Famous Firesides of French Canada - Mary Wilson Alloway

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He was the descendant of several generations of distinguished men who were famous as courtiers and soldiers." He was of Basque origin and proud of his noble ancestry. He was born in 1620, and was distinguished by becoming the god-child of the King, the royal sponsor bestowing his own name on the unconscious babe, who was in after years to be a sturdy defender of France's dominions over the ocean. He became a soldier at the age of fifteen, and even in early youth and manhood saw active service and gave promise of gallantry and bravery.

      In October, 1648, he married the lovely young Anne de la Grange-Trianon, a "maiden of imperious temper, lively wit and marvellous grace." She was a beauty of the court and chosen friend of Mademoiselle de Montpensier, the granddaughter of King Henry the Fourth. A celebrated painting of the Comtesse de Frontenac, in the character of Minerva, smiles on the walls of one of the galleries at Versailles.

      The marriage took place without the consent of the bride's relatives, and soon proved an ill-starred one, the young wife's fickle affection turning into a strong repulsion for her husband, whom she intrigued to have sent out of the country.

      Her influence at court, and some jealousy on the part of the King combined to bring about this end, and Frontenac was appointed Governor and Lieutenant-General of La Nouvelle France.

      Parkman says:—"A man of courts and camps, born and bred in the focus of a most gorgeous civilization, he was banished to the ends of the earth, among savage hordes and half-reclaimed forests, to exchange the splendour of St. Germain and the dawning glories of Versailles for a stern, grey rock, haunted by sombre priests, rugged merchants, traders, blanketed Indians and wild bushrangers." When he sailed up the river and the stern grandeur of the scene opened up before him, he felt as he afterwards wrote:—

      "I never saw anything more superb than the position of this town. It could not be better situated for the future capital of an empire."

      But the dainty and luxurious Comtesse had no taste for pioneer life, and no thought of leaving her silken-draped boudoir for a home in a rude fort on a rock; she therefore accepted the offer of a domicile with her kindred spirit, Mademoiselle d'Outrelaise. The "Divines," as they were called, established a Salon, which, among the many similar coteries of the time, was remarkable for its wit and gaiety. It set the fashion to French society, and was affected by all the leading spirits of the Court and Capital.

      Although an occasional billet came from the recreant spouse to her husband in the Castle St. Louis, no home life nor welcoming domestic fireside threw a charm over his exile. The glamour with which affection can glorify even the rudest surroundings was denied him in his long life of seventy-six years.

      To avoid the confusion to which the terms Fort St. Louis and Castle St. Louis might lead, it must be understood that they in a measure were the same, as the one enclosed the other.

      In the year 1834, two hundred and fourteen years after the foundation of this Château, a banquet was prepared for the reception of those invited to partake of the official hospitality of the Governor; when suddenly the tocsin sounded—the dreaded alarm of fire. Soon the streets were thronged with citizens, with anxious enquiries passing from lip to lip, and ere long the cry was uttered: "To the Castle, to the Castle!"

      The entire population of merchants and artisans, soldiers from the garrison, priests from the monasteries, and citizens, rich and poor, joined hands with the firemen to save the mediæval fortress from destruction, and its treasured contents from the flames. Old silver was snatched from the banquet table by some who had expected to sit around the board as guests.

      At the head of the principal staircase, where it had stood for fifty years or more, was a bust of Wolfe, with the inscription upon it:—

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