious senators."
MAP OF LONDON SHOWING THE INN-PLAYHOUSES
1. The Bell Savage; 2. The Cross Keys; 3. The Bell; 4. The Bull; 5. The Boar's Head.
[Enlarge]
Yet, in spite of what Reulidge says, these five inns continued to be used by the players for many years.[5] No doubt they were often used surreptitiously. In Martin's Month's Mind (1589), we read that a person "for a penie may have farre better [entertainment] by oddes at the Theatre and Curtaine, and any blind playing house everie day."[6] But the more important troupes were commonly able, through the interference of the Privy Council, to get official permission to use the inns during a large part of each year.
There is not enough material about these early inn-playhouses to enable one to write their separate histories. Below, however, I have recorded in chronological order the more important references to them which have come under my observation.
1557. On September 5 the Privy Council instructed the Lord Mayor of London "that some of his officers do forthwith repair to the Boar's Head without Aldgate, where, the Lords are informed, a lewd play called A Sackful of News shall be played this day," to arrest the players, and send their playbook to the Council.[7]
1573. During this year there were various fencing contests held at the Bull in Bishopsgate.[8]
1577. In February the Office of the Revels made a payment of 10d. "ffor the cariadge of the parts of ye well counterfeit from the Bell in gracious strete to St. Johns, to be performed for the play of Cutwell."[9]
1579. On June 23 James Burbage was arrested for the sum of £5 13d. "as he came down Gracious Street towards the Cross Keys there to a play." The name of the proprietor of this inn-playhouse is preserved in one of the interrogatories connected with the case: "Item. Whether did you, John Hynde, about xiii years past, in anno 1579, the xxiii of June, about two of the clock in the afternoon, send the sheriff's officer unto the Cross Keys in Gratious Street, being then the dwelling house of Richard Ibotson, citizen and brewer of London," etc.[10] Nothing more, I believe, is known of this person.
1579. Stephen Gosson, in The Schoole of Abuse, writes favorably of "the two prose books played at the Bell Savage, where you shall find never a word without wit, never a line without pith, never a letter placed in vain; the Jew and Ptolome, shown at the Bull … neither with amorous gesture wounding the eye, nor with slovenly talk hurting the ears of the chast hearers."[11]
1582. On July 1 the Earl of Warwick wrote to the Lord Mayor requesting the city authorities to "give license to my servant, John David, this bearer, to play his profest prizes in his science and profession of defence at the Bull in Bishopsgate, or some other convenient place to be assigned within the liberties of London." The Lord Mayor refused to allow David to give his fencing contest "in an inn, which was somewhat too close for infection, and appointed him to play in an open place of the Leaden Hall," which, it may be added, was near the Bull.[12]
1583. William Rendle, in The Inns of Old Southwark, p. 235, states that in this year "Tarleton, Wilson, and others note the stay of the plague, and ask leave to play at the Bull in Bishopsgate, or the Bell in Gracechurch Street," citing as his authority merely "City MS." The Privy Council on November 26, 1583, addressed to the Lord Mayor a letter requesting "that Her Majesty's Players [i.e., Tarleton, Wilson, etc.] may be suffered to play within the liberties as heretofore they have done."[13] And on November 28 the Lord Mayor issued to them a license to play "at the sign of the Bull in Bishopsgate Street, and the sign of the Bell in Gracious Street, and nowhere else within this City."[14]
1587. "James Cranydge played his master's prize the 21 of November, 1587, at the Bellsavage without Ludgate, at iiij sundry kinds of weapons. … There played with him nine masters."[15]
Before 1588. In Tarlton's Jests[16] we find a number of references to that famous actor's pleasantries in the London inns used by the Queen's Players. It is impossible to date these exactly, but Tarleton became a member of the Queen's Players in 1583, and he died in 1588.
At the Bull in Bishops-gate-street, where the Queen's Players oftentimes played, Tarleton coming on the stage, one from the gallery threw a pippin at him.
There was one Banks, in the time of Tarleton, who served the Earl of Essex, and had a horse of strange qualities; and being at the Cross Keys in Gracious Street getting money with him, as he was mightily resorted to. Tarleton then, with his fellows playing at the Bell by, came into the Cross Keys, amongst many people, to see fashions.
At the Bull at Bishops-gate was a play of Henry the Fifth.
The several "jests" which follow these introductory sentences indicate that the inn-yards differed in no essential way from the early public playhouses.
1588. "John Mathews played his master's prize the 31 day of January, 1588, at the Bell Savage without Ludgate."[17]
1589. In November Lord Burghley directed the Lord Mayor to "give order for the stay of all plays within the city." In reply the Lord Mayor wrote:
According to which your Lordship's good pleasure, I presently sent for such players as I could hear of; so as there appeared yesterday before me the Lord Strange's Players, to whom I specially gave in charge and required them in Her Majesty's name to forbear playing until further order might be given for their allowance in that respect. Whereupon the Lord Admiral's Players very dutifully obeyed; but the others, in very contemptuous manner departing from me, went to the Cross Keys and played that afternoon.[18]
1594. On October 8, Henry, Lord Hunsdon, the Lord Chamberlain and the patron of Shakespeare's company, wrote to the Lord Mayor:
After my hearty commendations. Where my now company of players have been accustomed for the better exercise of their quality, and for the service of Her Majesty if need so require, to play this winter time within the city at the Cross Keys in Gracious Street, these are to require and pray your Lordship (the time