LITMIR.BIZ

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hostages given for their punctual observance. Niord the Rich, and Freyr his son, were surrendered by the Vanir; Haenir and Mimir by the Asser. In a short time, however, the former perceiving that their confidence was abused by the hostages of Odin, cut off the head of Mimir and sent it to Asgard. By his magic art, Odin so enchanted the head that it became his oracle: it conversed with him whenever he pleased, and acquainted him with many hidden things, both of nature and of fate. Niord and Freyr, he won over to his own interests by investing them with the dignity of the priesthood, and, consequently, with some portion of divinity. The same honours were conferred on Freya, the sister of Freyr who taught the Asser the magic which she had learned among her countrymen, the Vanir.—At length, the victorious arms of the Romans approached the kingdom of Asheim; and Odin, learning from the fates that settlements were provided for him in the north of Europe, left his two brothers with the sovereignty of Asheim, and, attended by a great multitude of followers, advanced into the west. In his progress through Germany he placed his sons over the states which his arms reduced. He then passed northward, and fixed his seat at Odensey (Odin’s Island). From thence he despatched Gefio, one of his prophetesses, to make proselytes in the neighbouring regions; and she was well received by both Gylfe, king of Sweden, and by the Jutes. They did not, indeed, embrace her religious faith; but they gave her lands and revered her as one of the chief supports of magic. In the sequel she married Skiold, the son of Odin, who reigned over the Danish islands. Odin, himself, advanced into Sweden, and forced Gylfe to cede to him the eastern part of that kingdom. He established his seat at Sigtuna, where he caused temples to be erected and sacrifices to be offered. Thence his authority and his worship were diffused throughout Germany and Scandinavia.^[30]

      The qualities of this extraordinary man are the favourite theme of the Swedish and Norwegian chroniclers. He was the father, says Snorro, of all the arts in northern Europe. He could change his looks at pleasure. To his friends he was exceedingly beautiful, and their hilarity he was always desirous to promote. To his enemies, especially in battle, he seemed a demon: the countenance which before was so exquisitely attractive, now inspired terror and death. Such was his eloquence that he captivated all who heard him, and he always spoke in verse: hence he was called the artificer of song; and from him northern poetry had its origin. In imitation of him all the magicians of Scandinavia couched their incantations in metrical numbers: indeed, he had so warranted the example, that the most potent runes would, in popular opinion, have lost their efficiency had they been in prose. By these verses Odin could, in the hour of battle, strike his enemies with blindness, with deafness, or with panic fear, and render their sharpest weapons blunt as twigs. By the same means he could render his own men as furious wolves, strong as bears or bulls, and invulnerable to steel or fire. Often, while his body lay supine, he would assume another form—that of fish, serpent, or wild beast—and in a moment hasten to the remotest parts. At his mere command, fire ceased to burn, the wind to blow, and the sea to rage; and the elements moved in what direction he pleased. He had a wonderful ship, called Skidbladner, which he could fold up like a handkerchief, yet which carried him through the most dangerous seas.—According to the latter Edda, this ship was built by the dwarfs—probably the Lapps, so called to distinguish them from the Jutish giants—who were rather the allies than the enemies of the gods. Small as this vessel was—since it could be easily carried in a pocket or in the palm of the hand—yet, when expanded, “all the gods, completely armed, could sit in it.” And it had another wonderful property: the moment the sails were unfurled, a favourable wind was sure to rise, and bear the passengers wherever they wished to go. Then there was the embalmed head of Mimir, which acquainted him with whatever he wished to know. And he had two ravens which he endowed with the gift of speech, and which, continually flying over the earth, brought him intelligence of everything that happened. Sometimes he summoned the dead from their graves: hence he was called the Lord of the Tombs. He was profoundly versed in the art called seid—the art which foretold events, which induced or removed death, sickness, pain, and all the ills of mankind. He knew all the treasures concealed in the bowels of the earth, the incantations which could open them, the laws which governed the fairy inhabitants of the mountains, the stream, and the rock: their motions were regulated by his mere word. Hence his wide-spread fame; hence the confidence of his followers, and the terror of his enemies. Many were the arts which he taught his pontiffs, by which they were rendered nearly as wise and powerful as himself. He and his twelve pontiffs were worshipped as gods. The laws which he introduced were those anciently adopted by the Asser. He commanded the corpses of the dead to be consumed on the funeral pile, and with them the most valuable things of the deceased, affirming that whatever was thus consumed would accompany the hero to Valhalla, and still administer to his wants. The ashes of men in general were to be cast into the sea, or buried in the earth: only some of eminent dignity or merit were to have tombs erected in their honour. The first great sacrifice he ordered to be solemnised on the approach of winter, as a thanksgiving for the gifts of the year; the second, in mid-winter, for another propitious season; the third, in summer, for victory over all enemies. On every head a tax was laid, and the produce was expended in the defence of the kingdom, in the sustentation of the temples, and in public sacrifices.^[31]

      Whether Odin ever existed—whether himself and his alleged Asiatics are not mere creatures of the imagination—whether they are not purely mythologic, and referrible to an Asiatic source, at a period lost in the depths of antiquity, have long exercised the ingenuity of writers. In matters of pure history it is certainly better to err on the side of scepticism than of credulity; but in the present instance we cannot discover sufficient grounds for the former opinion. That he existed, and at no distant period antecedent to the invasion of England by the Saxons, is affirmed, alike, by written testimony and tradition. According to that venerable and most inestimable relic of antiquity, the “Saxon Chronicle,” all the princes of the nation derived their origin from the deified hero; and the number of generations between him and the reigning king are minutely recorded. Thus, from Odin to Cerdic, A.D. 495, are ten generations; from Odin to Ida, A.D. 547, the same number; from Odin to Ella, A.D. 560, twelve; from Odin to Ceolwulf, A.D. 597, thirteen; from Odin to Penda, A.D. 626, twelve; from Odin to Offa, A.D. 755, sixteen; from Odin to Ethelwolf, A.D. 854, twenty-three generations. In all these lists the intervening chain, from the wizard king to his Saxon descendant, are carefully specified. In the same manner the series of northern kings, from the sons of Odin, who were placed by him over the thrones of Denmark, Sweden, and Norway, is progressively detailed. Thus, in Denmark, the generations from Skiold, the son of Odin, to Ragnar Lodbrok, A.D. 794, are twenty-five. In Sweden, from Niord (the adopted son, perhaps, of Odin) to Olaf, A.D. 630, are twenty-three generations. In Norway, the succession of kings from the same Niord, to Harald Harfager, the first monarch of that country, A.D. 934, are twenty-eight. We think that these genealogical series, so carefully, so minutely particularised, afford a presumption, at least, that the pontiff king of the north both lived and reigned at a period not very far distant from our Saviour’s birth. Not that the subject is without its difficulties. The events ascribed to Odin’s times have, by many writers, been deemed inapplicable to any century within the known history of the world. Hence, some have removed him to the age immediately following the flood; some, to the seventh century after that event; some, to the age of Darius Hystaspes; others, to that of Philip, king of Macedon; others, to less than two centuries before Christ; while another party contends that he was more recent still, and that Ariovistus, whom Cæsar conquered, was one of his sons. Where so much contradiction, so much absurdity abound, our only guide, in the absence of positive evidence, is reason; and this confirms the generally received opinion, that this personage is of far less antiquity than was formerly supposed. Not that many of his rites, many of his notions, many, perhaps, of his alleged actions, are not more ancient. There is, indeed, some reason to infer that they were known in Asiatic Scythia, a thousand years before his time. But this fate is not peculiar to Odin; it has been that of all celebrated men. Whoever has entered profoundly into the history of tradition, must be aware that legends which were formerly applicable to the most ancient characters, were applied to comparatively modern ones, when the latter had been dead long enough to permit the imagination to invest them with new attributes. Thus, many which have been related of Charlemagne’s heroes—of Charlemagne himself—of the crusaders, especially of our Cœur de Lion’s age, were once the glory of pagans, and were derived from a northern or an oriental source, before Normans, Franks, or Angles were known.^[32]

      So

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