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Italian Renaissance. John Addington Symonds
Читать онлайн.Название Italian Renaissance
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isbn 4064066394745
Автор произведения John Addington Symonds
Жанр Документальная литература
Издательство Bookwire
[1] Perugia, for example, farmed out the tax upon her country population for 12,000 florins, upon her baking-houses for 7,266, upon her wine for 4,000, upon her lake for 5,200, upon contracts for 1,500. Two bankers accepted the Perugian loan at this price in 1388.
The emergence of the Condottieri at the beginning of the fourteenth century, the anarchy they encouraged for their own aggrandizement, and the financial distress which ensued upon the substitution of mercenary for civic warfare, completed the democratization of the Italian cities, and marked a new period in the history of despotism. From the date of Francesco Sforza's entry into Milan as conqueror in 1450, the princes became milder in their exercise of power and less ambitious. Having begun by disarming their subjects, they now proceeded to lay down arms themselves, employing small forces for the protection of their person and the State, engaging more cautiously in foreign strife, and substituting diplomacy, wherever it was possible, for warfare. Gold still ruled in politics, but it was spent in bribery. To the ambitious military schemes of Gian Galeazzo Visconti succeeded the commercial cynicism of Cosimo de' Medici, who enslaved Florence by astute demoralization.[1] The spirit of the age was materialistic and positive. The Despots held their state by treachery, craft, and corruption. The element of force being virtually eliminated, intelligence at last gained undivided sway; and the ideal statecraft of Machiavelli was realized with more or less completeness in all parts of the peninsula. At this moment and by these means Italy obtained a brief but golden period of peace beneath the confederation of her great powers. Nicholas V. had restored the Papal court to Rome in 1447; where he assumed the manners of despotism and counted as one among the Italian Signori. Lombardy remained tranquil under the rule of Francesco Sforza, and Tuscany under that of the Casa Medici. The kingdom of Naples, conquered by Alfonso of Aragon in 1442, was equally ruled in the spirit of enlightened despotism, while Venice, who had so long formed a state apart, by her recent acquisition of a domain on terra firma, entered the community of Italian politics. Thus the country had finally resolved itself into five grand constituent elements—the Duchy of Milan, the Republic of S. Mark, Florence, Rome, and the kingdom of Naples—all of them, though widely differing in previous history and constitutional peculiarities, now animated by a common spirit.[2] Politically they tended to despotism; for though Venice continued to be a republic, the government of the Venetian oligarchy was but despotism put into commission. Intellectually, the same enthusiasm for classical studies, the same artistic energy, and the same impulse to revive Italian literature brought the several centers of the nation into keener sympathy than they had felt before. A network of diplomacy embraced the cities; and round the leaders of the confederation were grouped inferior burghs, republican or tyrannical as the case might be, like satellites around the luminaries of a solar system. When Constantinople was taken by the Turks in 1453, Italy felt the need of suppressing her old jealousies, and Nicholas V. induced the four great powers to sign with him a treaty of peace and amity. The political tact and sagacity of Lorenzo de' Medici enabled him to develop and substantiate the principle of balance then introduced into Italian politics; nor was there any apparent reason why the equilibrium so hardly won, so skillfully maintained, should not have subsisted but for Lodovico Sforza's invitation to the French in 1494. Up to that date the more recent wars of Italy had been principally caused by the encroachments of Venice and the nepotism of successive Popes. They raised no new enthusiasm hostile to the interests of peace. The Empire was eliminated and forgotten as an obsolete antiquity. Italy seemed at last determined to manage her own affairs by mutual agreement between the five great powers.
[1] I have attempted to analyze Cosimo's method in the article on 'Florence and the Medici,' Studies and Sketches in Italy.
[2] This centralization of Italy in five great powers was not obtained without the depression or total extinction of smaller cities. Ferrari counts seventeen towns, who died, to use his forcible expression, at the close of the civil wars. Storia delle Rivoluzioni d' Italia, iii. 239.
Still the ground beneath this specious fabric of diplomacy rung hollow. The tyrannies represented a transient political necessity. They were not the product of progressive social growth, satisfying and regulating organic functions of the nation. Far from being the final outcome of a slow, deliberate accretion in the states they had absorbed, we see in them the climax of conflicting humors, the splendid cancers and imposthumes of a desperate disease. That solid basis of national morality which grounds the monarch firm upon the sympathies and interests of the people whom he seems to lead, but whom he in reality expresses, failed them. Therefore each individual despot trembled for his throne, while Italy, as in the ominous picture drawn by her historian, felt that all the elements were combining to devour her with a coming storm. The land of earthquakes divined a cataclysm, to cope with which she was unable. An apparently insignificant event determined the catastrophe. The Sforza appealed to France, and after the disastrous descent of Charles VIII. the whole tide of events turned. Instead of internal self-government by any system of balance, Italy submitted to a succession of invasions terminating in foreign tyranny.
The problem why the Italians failed to achieve the unity of a coherent nation has been implicitly discussed in the foregoing pages upon the history of the Communes and the development of despotism. We have already seen that their conception of municipal independence made a narrow oligarchy of enfranchised burghers lords of the city, which in its turn oppressed the country and the subject burghs of its domain. Every conquest by a republic reduced some village or center of civil life to the condition of serfdom. The voices of the inhabitants were no longer heard debating questions that affected their interests. They submitted to dictation from their masters, the enfranchised few in the ascendant commonwealth. Thus, as Guicciardini pointed out in his 'Considerations on the Discourses of Machiavelli,' the subjection of Italy by a dominant republic would have meant the extinction of numberless political communities and the sway of a close oligarchy from the Alps to the Ionian Sea.[1] The 3,200 burghers who constituted Florence in 1494, or the nobles of the Golden Book at Venice, would by such unification of the country under a victorious republic have become sovereigns, administering the resources of the nation for their profit. The dread of this catastrophe rendered Venice odious to her sister commonwealths at the close of the fifteenth century, and justified, according to Guicciardini's views of history, the action taken by Cosimo de' Medici in 1450, when he rendered Milan strong by supporting her despot, Francesco Sforza.[2] In a word republican freedom, as the term is now understood, was unknown in Italy. Municipal autonomy, implying the right of the municipality to rule its conquests for its own particular profit, was the dominant idea. To have advanced from this stage of thought to the highly developed conception of a national republic, centralizing the forces of Italy and at the same time giving free play to its local energies, would have been impossible. This kind of republican unity implies a previous unification of the people in some other form of government. It furthermore demands a system of representation extended to all sections of the nation. Their very nature,