LITMIR.BIZ

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and expressive of resignation and great kindness. It would have been difficult to find a better, a more courageous mother. With no resource but her labor, she had succeeded, by unwearied energy, in bringing up not only her own son Agricola, but also Gabriel, the poor deserted child, of whom, with admirable devotion, she had ventured to take charge.

      In her youth, she had, as it were, anticipated the strength of later life, by twelve years of incessant toil, rendered lucrative by the most violent exertions, and accompanied by such privations as made it almost suicidal. Then (for it was a time of splendid wages, compared to the present), by sleepless nights and constant labor, she contrived to earn about two shillings (fifty sous) a day, and with this she managed to educate her son and her adopted child.

      At the end of these twelve years, her health was ruined, and her strength nearly exhausted; but, at all events, her boys had wanted for nothing, and had received such an education as children of the people can obtain. About this time, M. Francois Hardy took Agricola as an apprentice, and Gabriel prepared to enter the priest's seminary, under the active patronage of M. Rodin, whose communications with the confessor of Frances Baudoin had become very frequent about the year 1820.

      This woman (whose piety had always been excessive) was one of those simple natures, endowed with extreme goodness, whose self-denial approaches to heroism, and who devote themselves in obscurity to a life of martyrdom—pure and heavenly minds, in whom the instincts of the heart supply the place of the intellect!

      The only defect, or rather the necessary consequence of this extreme simplicity of character, was the invincible determination she displayed in yielding to the commands of her confessor, to whose influence she had now for many years been accustomed to submit. She regarded this influence as most venerable and sacred; no mortal power, no human consideration, could have prevented her from obeying it. Did any dispute arise on the subject, nothing could move her on this point; she opposed to every argument a resistance entirely free from passion—mild as her disposition, calm as her conscience—but, like the latter, not to be shaken. In a word, Frances Baudoin was one of those pure, but uninstructed and credulous beings, who may sometimes, in skillful and dangerous hands, become, without knowing it, the instruments of much evil.

      For some time past, the bad state of her health, and particularly the increasing weakness of her sight, had condemned her to a forced repose; unable to work more than two or three hours a day, she consumed the rest of her time at church.

      Frances rose from her seat, pushed the coarse bags at which she had been working to the further end of the table, and proceeded to lay the cloth for her son's supper, with maternal care and solicitude. She took from the press a small leathern bag, containing an old silver cup, very much battered, and a fork and spoon, so worn and thin, that the latter cut like a knife. These, her only plate (the wedding present of Dagobert) she rubbed and polished as well as she was able, and laid by the side of her son's plate. They were the most precious of her possessions, not so much for what little intrinsic value might attach to them, as for the associations they recalled; and she had often shed bitter tears, when, under the pressure of illness or want of employment, she had been compelled to carry these sacred treasures to the pawnbroker's.

      Frances next took, from the lower shelf of the press, a bottle of water, and one of wine about three-quarters full, which she also placed near her son's plate; she then returned to the stove, to watch the cooking of the supper.

      Though Agricola was not much later than usual, the countenance of his mother expressed both uneasiness and grief; one might have seen, by the redness of her eyes, that she had been weeping a good deal. After long and painful uncertainty, the poor woman had just arrived at the conviction that her eyesight, which had been growing weaker and weaker, would soon be so much impaired as to prevent her working even the two or three hours a day which had lately been the extent of her labors.

      Originally an excellent hand at her needle, she had been obliged, as her eyesight gradually failed her, to abandon the finer for the coarser sorts of work, and her earnings had necessarily diminished in proportion; she had at length been reduced to the necessity of making those coarse bags for the army, which took about four yards of sewing, and were paid at the rate of two sous each, she having to find her own thread. This work, being very hard, she could at most complete three such bags in a day, and her gains thus amounted to threepence (six sous)!

      It makes one shudder to think of the great number of unhappy females, whose strength has been so much exhausted by privations, old age, or sickness, that all the labor of which they are capable, hardly suffices to bring them in daily this miserable pittance. Thus do their gains diminish in exact proportion to the increasing wants which age and infirmity must occasion.

      Happily, Frances had an efficient support in her son. A first-rate workman, profiting by the just scale of wages adopted by M. Hardy, his labor brought him from four to five shillings a day—more than double what was gained by the workmen of many other establishments. Admitting therefore that his mother were to gain nothing, he could easily maintain both her and himself.

      But the poor woman, so wonderfully economical that she denied herself even some of the necessaries of life, had of late become ruinously liberal on the score of the sacristy, since she had adopted the habit of visiting daily the parish church. Scarcely a day passed but she had masses sung, or tapers burnt, either for Dagobert, from whom she had been so long separated, or for the salvation of her son Agricola, whom she considered on the high-road to perdition. Agricola had so excellent a heart, so loved and revered his mother, and considered her actions in this respect inspired by so touching a sentiment, that he never complained when he saw a great part of his week's wages (which he paid regularly over to his mother every Saturday) disappear in pious forms.

      Yet now and then he ventured to remark to Frances, with as much respect as tenderness, that it pained him to see her enduring privations injurious at her age, because she preferred incurring these devotional expenses. But what answer could he make to this excellent mother, when she replied with tears: "My child, 'tis for the salvation of your father and yours too."

      To dispute the efficacy of masses, would have been venturing on a subject which Agricola, through respect for his mother's religious faith, never discussed. He contented himself, therefore, with seeing her dispense with comforts she might have enjoyed.

      A discreet tap was heard at the door. "Come in," said Frances. The person came in.

      CHAPTER XXVIII.

      THE SISTER OF THE BACCHANAL QUEEN.

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      The person who now entered was a girl of about eighteen, short, and very much deformed. Though not exactly a hunchback, her spine was curved; her breast was sunken, and her head deeply set in the shoulders. Her face was regular, but long, thin, very pale, and pitted with the small pox; yet it expressed great sweetness and melancholy. Her blue eyes beamed with kindness and intelligence. By a strange freak of nature, the handsomest woman would have been proud of the magnificent hair twisted in a coarse net at the back of her head. She held an old basket in her hand. Though miserably clad, the care and neatness of her dress revealed a powerful struggle with her poverty. Notwithstanding the cold, she wore a scanty frock made of print of an indefinable color, spotted with white; but it had been so often washed, that its primitive design and color had long since disappeared. In her resigned, yet suffering face, might be read a long familiarity with every form of suffering, every description of taunting. From her birth, ridicule had ever pursued her. We have said that she was very deformed, and she was vulgarly called "Mother Bunch." Indeed it was so usual to give her this grotesque name, which every moment reminded her of her infirmity, that Frances and Agricola, though they felt as much compassion as other people showed contempt for her, never called her, however, by any other name.

      Mother Bunch, as we shall therefore call her in future, was born in the house in which Dagobert's wife had resided for more than twenty years; and she had, as it were, been brought up with Agricola and Gabriel.

      There are wretches fatally doomed to misery. Mother Bunch had a very pretty sister, on whom Perrine

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