The Clue - Carolyn Wells

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      Mrs. Markham overheard the quotation, and a look of pain came into her eyes. But it was all too late now, and to-morrow Madeleine would be irrevocably Schuyler Carleton's wife.

      After dinner coffee was served in the cosy library. Madeleine preferred this room to the more elaborately furnished drawing-room, and to-night her word was law.

      But suddenly her mood changed. For no apparent reason her gay spirits vanished, her smile faded away, and a pathetic droop curved the corners of her beautiful mouth.

      At about ten o'clock she said abruptly, though gently, "I wish you'd all go to bed. Unless you girls get some beauty sleep, you won't look pretty at my wedding to-morrow."

      "I'm quite ready to go," declared Kitty French with some tact, for she saw that Madeleine was nervous and strung up to a high tension.

      "I, too," exclaimed Molly Gardner, and the two girls said good-night and went upstairs.

      Two or three young men who had been dinner guests also made their adieux, and Tom Willard said, "Well, I may as well toddle to my comforts of home, as understood by a country innkeeper."

      Madeleine said good-night to him kindly enough, but without jest or gaiety. Tom looked at her curiously for a moment, and then, gently kissing her hand, he went away.

      Mrs. Markham, having seen Miss Morton comfortably installed in what had been Tom's room, returned to the library to offer her services to Madeleine.

      But the girl only thanked her, saying, "There is nothing you can do to-night. I want to be alone for an hour or two. I will stay here in the library for a time, and I'd like to have you send Cicely to me."

      A few moments later Cicely Dupuy came in, bringing some letters and papers. She was Miss Van Norman's private secretary, and admirably did she fill the post. Quick-witted, clever, deft of hand and brain, she answered notes, kept accounts, and in many ways made herself invaluable to her employer.

      Moreover, Madeleine liked her. Cicely was of a charming personality. Small, fair, with big, childish blue eyes and a rose-leaf skin, she was a pretty picture to look at.

      "Sit down," said Madeleine, "and make a little list of some final matters I want you to attend to to-morrow."

      Cicely sat down, and, taking pencil and tablet from the library table, made the lists as Madeleine directed. This occupied but a short time, and then Miss Van Norman said wearily:

      "You may go now, Cicely. Go to bed at once, dear. You will have much to do to-morrow. And please tell Marie I shall not need her services to-night. She may go to her room. I shall sit here for an hour or more, and I will answer these notes. I wish to be alone."

      "Very well, Miss Van Norman," said Cicely, and, taking the lists she had made, she went softly from the room.

      Chapter III.

       A Cry in the Night

       Table of Contents

      "Help!"

      The loud cry of a single word was not repeated, but repetition was unnecessary, for the sound rang through the old Van Norman house, and carried its message of fear and horror to all, awake or sleeping, within its walls.

      It was about half-past eleven that same night, and Cicely Dupuy, still fully dressed, flew from her bedroom out into the hall.

      Seeing a light downstairs, and hearing the servants' bells, one after another, as if rung by a frantic hand, she hesitated a moment only, and then ran downstairs.

      In the lower hall Schuyler Carleton, with a dazed expression on his white, drawn face, was uncertainly pushing various electric buttons which, in turn, flashed lights on or off, or rang bells in distant parts of the house.

      For a moment Cicely stared straight at the man.

      Their eyes met, their gaze seemed to concentrate, and they stood motionless, as if spellbound.

      This crisis was broken in upon by Marie, Madeleine's French maid, who came running downstairs in a hastily donned negligee.

      "Mon Dieu!" she cried. "Ou est Mademoiselle?"

      With a start, Carleton turned from Cicely, and still with that dazed look on his face, he motioned Marie toward the wide doorway of the library. The girl took a step toward the threshold, and then, with a shriek, paused, and ventured no further.

      Cicely, as if impelled by an unseen force, slowly turned and followed Marie's movements, and as the girl screamed, Cicely grasped her tightly by the arm, and the two stood staring in at the library door.

      What they saw was Madeleine Van Norman, seated in a chair at the library table. Her right arm was on the table, and her head, which had fallen to one side, was supported by her right shoulder. Her eyes were partly closed, and her lips were parted, and the position of the rigid figure left no need for further evidence that this was not a natural sleep.

      But further evidence there was. Miss Van Norman still wore her yellow satin gown, but the beautiful embroidered bodice was stained a dull red, and a crimson stream was even then spreading its way down the shimmering breadths of the trailing skirt.

      On the table, near the outstretched white hand, lay a Venetian dagger. This dagger was well known to the onlookers. It had lain on the library table for many years, and though ostensibly for the purpose of a paper-cutter, it was rarely used as such. Its edges were too sharp to cut paper satisfactorily, and, moreover, it was a wicked-looking affair, and many people had shuddered as they touched it. It had a history, too, and Richard Van Norman used to tell his guests of dark deeds in which the dagger had taken part while it was still in Italy.

      Madeleine herself had had a horror of the weapon, though she had often admitted the fascination of its marvellous workmanship, and had said upon several occasions that the thing fairly hypnotized her, and some day she should kill herself or somebody else with it.

      From an instinctive sense of duty, Marie started forward, as if to help her mistress, then with a convulsive shudder she screamed again and clasped her hands before her eyes to shut out the awful sight.

      Cicely, too, moved slowly toward the silent figure, then turned and again gazed steadfastly at Schuyler Carleton.

      There must have been interrogation in her eyes, for the man pointed toward the table, and Cicely looked again, to notice there a bit of paper with writing on it.

      She made no motion toward it, but the expression on her face changed to one of bewildered surprise. Before she had time to speak, however, the other people of the house all at once began to gather in the hall.

      Mrs. Markham came first, and though when she saw Madeleine she turned very white and seemed about to faint, she bravely went at once toward the girl, and gently tried to raise the fallen head.

      She felt a firm grasp on her shoulder, and turned to see Miss Morton, with a stern, set face, at her side.

      "Don't touch her," said Miss Morton, in a whisper. "Telephone for a doctor quickly."

      "But she's dead," declared Mrs. Markham, at the same time bursting into violent sobs.

      "We do not know; we hope not," went on Miss Morton, and without another word she led Mrs. Markham to a sofa, and sat her down rather suddenly, and then went herself straight to the telephone.

      As she reached it she paused only to inquire the name of the family physician.

      Harris, the butler, with difficulty articulated the name of Doctor Hills and his telephone number, and without further inquiry Miss Morton called for him.

      "Is this Doctor Hills?" she said when her call was answered. "Yes; this is the Van Norman house. Come here at once. . . . No matter; you must come at once—it is very important—a matter of life and death. . . . I am Miss Morton. I am in charge here. Yes, come immediately! Good-by."

      Miss

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