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Charles Dickens' Most Influential Works (Illustrated). Charles Dickens
Читать онлайн.Название Charles Dickens' Most Influential Works (Illustrated)
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isbn 9788027225088
Автор произведения Charles Dickens
Жанр Языкознание
Издательство Bookwire
The vigilant watchman, using his daily opportunities of turning his eyes in Bradley’s direction, soon apprized Miss Peecher that Bradley was more preoccupied than had been his wont, and more given to strolling about with a downcast and reserved face, turning something difficult in his mind that was not in the scholastic syllabus. Putting this and that together—combining under the head ‘this,’ present appearances and the intimacy with Charley Hexam, and ranging under the head ‘that’ the visit to his sister, the watchman reported to Miss Peecher his strong suspicions that the sister was at the bottom of it.
‘I wonder,’ said Miss Peecher, as she sat making up her weekly report on a half-holiday afternoon, ‘what they call Hexam’s sister?’
Mary Anne, at her needlework, attendant and attentive, held her arm up.
‘Well, Mary Anne?’
‘She is named Lizzie, ma’am.’
‘She can hardly be named Lizzie, I think, Mary Anne,’ returned Miss Peecher, in a tunefully instructive voice. ‘Is Lizzie a Christian name, Mary Anne?’
Mary Anne laid down her work, rose, hooked herself behind, as being under catechization, and replied: ‘No, it is a corruption, Miss Peecher.’
‘Who gave her that name?’ Miss Peecher was going on, from the mere force of habit, when she checked herself; on Mary Anne’s evincing theological impatience to strike in with her godfathers and her godmothers, and said: ‘I mean of what name is it a corruption?’
‘Elizabeth, or Eliza, Miss Peecher.’
‘Right, Mary Anne. Whether there were any Lizzies in the early Christian Church must be considered very doubtful, very doubtful.’ Miss Peecher was exceedingly sage here. ‘Speaking correctly, we say, then, that Hexam’s sister is called Lizzie; not that she is named so. Do we not, Mary Anne?’
‘We do, Miss Peecher.’
‘And where,’ pursued Miss Peecher, complacent in her little transparent fiction of conducting the examination in a semiofficial manner for Mary Anne’s benefit, not her own, ‘where does this young woman, who is called but not named Lizzie, live? Think, now, before answering.’
‘In Church Street, Smith Square, by Mill Bank, ma’am.’
‘In Church Street, Smith Square, by Mill Bank,’ repeated Miss Peecher, as if possessed beforehand of the book in which it was written. Exactly so. And what occupation does this young woman pursue, Mary Anne? Take time.’
‘She has a place of trust at an outfitter’s in the City, ma’am.’
‘Oh!’ said Miss Peecher, pondering on it; but smoothly added, in a confirmatory tone, ‘At an outfitter’s in the City. Ye-es?’
‘And Charley—’ Mary Anne was proceeding, when Miss Peecher stared.
‘I mean Hexam, Miss Peecher.’
‘I should think you did, Mary Anne. I am glad to hear you do. And Hexam—’
‘Says,’ Mary Anne went on, ‘that he is not pleased with his sister, and that his sister won’t be guided by his advice, and persists in being guided by somebody else’s; and that—’
‘Mr Headstone coming across the garden!’ exclaimed Miss Peecher, with a flushed glance at the looking-glass. ‘You have answered very well, Mary Anne. You are forming an excellent habit of arranging your thoughts clearly. That will do.’
The discreet Mary Anne resumed her seat and her silence, and stitched, and stitched, and was stitching when the schoolmaster’s shadow came in before him, announcing that he might be instantly expected.
‘Good evening, Miss Peecher,’ he said, pursuing the shadow, and taking its place.
‘Good evening, Mr Headstone. Mary Anne, a chair.’
‘Thank you,’ said Bradley, seating himself in his constrained manner. ‘This is but a flying visit. I have looked in, on my way, to ask a kindness of you as a neighbour.’
‘Did you say on your way, Mr Headstone?’ asked Miss Peecher.
‘On my way to—where I am going.’
‘Church Street, Smith Square, by Mill Bank,’ repeated Miss Peecher, in her own thoughts.
‘Charley Hexam has gone to get a book or two he wants, and will probably be back before me. As we leave my house empty, I took the liberty of telling him I would leave the key here. Would you kindly allow me to do so?’
‘Certainly, Mr Headstone. Going for an evening walk, sir?’
‘Partly for a walk, and partly for—on business.’
‘Business in Church Street, Smith Square, by Mill Bank,’ repeated Miss Peecher to herself.
‘Having said which,’ pursued Bradley, laying his door-key on the table, ‘I must be already going. There is nothing I can do for you, Miss Peecher?’
‘Thank you, Mr Headstone. In which direction?’
‘In the direction of Westminster.’
‘Mill Bank,’ Miss Peecher repeated in her own thoughts once again. ‘No, thank you, Mr Headstone; I’ll not trouble you.’
‘You couldn’t trouble me,’ said the schoolmaster.
‘Ah!’ returned Miss Peecher, though not aloud; ‘but you can trouble me!’ And for all her quiet manner, and her quiet smile, she was full of trouble as he went his way.
She was right touching his destination. He held as straight a course for the house of the dolls’ dressmaker as the wisdom of his ancestors, exemplified in the construction of the intervening streets, would let him, and walked with a bent head hammering at one fixed idea. It had been an immoveable idea since he first set eyes upon her. It seemed to him as if all that he could suppress in himself he had suppressed, as if all that he could restrain