LITMIR.BIZ

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Scheffler, J. A. Symonds, etc.—may be said to have placed this beyond question.^[62] He belonged to a family of 5 brothers, 4 of whom never married, and so far as is known left no offspring; the fifth only left 1 male heir. His biographer describes Michelangelo as "a man of peculiar, not altogether healthy, nervous temperament." He was indifferent to women; only in one case, indeed, during his long life is there evidence even of friendship with a woman, while he was very sensitive to the beauty of men, and his friendships were very tender and enthusiastic. At the same time there is no reason to suppose that he formed any physically passionate relationships with men, and even his enemies seldom or never made this accusation against him. We may probably accept the estimate of his character given by Symonds:—

Michelangelo Buonarotti was one of those exceptional, but not uncommon men who are born with sensibilities abnormally deflected from the ordinary channel. He showed no partiality for women, and a notable enthusiasm for the beauty of young men. … He was a man of physically frigid temperament, extremely sensitive to beauty of the male type, who habitually philosophized his emotions, and contemplated the living objects of his admiration as amiable, not only for their personal qualities, but also for their esthetical attractiveness.^[63]

      A temperament of this kind seems to have had no significance for the men of those days; they were blind to all homosexual emotion which had no result in sodomy. Plato found such attraction a subject for sentimental metaphysics, but it was not until nearly our own time that it again became a subject of interest and study. Yet it undoubtedly had profound influence on Michelangelo's art, impelling him to find every kind of human beauty in the male form, and only a grave dignity or tenderness, divorced from every quality that is sexually desirable, in the female form. This deeply rooted abnormality is at once the key to the melancholy of Michelangelo and to the mystery of his art.

Michelangelo's contemporary, the painter Bazzi (1477–1549), seems also to have been radically inverted, and to this fact he owed his nickname Sodoma. As, however, he was married and had children, it may be that he was, as we should now say, of bisexual temperament. He was a great artist who has been dealt with unjustly, partly, perhaps, because of the prejudice of Vasari—whose admiration for Michelangelo amounted to worship, but who is contemptuous toward Sodoma and grudging of praise—partly because his work is little known out of Italy and not very easy of access there. Reckless, unbalanced, and eccentric in his life, Sodoma revealed in his painting a peculiar feminine softness and warmth—which indeed we seem to see also in his portrait of himself at Monte Oliveto Maggiore—and a very marked and tender feeling for masculine, but scarcely virile, beauty.^[64]

Cellini was probably homosexual. He was imprisoned on a charge of unnatural vice and is himself suspiciously silent in his autobiography concerning this imprisonment.^[65]

In the seventeenth century another notable sculptor who has been termed the Flemish Cellini, Jérôme Duquesnoy (whose still more distinguished brother François executed the Manneken Pis in Brussels), was an invert; having finally been accused of sexual relations with a youth in a chapel of the Ghent Cathedral, where he was executing a monument for the bishop, he was strangled and burned, notwithstanding that much influence, including that of the bishop, was brought to bear in his behalf.^[66]

In more recent times Winkelmann, who was the initiator of a new Greek Renaissance and of the modern appreciation of ancient art, lies under what seems to be a well-grounded suspicion of sexual inversion. His letters to male friends are full of the most passionate expressions of love. His violent death also appears to have been due to a love-adventure with a man. The murderer was a cook, a wholly uncultivated man, a criminal who had already been condemned to death, and shortly before murdering Winkelmann for the sake of plunder he was found to be on very intimate terms with him.^[67] It is noteworthy that sexual inversion should so often be found associated with the study of antiquity. It must not, however, be too hastily concluded that this is due to suggestion and that to abolish the study of Greek literature and art would be largely to abolish sexual inversion. What has really occurred in those recent cases that may be studied, and therefore without doubt in the older cases, is that the subject of congenital sexual inversion is attracted to the study of Greek antiquity because he finds there the explanation and the apotheosis of his own obscure impulses. Undoubtedly that study tends to develop these impulses.

      While it is peculiarly easy to name men of distinguished ability who, either certainly or in all probability, have been affected by homosexual tendencies, they are not isolated manifestations. They spring out of an element of diffused homosexuality which is at least as marked in civilization as it is in savagery. It is easy to find illustrations in every country. Here it may suffice to refer to France, Germany, and England.

In France in the thirteenth century the Church was so impressed by the prevalence of homosexuality that it reasserted the death penalty for sodomy at the Councils of Paris (1212) and Rouen (1214), while we are told that even by rejecting a woman's advances (as illustrated in Marie de France's Lai de Lanval) a man fell under suspicion as a sodomist, which was also held to involve heresy.^[68] At the end of this century (about 1294) Alain de Lille was impelled to write a book, De Planctu Naturæ, in order to call attention to the prevalence of homosexual feeling; he also associated the neglect of women with sodomy. "Man is made woman," he writes; "he blackens the honor of his sex, the craft of magic Venus makes him of double gender"; nobly beautiful youths have "turned their hammers of love to the office of anvils," and "many kisses lie untouched on maiden lips." The result is that "the natural anvils," that is to say the neglected maidens, "bewail the absence of their hammers and are seen sadly to demand them." Alain de Lille makes himself the voice of this demand.^[69]

      A few years later, at the beginning of the fourteenth century, sodomy was still regarded as very prevalent. At that time it was especially associated with the Templars who, it has been supposed, brought it from the East. Such a supposition, however, is not required to account for the existence of homosexuality in France. Nor is it necessary, at a somewhat later period, to invoke, as is frequently done, the Italian origin of Catherine de Medici, in order to explain the prevalence of homosexual practices at her court.

Notwithstanding its prevalence, sodomy was still severely punished from time to time. Thus in 1586, Dadon, who had formerly been Rector of the University of Paris, was hanged and then burned for injuring a child through sodomy.^[70] In the seventeenth century, homosexuality continued, however, to flourish, and it is said that nearly all the numerous omissions made in the published editions of Tallement des Reaux's Historiettes refer to sodomy.^[71]

How prominent homosexuality was, in the early eighteenth century in France, we learn from the frequent references to it in the letters of Madame, the mother of the Regent, whose husband was himself effeminate and probably inverted.^[72] For the later years of the century the evidence abounds on every hand. At this time the Bastille was performing a useful function, until recently overlooked by historians, as an asile de sureté for abnormal persons whom it was considered unsafe to leave at large. Inverts whose conduct became too offensive to be tolerated were frequently placed in the Bastille which, indeed "abounded in homosexual subjects," to a greater extent than any other class of sexual perverts. Some of the affairs which led to the Bastille have a modern air. One such case on a large scale occurred in 1702, and reveals an organized system of homosexual prostitution; one of the persons

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