LITMIR.BIZ

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and after the deed, and who have openly hired and approved the perpetration of such other deeds, were concerned in the planning and execution of this deed too.

      Booth was an actor, and the son of a well known actor; and the son had inherited, apparently, much of the reckless and occasionally furious temper of his father. He was also a very violent and bitter rebel. During the fall of 1864, he had been in Canada, consulting with the rebel agents there, and mixed up with a number of other subordinate agents in the business of assassinating President Lincoln; and he was the most prominent candidate, so to speak, for the place of actual murderer. On November 11th, 1864, he was in New York, where, while riding with a companion in a street car, he dropped a letter which came into the possession of the government; it was a vigorous appeal to him to assassinate Mr. Lincoln. It said: "Abe must die, and now. You can choose your weapons, the cup, the knife, the bullet;" and again: "Strike for your home, strike for your country; bide your time, but strike sure." During the winter, Booth was engaging the assistance required for his scheme; and he had already fixed upon the scene of the murder; for, not later than January, he was urging one Chester to enter into the plan, and assuring him that all his part of it would be to stand at the back door of Ford's Theatre and open it. This was a safe calculation, for the President's enjoyment of dramatic performances was great, and enhanced by the difficulty of finding agreeable relaxations, and also by the awful pressure of his official duties and of the war, which intensified the need of relaxation.

      The scheme as finally arranged, provided for the assassination of Mr. Lincoln, by Booth; of Mr. Johnson, by Atzerodt; of Mr. Seward, by Payne, (alias Powell); and of Gen. Grant, by O'Laughlin. For the President, an elaborate death trap was constructed in Ford's Theatre. The catches of the locks to all three doors of the President's box (one outer and two inner ones), were loosened by loosening their screws, and left so that a slight push would enable the assassin to enter even though the doors should be locked. A small hole was made through one of the two inner ones, to enable him to see before entering exactly how his victim sat, so that the final moves within the box could be laid out before entering it; and a wooden brace was prepared to set against the outer door (which opened inward) with one end, and with the other to fit a mortice cut in the wall behind, so that after entering, the assassin could fasten the door behind him sufficiently to prevent any interruption until his work was done. Arrangements were made for securing horses for the murderers to flee with. The stage carpenter or assistant, Spangler, was employed to be on hand and open and shut the back door of the theatre when wanted. Some scenes and miscellaneous matter that frequently impeded more or less the passage from the front of the stage to this back door, were piled up or otherwise put out of the way. A supply of weapons for the conspirators was provided. And a route for flight from Washington within the rebel lines was determined on. This route led southward from the city, over Anacostia Bridge, ten miles to Mrs. Surratt's house at Surrattsville, then some fifteen miles more to Dr. Mudd's house, then about twenty miles to a point where arrangements were made for crossing the Potomac and proceeding towards Richmond.

      All being ready, Booth, about 9 P. M., on the 14th of April, 1865, went to the theatre. He first went to the back door, entered it and saw that all was prepared; left Spangler in charge, and left his horse to be held by another subordinate of the theatre. Then he went round to the front of the building, where three of the conspirators were waiting. It was now about half past nine. One act of the play, "Our American Cousin,"—was nearly through. "I think he will come out now," remarked Booth. It is very usual for the spectators to leave the theatre between the acts, often to return; and if Mr. Lincoln had happened to feel too busy to remain longer and had left then, probably Booth would have attacked him there, trusting to be able to escape into the theatre in the bustle and so through his guarded door. But the President did not come. Booth went into a saloon close by and drank some whisky. The spectators had returned for the next act. Booth entered the vestibule of the theatre, and from it the passage that leads from the street to the stage and also to the outer door of the President's box. As he did so, one of his companions followed him into the vestibule, looked up to the clock and called out the hour. It was approaching ten. Three successive times, at intervals of several minutes, the companion thus called out the hour. The third time he called, in a louder tone, "Ten minutes past ten o'clock!" At this Booth disappeared in the theatre, and the three others walked rapidly away. Booth went straight to the outer door of the President's box, paused and showed a visiting card to the President's messenger, who was in waiting; placed his hand and his knee against the door, and pushing it open, entered. He then quietly fastened the door with the brace that stood ready; looked through the hole in the inner door, and saw the President. Silently opening the door, he entered. Mr. Lincoln sat at the left hand front corner of the box, his wife at his right hand, a Miss Harris at the right hand front corner, and a Major Rathbone behind her. Mr. Lincoln was leaning forward and looking down into the orchestra. Booth stepped quickly up, and fired a pistol bullet into the President's head, behind and on the left side. The murdered man raised his head once; it fell back upon his chair, and his eyes closed. Major Rathbone, a cool, bold and prompt soldier, who had been absorbed in the play, now hearing the pistol-shot, turned, saw Booth through the smoke, and instantly sprang upon him. Booth, a nervous and strong man, expert in all athletic exercises, and a skillful fencer, wrenched himself free with a desperate effort, as he well needed to do. He had already dropped his pistol and drawn a heavy bowie knife, with which he made a furious thrust at his captor's heart. Rathbone parried it, but was wounded deeply in the arm and his hold loosed. Booth sprang for the front of the box; Rathbone followed, but only caught his clothes as he sprang over. Rathbone shouted "Stop that man!" and then turned to assist the President.

      Booth leaped over the front of the box, down upon the stage, shouting as he went, "Revenge for the South!" His spur caught in the national flag as he descended; the entanglement caused him to fall almost flat on the stage as he came down; and either the wrench of tearing loose from the flag, or the fall, snapped one of the bones of his leg between knee and ankle. This fracture, though not preventing him at once from moving about, so far disabled him as probably to have been the occasion of his being overtaken and captured; so that it is scarcely extravagant to imagine the flag as having, in a sense, avenged the guilt of the crime perpetrated upon its chief official defender, by waylaying and entrapping the criminal in his turn, as he had done his victim. Booth instantly sprang up, turned towards the audience, and raising his bloody knife in a stage attitude, with a theatrical manner, vociferated the motto of the State of Virginia, "Sic semper tyrannis!"—a motto already turned into a discreditable satire by its contrast with the characteristic traffic of the great slavebreeding state, and even more effectually disgraced by the use now made of it, to justify assassination. It will be strange if some less dishonored words are not one day chosen for the device of Free Virginia.

      Booth, thus vaporing for a moment, then rushed headlong across the stage, and darted by the side passage to the rear door. One man sprang from an orchestra seat upon the stage and shouted to stop him. One of the employes of the theatre, standing in the passage, was too much startled to stand aside, and the desperate fugitive struck him on the leg, cut at him twice, knocked him one side and darted on. The door was ready. He sprang out, and it shut behind him. Seizing the horse which was held in waiting for him, Booth, as if in a frenzy like that of the Malays when "running amok," struck the poor fellow who held it, with the butt of his knife, knocking him down; and then kicking him, sprang to the saddle, and after a few moments lost in consequence of some nervousness or fright of the animal, rode swiftly off. This was on the evening of Friday, the 14th; it was on Wednesday, the 26th, that Booth, after having been delayed by having his leg set, and crippled by it afterwards, was discovered in Garrett's barn, south of the Rappahannock, not far from twenty miles from the Potomac, and was surrounded, shot and taken.

      The murdered President was quickly carried from the theatre to a house across the street and placed upon a bed. Surgical aid was at once obtained, but an examination at once showed that there was no hope of life. Mr. Lincoln's eyes had not opened, nor had consciousness returned at all, and they never did. The ball was a heavy one, from what is called a Derringer pistol, a short single-barreled weapon with a large bore. It had passed clear through the brain, and lodged against the bone of the orbit of the left eye, breaking that bone. It is almost certain that Mr. Lincoln suffered no pain after being shot, as the injury was of a nature to destroy conscious life. His exceedingly strong constitution and tenacity of life maintained

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