LITMIR.BIZ

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that I have a weakness for music of any kind, so long as it's good of its kind."

      The eye-glass dropped for a moment upon Mrs. Clarkson in the front row, and the irrepressible Radford was enabled to continue his say.

      "He has, too, from a mouth-organ to a full orchestra, from all accounts, Miss Bouverie. My revolver's in the coat-pocket next you!"

      "It is the music," continued Stingaree, looking harder than before in their direction, "which has brought me here to-night. I've come to listen, and for no other reason in the world. Unfortunately, when one has a price upon one's head, one has to take certain precautions before venturing among one's fellow-men. And, though I'm not here for gain or bloodshed, if any man of you gives me trouble I shall shoot him like a dog!"

      ​"That's one for me," whispered the intrepid overseer, in lower key. "Never mind. He's not looking at us now. I believe Mrs. Clarkson's going to faint. You take what I told you and slip it under your shawl, and you'll save a second by passing it up to me the instant you see her sway!"

      Hilda hesitated. A dead silence had fallen on the crowded and heated store, and in the silence Stingaree was already taking an unguarded interest in Mrs. Clarkson's appearance, which as certainly betokened imminent collapse. "Now!" whispered Radford, and Hilda hesitated no more. She was wearing a black lace shawl between her appearances at the piano; she had the revolver under it in a twinkling, and pressed it to her bosom with both hands, one outside the shawl and one underneath, as who should hug a beating heart.

      "Mrs. Clarkson," said Stingaree, "you have been singing too much, and the quality of your song has not been equal to the quantity."

      It sounded a brutal speech enough; and to do justice to a portion of the audience not hitherto remarkable for its spirit, the ungallant criticism was audibly resented in the back rows. The maudlin stockman had indeed to be restrained by his neighbors from precipitating himself upon the barrels of Stingaree. But the effect upon Mrs. ​Clarkson herself was still more remarkable, and revealed a subtle kindness in the desperado's cruelty. Her pale face flushed; her lack-lustre eyes blazed forth their indignation; her very clay was on fire for all the room to see.

      "I don't sing for criminals and cut-throats!" the indignant lady cried out. She glanced at Sir Julian as one for whom she did sing. And Sir Julian's eyes twinkled under the bushranger's guns.

      "To be sure you don't," said Stingaree, with as much sweetness as his character would permit. "You sing for charity, and spend three times as much as you are ever likely to make in arraying yourself for the occasion. Well, we must put up with some song-bird without fine feathers, for I mean to hear the programme out." His eyes ranged the front rows till they fell on Hilda Bouverie in her corner. "You young lady over there! You've been talking since I called for silence. You deserve to pay a penalty; be good enough to step this way."

      Hilda's excitement may be supposed; it made her scandalously radiant in that company of humiliated men and women, but it did not rob her of her resource. Removing her shawl with apparent haste, but with calculated deliberation, she laid it in a bunch upon the seat which she had occupied, ​and stepped forward with a courage that won a cheer from the back rows. Stingaree stooped to hand her up to the platform; and his warm grip told a tale. This was what he had come for, to make her sing, to make her sing before Sir Julian Crum, to give her a start unique in the history of the platform and the stage. Criminal, was he? Then the dearest, kindest, most enchanting, most romantic criminal the world had ever seen! But she must be worthy of his chivalry and her chance; and, from the first, her artistic egoism insisted that she was.

      Stingaree had picked up a programme, and dexterously mounted it between hammer and cartridge of the revolver which he had momentarily relinquished, much as a cornet-player mounts his music under his nose. With both weapons once more levelled, he consulted the programme now.

      "The next item, ladies and gentlemen," said he, "is another pianoforte solo by this young lady. We'll let you off that, Miss Bouverie, since you've got to sing. The next song on the programme is called 'The Unrealized Ideal,' and the music is by our distinguished visitor and patron, Sir Julian Crum. In happier circumstances it would have been sung to you by Mrs. Montgomery Clarkson; as it is, I call upon Miss Bouverie to realize her ​ideal and ours, and on Sir Julian Crum to accompany her, if he will."

      At Mrs. Clarkson's stony side the great man dropped both arms at the superb impudence of the invitation.

      "Quite right, Sir Julian; let the blood run into them," said Stingaree. "It is a pure oversight that you were not exempted in the beginning. Comply with my entreaty and I guarantee that you shall suffer no further inconvenience."

      Sir Julian wavered. In London he was a clubman and a diner-out; and what a tale for the Athenæum—what a short cut to every ear at a Kensington dinner-table! In the end it would get into the papers. That was the worst of it. But in the midst of Sir Julian's hesitation his pondering eyes met those of Miss Bouverie—on fire to sing him his own song—alight with the ability to do it justice. And Sir Julian was lost.

      How she sang it may be guessed. Sir Julian bowed and swayed upon his stool. Stingaree stood by with a smile of personal pride and responsibility, but with both revolvers still levelled, and one of them cocked. It was a better song than he had supposed. It gained enormously from the composer's accompaniment. The last verse was softer than another would have made it, and yet ​the singer obeyed inaudible instructions as though she had never sung it otherwise. It was more in a tuneful whisper than in hushed notes that the last words left her lips:—

      "Lightly I sped when hope was high,

      And youth beguiled the chase;

       I follow—follow still; but I

      Shall never see her Face."

      The applause, when it came, was almost overwhelming. The bushranger watched and smiled, but cocked his second pistol, and let the programme flutter to the floor. As for Sir Julian Crum, the self-contained, the cynical, he was seen for an instant, wheeled about on the music-stool, grasping the singer by both hands. But there was no hearing what he said; the girl herself heard nothing until he bellowed in her ear:

      "They'll have their encore. What can you give them? It must be something they know. 'Home, Sweet Home'? 'The Last Rose'? 'Within a Mile'? The first, eh? Very well; it's a leaf out of Patti's book; but so are they all."

      And he struck the opening bars in the key of his own song, but for some moments Hilda Bouverie stood bereft of her great voice. A leaf out of Patti's book, in that up-country township, before ​a roomful held in terror—and yet unmindful—of the loaded pistols of two bloodthirsty bushrangers! The singer prayed for power to live up to those golden words. A leaf out of Parti's book!

      It was over. The last poignant note trembled into nothingness. The silence, absolutely dead for some seconds, was then only broken by a spirituous sob from the incorrigible stockman. There was never any applause at all. Ere it came, even as it was coming, the overseer Radford leapt to his feet with a raucous shout.

      The bushranger had vanished from the platform. The other bushranger had disappeared through the other door. The precious pair of them had melted from the room unseen, unheard, what time every eye doted on handsome Hilda Bouverie, and every ear on the simple words and moving cadences of "Home, Sweet Home."

      Ted Radford was the first to see it; for by the end of the brief song he had his revolver uncovered and cocked at last, and no quarry left for him to shoot. With a bound he was on the platform; another carried him into the canvas anteroom, a third and a fourth out into the moonlight. It was as bright as noon in a conservatory of smoked glass. And in the tinted brightness one man was already galloping away; but it was Stingaree who danced ​with one foot only in the stirrup of a milk-white mare.

      Radford rushed up to him and fired point-blank again and again. A series of metallic clicks was all the harm he did, for Stingaree was in the saddle before the hurled revolver struck the mare on the ribs, and sent the pair flying through the moonlight with a shout of laughter, a cloud of sand, and a dull volley of thunderous hoofs. The overseer picked up his revolver and returned crestfallen to examine it in the

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