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      II

       Interest As Direct And Indirect

       Table of Contents

      We now come to our second main topic, the psychology of interest. I begin with a brief descriptive account. Interest is first active, projective, or propulsive. We take interest. To be interested in any matter is to be actively concerned with it. Mere feeling regarding a subject may be static or inert, but interest is dynamic. Second, it is objective. We say a man has many interests to care for or look after. We talk about the range of a man's interests, his business interests, local interests, etc. We identify interests with concerns or affairs. Interest does not end simply in itself, as bare feelings may, but is embodied in an object of regard. Third, interest is personal; it signifies a direct concern; a recognition of something at stake, something whose outcome is important for the individual. It has its emotional as well as its active and objective sides. Patent law or electric inventions or politics may be a man's chief interest; but this implies that his personal well-being and satisfaction is somehow bound up with the prosperity of these affairs.

These are the various meanings in which common sense employs the term interest. The root idea of the term seems to be that of being engaged, engrossed, or entirely taken up with some activity because of its recognized worth. The etymology of the term inter-esse, "to be between," points in the same direction. Interest marks the annihilation of the distance between the person and the materials and results of his action; it is the sign of their organic union.¹

      1. The active or propulsive phase of interest takes us back to the consideration of impulse and the spontaneous urgencies or tendencies of activity. There is no such thing as absolutely diffuse impartial impulse. Impulse is always differentiated along some more or less specific channel. Impulse has its own special lines of discharge. The old puzzle about the ass between two bundles of hay is only too familiar, but the recognition of its fundamental fallacy is not so common. If the self were purely passive or purely indifferent, waiting upon stimulation from without, then the self illustrated in this supposed example would remain forever helpless, starving to death, because of its equipoise between two sources of food. The error lies in assuming any such passive condition. One is always already doing something, intent on something urgent. And this ongoing activity always gives a bent in one direction rather than another. The ass, in other words, is always already moving toward one bundle rather than the other. No amount of physical cross-eyedness could induce such mental cross-eyedness that the animal would be in a condition of equal stimulation from both sides. Wherever there is life there is activity, an activity having some tendency or direction of its own.

      In this primitive condition of spontaneous, impulsive activity we have the basis of natural interest. Interest is no more passively waiting around to be excited from the outside than is impulse. In the selective or preferential quality of impulse we have the fact that at any given time, if we are awake at all, we are always interested in one direction rather than another. The condition either of total lack of interest, or of impartially distributed interest, is as mythical as the story of the ass in scholastic ethics.

      2. The objective side of interest. Every interest, as already said, attaches itself to an object. The artist is interested in his brushes, in his colors, in his technique. The business man is interested in the play of supply and demand, in the movement of markets, etc. Take whatever instance of interest we choose, and we shall find that, if we cut out an object about which interest clusters, interest itself disappears relapsing into empty feeling.

      Error begins in supposing the object already there, and then calling the activity into being. Canvas, brushes, and paints interest the artist, for example, because they help him discover and promote his existing artistic capacity. There is nothing in a wheel and a piece of string to arouse a child's activity save as they appeal to some instinct or impulse already active, and supply it with means of execution. The number twelve is uninteresting when it is a bare, external fact; it has interest (just as has the top or wheelbarrow or toy locomotive) when it presents itself as an instrument of carrying into effect some dawning energy or desire—making a box, measuring one's height, etc. And in its difference of degree exactly the same principle holds of the most technical items of scientific or historic knowledge—whatever furthers action, helps mental movement, is of interest.

      3. We now come to the emotional phase. Value is not only objective but also subjective. There is not only the thing which is projected as valuable or worth while, but there is also appreciation of its worth.

      The gist of the psychology of interest may, accordingly, be stated as follows: An interest is primarily a form of self-expressive activity—that is, of growth that comes through acting upon nascent tendencies. If we examine this activity on the side of what is done, we get its objective features, the ideas, objects, etc., to which the interest is attached, about which it clusters. If we take into account that it is self-development, that self finds itself in this content, we get its emotional or appreciative side. Any account of genuine interest must, therefore, grasp it as out-going activity holding within its grasp an object of direct value.

      There are cases where action is direct and immediate. It puts itself forth with no thought of anything beyond. It satisfies in and of itself. The end is the present activity, and so there is no gap in the mind between means and end. All play is of this immediate character. Purely æsthetic appreciation approximates this type. The existing experience holds us for its own sake, and we do not demand that it takes us into something beyond itself. With the child and his ball, the amateur and the hearing of a phony, the present object engrosses. Its value is there, and is there in what is directly present.

      On the other hand, we have cases of indirect, transferred, or technically speaking, mediated interest. Things indifferent or even repulsive in themselves often become of interest because of assuming relationships and connections of which we were previously unaware. Many a student, of so-called practical make-up, has found mathematical theory, once repellent, lit up by great attractiveness after studying some form of engineering in which this theory was a necessary tool. The musical score and the technique of fingering, in which the child finds no interest

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