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      “Monsieur Forestier, if you please?”

      “Third floor, the door on the left,” the concierge had replied, in a voice the amiable tone of which betokened a certain consideration for the tenant, and George Duroy ascended the stairs.

      He felt somewhat abashed, awkward, and ill at ease. He was wearing a dress suit for the first time in his life, and was uneasy about the general effect of his toilet. He felt it was altogether defective, from his boots, which were not of patent leather, though neat, for he was naturally smart about his foot-gear, to his shirt, which he had bought that very morning for four franc fifty centimes at the Masgasin du Louvre, and the limp front of which was already rumpled. His everyday shirts were all more or less damaged, so that he had not been able to make use of even the least worn of them.

      His trousers, rather too loose, set off his leg badly, seeming to flap about the calf with that creased appearance which secondhand clothes present. The coat alone did not look bad, being by chance almost a perfect fit.

      He was slowly ascending the stairs with beating heart and anxious mind, tortured above all by the fear of appearing ridiculous, when suddenly he saw in front of him a gentleman in full dress looking at him. They were so close to one another that Duroy took a step back and then remained stupefied; it was himself, reflected by a tall mirror on the first-floor landing. A thrill of pleasure shot through him to find himself so much more presentable than he had imagined.

      Only having a small shaving-glass in his room, he had not been able to see himself all at once, and as he had only an imperfect glimpse of the various items of his improvised toilet, he had mentally exaggerated its imperfections, and harped to himself on the idea of appearing grotesque.

      But on suddenly coming upon his reflection in the mirror, he had not even recognized himself; he had taken himself for someone else, for a gentleman whom at the first glance he had thought very well dressed and fashionable looking. And now, looking at himself carefully, he recognized that really the general effect was satisfactory.

      He studied himself as actors do when learning their parts. He smiled, held out his hand, made gestures, expressed sentiments of astonishment, pleasure, and approbation, and essayed smiles and glances, with a view of displaying his gallantry towards the ladies, and making them understand that they were admired and desired.

      A door opened somewhere. He was afraid of being caught, and hurried upstairs, filled with the fear of having been seen grimacing thus by one of his friend’s guests.

      On reaching the second story he noticed another mirror, and slackened his pace to view himself in it as he went by. His bearing seemed to him really graceful. He walked well. And now he was filled with an unbounded confidence in himself. Certainly he must be successful with such an appearance, his wish to succeed, his native resolution, and his independence of mind. He wanted to run, to jump, as he ascended the last flight of stairs. He stopped in front of the third mirror, twirled his moustache as he had a trick of doing, took off his hat to run his fingers through his hair, and muttered half-aloud as he often did: “What a capital notion.” Then raising his hand to the bell handle, he rang.

      The door opened almost at once, and he found himself face to face with a manservant out of livery, serious, clean-shaven, and so perfect in his get-up that Duroy became uneasy again without understanding the reason of his vague emotion, due, perhaps, to an unwitting comparison of the cut of their respective garments. The manservant, who had patent-leather shoes, asked, as he took the overcoat which Duroy had carried on his arm, to avoid exposing the stains on it: “Whom shall I announce?”

      And he announced the name through a door with a looped-back draping leading into a drawingroom.

      But Duroy, suddenly losing his assurance, felt himself breathless and paralyzed by terror. He was about to take his first step in the world he had looked forward to and longed for. He advanced, nevertheless. A fair young woman, quite alone, was standing awaiting him in a large room, well lit up and full of plants as a greenhouse.

      He stopped short, quite disconcerted. Who was this lady who was smiling at him? Then he remembered that Forestier was married, and the thought that this pretty and elegant blonde must be his friend’s wife completed his alarm.

      He stammered: “Madame, I am— “

      She held out her hand, saying: “I know, sir; Charles has told me of your meeting last evening, and I am very pleased that he had the idea of asking you to dine with us to-day.”

      He blushed up to his ears, not knowing what to say, and felt himself examined from head to foot, reckoned up, and judged.

      He longed to excuse himself, to invent some pretext for explaining the deficiencies of his toilet, but he could not think of one, and did not dare touch on this difficult subject.

      He sat down on an armchair she pointed out to him, and as he felt the soft and springy velvet-covered seat yield beneath his weight, as he felt himself, as it were, supported and clasped by the padded back and arms, it seemed to him that he was entering upon a new and enchanting life, that he was taking possession of something delightful, that he was becoming somebody, that he was saved, and he looked at Madame Forestier, whose eyes had not quitted him.

      She was attired in a dress of pale blue cashmere, which set off the outline of her slender waist and full bust. Her arms and neck issued from a cloud of white lace, with which the bodice and short sleeves were trimmed, and her fair hair, dressed high, left a fringe of tiny curls at the nape of her neck.

      Duroy recovered his assurance beneath her glance, which reminded him, without his knowing why, of that of the girl met overnight at the Folies Bergére. She had gray eyes, of a bluish gray, which imparted to them a strange expression; a thin nose, full lips, a rather fleshy chin, and irregular but inviting features, full of archness and charm. It was one of those faces, every trait of which reveals a special grace, and seems to have its meaning — every movement to say or to hide something. After a brief silence she asked: “Have you been long in Paris?”

      He replied slowly, recovering his self-possession: “A few months only, Madame. I have a berth in one of the railway companies, but Forestier holds out the hope that I may, thanks to him, enter journalism.”

      She smiled more plainly and kindly, and murmured, lowering her voice: “Yes, I know.”

      The bell had rung again. The servant announced “Madame de Marelle.”

      This was a little brunette, who entered briskly, and seemed to be outlined — modeled, as it were — from head to foot in a dark dress made quite plainly. A red rose placed in her black hair caught the eye at once, and seemed to stamp her physiognomy, accentuate her character, and strike the sharp and lively note needed.

      A little girl in short frocks followed her.

      Madame Forestier darted forward, exclaiming: “Good evening, Clotilde.”

      “Good evening, Madeleine.” They kissed one another, and then the child offered her forehead, with the assurance of a grown-up person, saying: “Good evening, cousin.”

      Madame Forestier kissed her, and then introduced them, saying: “Monsieur George Duroy, an old friend of Charles; Madame de Marelle, my friend, and in some degree my relation.” She added: “You know we have no ceremonious affectation here. You quite understand, eh?”

      The young man bowed.

      The door opened again, and a short, stout gentleman appeared, having on his arm a tall, handsome woman, much younger than himself, and of distinguished appearance and grave bearing. They were Monsieur Walter, a Jew from the South of France, deputy, financier, capitalist, and manager of the Vie Francaise, and his wife, the daughter of Monsieur Basile-Ravalau, the banker.

      Then came, one immediately after the other, Jacques Rival, very elegantly got up, and Norbert de Varenne, whose coat collar shone somewhat from the friction of the long locks falling on his shoulders and scattering over them a few specks of white scurf. His badly-tied cravat

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